ONLINE-CATALOGUE
| AUCTION 11 | 24. März 2007 |
Auction 11 Highlights CATEGORIES ARTISTS all lots aftersale only results onlyPaintings
Graphic 17th-20th ct. - Colour
Graphic works 17th-19th cent.
Graphic works, 20th-21st ct.
Photography
Graphic works 20th ct. - Colour
Sculptures
European Porcelain
Asian Art
Jewellery / Accessoires
Silverware
Tin / Metals
Glass until 1900
Glass after 1930
Lamps
Frames
Furniture / Fittings
Miscellanea
|
more search options |
001 M. Baur "Bautzen, Spreeidyll". 1st half 20th cent.
Max Bauer 1886 Stuttgart – 1951 ebenda
Oil on canvas. Signed "M. Baur". Verso two small restaurations in the canvas. Framed.
50 x 70 cm, Ra. 66 x 84 cm.
002 Walter Beyermann "Sheep meadow at dawn with mother and child". 1905.
Walter Beyermann 1886 Haida/Böhmen – 1961 Dresden
Oil on canvas. Left hand bottom corner label with the number ""8669"" (maybe number off an art exhibition). Verso on the canvas signed "Beyermann". Framed. Canvas with small dent.
128 x 120 cm, Ra. 145 x 128 cm.
003 Walter Beyermann "Mother and child in a corn field". 1905.
Walter Beyermann 1886 Haida/Böhmen – 1961 Dresden
Oil on canvas. A label with the number "8608" (maybe number off an art exhebition) on the left hand bottom corner. Verso signed "Beyermann" on the stretcher frame. Framed. Canvas sligthly loose.
133 x 100 cm, Ra 153 x 138 xm.
004 Ferdinand Brandt "View of Dresden". 1920.
Ferdinand Brandt 1861 Elberfelde – ?
Oil on cardboard. Signed "F. Brandt". Framed.
60 x 80 cm, Ra. 69 x 89 cm.
005 Erich Buchwald-Zinnwald "Tree in wide landscape". 1944.
Erich Buchwald-Zinnwald 1884 Dresden – 1972 Krefeld
Oil on canvas. Signed "E. Buchwald-Zinnwald" and dated. Framed.
72 x 99,5 cm, Ra. 85,3 x 113 cm.
006 Ermenegildo Carlo Donadini "Summerlike countryside". 1930.
Ermenegildo Carlo Donadini 1876 Wien – 1955
Oil on canvas. Signed "Donadini jr. Dresden".
60 x 83,5 cm.
007 Hermann Theodor Droop "From Ziegenheim". 1951.
Hermann Theodor Droop 1879 Emden – 1957 Ziegenhain b. Meißen
Oil on canvas. Monogrammed "H.T.D." and dated. Verso on the canvas inscribed in oil "H.T.Droop 'Aus Ziegenhain'". Framed.
60 x 70 cm, Ra. 86,5 x 96,5 cm.
008 Hermann Theodor Droop "Sandstones". 1930.
Hermann Theodor Droop 1879 Emden – 1957 Ziegenhain b. Meißen
Oil on cardboard. Monogrammed "H.T.D". Verso signed by Artist (?) "H.T.Droop" and titled. Framed behind glass. Cardboard sligthly wavy.
35,5 x 36 cm, Ra. 43,5 x 44 cm.
009 Franciscus Effendi "The Festival is over - Pesta sudh berachir". 1973.
Franciscus Effendi 1940 Surabaya/Java (Indonesien)
Oil on canvas. Titled, dated and signed "Franciscus". Verso on the canvas once more signed and titled, on the stretcher a label from the artist with all dates of the picture. Framed.
73 x 54 cm.
010 Ernst Fechter "Still life with pitcher and apples". 1963.
Ernst Fechter 1924 Löbjojen/Ostpreussen – 1998 Dresden
Oil on fibreboard. Signed "Fechter" and dated. Corners slightly damaged. Some imperfections in the paint layer.
46 x 54,5 cm.
011 Ernst Fechter "Still life with flowers in a pitcher". No date.
Ernst Fechter 1924 Löbjojen/Ostpreussen – 1998 Dresden
Oil on cardboard. Signed "Fechter". With some crackles and little imperfections on the paint layer. Edges slightly damaged.
71,5 x 47 cm.
012 Ernst Fechter "Dresden - Schillerplatz". 1980.
Ernst Fechter 1924 Löbjojen/Ostpreussen – 1998 Dresden
Oil on wood. Unsigned. Verso inscribed by the artist (?). Little flaking in the paint layer.
46 x 46 cm.
013 Ernst Fechter "Portrait of a young female". No date.
Ernst Fechter 1924 Löbjojen/Ostpreussen – 1998 Dresden
Oil on fibreboard. Unsigned. Scarcely visible retouchings.Edges slightly damaged.
52,5 x 40,5 cm.
014 Achim Freyer "Forgotten park". 1965.
Achim Freyer 1934 Berlin
Acrylic on canvas. Monogrammed and dated. Verso titled, dated and inscribed with the address of the artist on the canvas.
40,5 x 50 cm.
015 Otto Julius Fritzsche "Moritzburg, Fasanenschlößchen". 1930.
Julius Otto Fritzsche 1872 Dresden – 1948 ebenda
Oil on canvas. Unsigned. Verso on the stretcher, on an old paperlabel typographicly titled and artist's attribution. Framed in elaborate stucco frame. Canvas slightly warped.
28,5 x 34 cm, Ra. 50, x 56 cm.
016 Ottmar von Fuehrer "Exotic bird". No date.
Ottmar von Fuehrer 1900 Sarajevo – 1967 USA
Tempera. Signed "O.F. von Fuehrer". Framed behind glass in mat.
BA. 38,5 x 30 cm, Ra. 54,5 x 45 cm.
017 Otto Garten "Still life with dead cock". 1930.
Otto Garten 1902 Elstra/Sachsen – 2000 ebenda
Oil on canvas. Signed "O.Garten" and dated. Paint layer with little craquelee. Some imperfections in the paint layer.
59 x 74 cm, Ra. 76 x 91 cm.
018 Hubertus Giebe "The artists garden - Herkuleskeule". 2004.
Hubertus Giebe 1953 Dohna – lebt in Dresden
Oil on fibreboard. Signed "Giebe" and dated. Verso inscribed by the artist "Giebe Dresden". Framed.
65,5 x 80 cm, Ra. 70 x 84 cm.
019 Irmingard Grünwald "Still life with can and book". No date.
Irmingard Grünwald-Kühl 1912 Bisamberg bei Wien – 1986 München
Oil on cardboard. Monogrammed. Inscribed by a different hand (?). Framed.
37,5 x 47,8 cm, Ra. 54 x 64 cm.
020 Theodore Guillery "Summer countryside with ploughing farmer". 1920.
Theodore Guillery 1900 München – 1976 Buchbach
Oil on canvas. Signed "Theo Guillery". Framed. Canvas slightly warped and loose.
52 x 70 cm, Ra. 66 x 87 cm.
021 Hans Hartig "Alt-Dresden". 1903.
Hans Hartig 1873 Karvin/Pommern – 1936 Berlin
Oil on fibreboard. Signed "Hans Hartig". Titled and inscribed by a different hand. Framed.
48 x 69 cm, Ra. 65,5 x 87,5 cm.
022 Hans Hartmann"Minster square in Albenga (Riviera)". 1899.
Hans Hartmann 1845 Berlin – ?
Oil on canvas. Signed "Hans Hartmann" and dated to the lower right. Framed in an extraordinarily gilded stucco frame.
Minimal defects to the surface.
72 x 54 cm, Ra. 110,5 x 92 cm.
023 Emanuel Hegenbarth"Horses in the watering place". Ca. 1905.
Emanuel Hegenbarth 1868 Böhmisch-Kamnitz – 1923 Dresden
Oil on canvas. Signed "E. Hegenbarth" to the upper left. Titeled by a different hand (?) on a paper label. Framed.
Not in the cataloque raisonné of E. Feilen, but similar paintings: no. 417, 419, 420.
Tiny hole and small dent to the canvas.
40 x 60 cm, Ra. 52,5 x 72 cm.
024 Hanns Herzing "The green valley". 1940.
Hanns Herzing 1890 Dresden – 1971 ebenda
Oil on plywood. Verso signed in pencil "Hanns Herzing". Dated, inscribed and numbered "18" on an paperlabel by the artist.
75 x 100 cm.
025 Hanns Herzing "View from the summit (Zugspitze)". 1953.
Hanns Herzing 1890 Dresden – 1971 ebenda
Oil on fibreboard. Verso dated, insigned and numbered "Hanns Herzing" on a paperlabel by the artist.
75,5 x 100 cm.
026 Carl Heyn "At the holy three wells". 1880.
Carl Heyn 1834 Leipzig – 1906 Blasewitz/Dresden
Oil on canvas Signiert "Carl Heyn" u.li. Verso mit einem alten Klebezettel versehen und dort bezeichnet und betitelt. Breite profilierte Kreidegrundholzleiste mit Goldauflage.
Kleine Retusche im Bereich des Gebirges links. Kleine Fehlstelle in der Malschicht u.li.
98 x 68,5 cm, Ra. 112 x 83 cm.
027 Erhard HippoldErhard Hippold "Garden with moon (View on the garden of the villa "Sorgenfrei"). 1947.
Erhard Hippold 1909 Wilkau – 1972 Bad Gottleuba
Oil on hessian. Signed "Hippold" and dated to the bottom center in the arch of the wall. Verso on the canvas monogrammed "EH", on a paperlabel (from Artist?) titled and inscribed, on once more numbred "5". Original artist's frame.
70,5 x 95,5 cm.
028 Erhard Hippold "Self Portrait". 1949.
Erhard Hippold 1909 Wilkau – 1972 Bad Gottleuba
Tempera on hessian. Unsigned. Verso monogrammed "GA" (for Gussy Ahnert) to the hessian. Signed on the stretcher frame "Gussy Ahnert". In white wooden frame.
60 x 46 cm, Ra. 69,5 x 54,5 cm.
029 Dora Hitz Dora Hitz "Paris, man in a white smock". 1889.
Dora Hitz 1856 Altdorf b. Nürnberg – 1924 Berlin
Gouache. Signed "Dora Hitz" and dated to the lower left. Verso an old label of the collection Serzisko jr. Berlin W. Framed.
Cardboard with water stains.
57,5 x 36 cm, Ra. 83 x 61 cm.
030 Elsa Hoppe "Landscape". No date.
Elsa Hoppe 1901 ? – 1991 Göttingen
Oil on cardboard. Signed "E.Hoppe". Verso artist's estate stamp. Framed.
54,5 x 67,5 cm, Ra. 66,5 x 79 cm.
031 Jenö Karpathy "Southern coast area". 1920.
Jenö Karpathy 1870 Debrecen in Ungarn – 1950 Budapest
Oil on canvas. Signed. Paint layer with little craquelee to the right.
49,5 x 60,5 cm.
032 Robert Kämmerer "Potsdam - few from the castel Sansoussi". 1924.
Robert Kämmerer 1870 Lippstadt i. W. – 1950 ?
Tempera on cardboard. Signed "Rob. Kämmerer" and indistinctly dated. In mat.
35,5 x 49,8 cm.
033 Robert Kämmerer "Havel landscape". 1922.
Robert Kämmerer 1870 Lippstadt i. W. – 1950 ?
Tempera on cardboard. Signed "Rob. Kämmerer" and dated. Verso remainings of an old exhibition label. In mat. Small defect to the sky.
45 x 58,5 cm
034 Peter Robert Keil "Without title". 1990.
Peter Robert Keil 1942 Züllichau/Pommern
Acrylic on canvas. Verso signed "Peter Keil". Framed. Small defect to the paint, small tears in the canvas lower left and right top.
98 x 60 cm, Ra. 108 x 70 cm.
035 Eckhard Kempin "Abstract composition". 1990.
Eckhard Kempin 1941 Neu-Schönwalde – lebt in Radebeul
Oil on canvas. Signed and dated. Small craquelé and flakings to the upper area of the image. Canvas detached off the stretcher frame to the left.
85 x 55 cm.
036 Hetty Kirst "Arabic coffeehaus scene". No date.
Hetty Krist 1942 Den Haag – lebt in Frankfurt
Oil on cardboard. Signed "Kist". Framed.
50 x 64,5 cm, Ra. 62,5 x 77,5 cm.
037 Hugo König Hugo König "Horse-drawn vehicle". Ca. 1880. 1890.
Hugo König 1856 Dresden – 1899 ebenda
Oil on wood. Monogrammed. Framed. Crackling on the painting in the area of the sky.
13,5 x 18 cm.
038 Walter Köster "Westerwald, hamlet road and hens". 1941.
Walter Köster 20.
Oil on cardboard. Signed "Walter Köster" and dated. Verso inscibed by different hand (?) "Walter Köster Wiesbaden" and titled, with an old label. Framed.
44 x 53,5 cm, Falzmaß 44,5 x 56,5 cm, Ra. 58,5 x 71 cm.
039 Gertrud Korn "Midday". 1945.
Gertrud Korn 1879 Leislau – ?
Gouache and Watercolour on cardboard. Unsigned. Verso remainings parts of an old mounting.
36,5 x 49,8 cm.
040 G. Kretzschmar "meadow". 1928.
Oil on canvas. Signed and dated, titled verso, signed and dated on the stretcher frame by a different hand.
45,5 x 60 cm.
041 Karl KunzKarl Kunz "Chant of Orpheus". 1944.
Karl Kunz 1905 Augsburg – 1971 Frankfurt a.M.
Oil on plywood. Dated "Aug. 44" and signed "K. Kunz" to the lower right. Framed.
Catalogue raisonné Denk/Krügl no. 77; Schmidt 33.
Exhibitions: Städtische Galerie im Lenbachhaus, Munich 1947, Kat-Nr. 194 (titeled "Engrossed hour"). Große Schwäbische Kunstausstellung, Augsburg 1949, Kat.-Nr. 169 mit Abb.
The painting arised during the Secound World War only six month after the bombing of Augsburg. From the stilistic point of view the painting belongs to the early work of the artist.
85 x 112 cm.
* Droit-de-suite of 2.00 % applies.
042 Karl Kunz "Flotsam". 1957.
Karl Kunz 1905 Augsburg – 1971 Frankfurt a.M.
Oil on fibreboard. Signed "K. Kunz" and dated to the lower right. Framed. Catalogue raisonné Denk/Krügl 243, Cataloque raisonné Schmidt 200.
Exhibitions: arthaus Darmstadt, 1959, nr. 23. artclub Friedberg/Hessen, 1979 (without catalog).
101,5 x 130,5 cm.
043 Paul Martin Leonhardt "Dockjard in the winter". 1945.
Paul Martin Leonhardt 1883 Buchholz (Annaberg) – 1971 Radebeul
Oil on plywood. Signed "P. M. Leonhardt" and dated. Verso stamped by the artist. and on an sheet of paper written by a different hand (?) titled and inscribed with the adress of the artist and the price, as well as inscribed "Original by P. M. Leonhardt Radebeul I.".
50 x 66 cm.
044 Hans Lindner "Woman feeding geese". No date.
Hans Lindner 1883 Zschopau – ? Niederwartha
Oil on canvas. Verso artist's estate stamp. Works numbre 1226. Framed. Canvas sligthly loose.
110 x 126 cm, Ra. 116 x 132 cm.
045 Jacob Maris Jacob Maris (attributed) "Coastal scene". Late 19th cent.
Jacob Maris 1837 Haag – 1899 Karlsbad
Oil on canvas. Oil on canvas. Unsigned. Bronzed stucco frame. Old owner certificate (?) on the stretcher.
56,5 x 45,7 cm.
046 Harald Metzkes "Without title (waterplaying mals)". 1998.
Harald Metzkes 1929 Bautzen – lebt in Altlandsberg
Oil on fibreboard. Signed "Metzkes" and dated. Framed.
22 x 40 cm, Ra. 35,5 x 53,5 cm.
047 Martin Minden "Head of a man". 1st half 20th cent.
Martin Minden 20. Jh.
Oil on canvas. Verso on the canvas Signed by artist (?) with brush. Edges of the canvas reinforced, new stretcher. Minimal retouchings at the bottom edge.
68 x 50 cm.
048 Max Möbius "Portrait of a wommen". No date.
Max Möbius 1901 Wilschdorf/Dresden – 1978 Dresden
Oil on canvas. Verso on the stretcher with estate stamp of the artist. Small imperfection on the paint.
45 x 39 cm.
049 Max Möbius "Winterlandscape in the Erzgebirge". 1946.
Max Möbius 1901 Wilschdorf/Dresden – 1978 Dresden
Oil on cardboard. Signed "Möbius" and dated. Framed
64 x 94 cm, Ra. 76,5 x 106,5 cm.
050 Max Möbius "Landscape". 1953.
Max Möbius 1901 Wilschdorf/Dresden – 1978 Dresden
Oil on canvas. Verso on the stretcher with pencil inscribed by a different hand "Möbius" and dated in oil, as well as marked with the estate stamp.
70,5 x 84,5 cm.
051 Albert Ernst Mühlig "Hunting scene". 1900.
Albert Ernst Mühlig 1862 Dresden – 1909 ebenda
Oil on cardboard. Verso signed with indian ink. Framed.
40 x 50,5 cm, Ra. 49,5 x 59,5 cm.
052 Bernhard Müller "The life ages". 1905.
Bernhard Müller 1880 Essen a. Ruhr – 1960 letzte Erwähnung
Oil on cardboard. Signed "Bernh Müller". Verso written by a different hand with a ballpen a dedication and inscribed "Bernhard Müller: Lebensalter". Framed. Small retouching in the landscape area. Hardly discernable scratches, by the left image border.
24,8 x 35,3 cm, Ra. 34,9 x 45,3 cm.
053 M. Müller-München "Pheasants at dawn". 1916.
Moritz Müller-München 19./20.Jh.
Oil on cardboard. Signed "M. Müller-München" and dated. Verso illegible notes in colour pencil. Framed.
49,5 x 71,5 cm, Ra. 67 x 88,5 cm.
054 Hermann Naumann "Blooms". 1965.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
Oil on fibreboard. Signed "Hermann Naumann" and dated. Framed,
24,3 x 30 cm, Ra. 40 x 45 cm.
055 Hermann Naumann "Faun". 1994.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
Mixed media (watercolor, coloured chalks). Signed with chalk "Hermann Naumann" and dated. Mounted on cardboard.
47,7 x 36 cm.
057 Raffaello Santi, called Rafael (copy after) "Madonna della Seggiola (Sedia)". 19th cent.
Oil on canvas. Unsigned. Framed in a partly carved, partly stucco Frame. These on is gold plated and partly polished/mattfinished.
BA. 76,5 x 60 cm (Oval), Leinwand 80 x 63 cm, Ra. 122 x 104,5 cm.
058 Walter Richard Rehn "Without title". 1914.
Richard Walter Rehn 1884 Dresden – 1951 ?
Oil on canvas. Monogrammed "R" and dated. Framed.
81 x 50 cm, Ra. 65 x 98,5 cm.
059 Gustav Schauer "Portrait of a female". 1900.
Gustav Schauer 1826 Beeskow – ?
Oil on canvas. Unsigned. Framed. On the Frame is a label "Prof. Gustav Schauer". Minimal defects and small retouchings. Minimal craqueleé in the area of the hair.
39,5 x 32,5 cm, Ra. 51,5 x 40,5 cm.
060 Anne Kathrin Schmidt "Docksides in Pieschen". 1984.
Anne Kathrin Schmidt 1960 Zwickau – ?
Oil on canvas. Signed and dated. Framed. Two small damages on the lower side of the canvas.
66 x 50 cm, Ra. 73,5 x 59 cm.
061 Victor Schulte "Still life with flowers". 1st half 20th cent.
Victor Schulte 1887 Antwerpen – 1972 Hannover
Oil on canvas. Signed "V. Schulte". Verso inscribed by a different hand on the stretcher frame. Framed. New stretcher frame. Paint with small imperfections.
59 x 49,3 cm, Ra. 66,5 x 56,3 cm.
062 Christoffer Jacob Schultze "Kitchen scene". 1795.
Christoffer Jacob Schultze 18. Jh.
Oil on wood. Verso signed with a brush, dated and insribed. Framed.
19,4 x 23,5 cm, Ra. 31 x 35 cm.
063 Felix Schurig "Kniting female". 1900.
Felix Schurig 1852 Dresden – 1907 Jowa City (USA)
Oil on canvas. Verso signed with pencil on the stretcher frame and marked with a label. Retouched imperfection of the paint on the right hand image border. Framed.
40 x 30,5 cm, Ra. 53,1 x 43,2 cm.
064 Horst Skodlerrak "At the beach". No date.
Horst Skodlerrak 1920 Jugnaten i. Memelland – 2001 Travemünde
Oil on fibreboard. Signed "Skodlerrak". Framed. Hardly visible imperfections in the paint.
23 x 18,7 cm, Ra. 31,2 x 27,3 cm.
065 Alice Sommer "Portrait of a man with a moustache". 1921.
Alice Sommer 1898 Dresden – 1982 Rotthalmünster
Oil on plywood. Verso dated with pencil "2. November 1921" and marked with the estate stamp of the artist. Framed. To the bottom edge a hardly visible glued cut, a small hole, as well as minimal flakings.
32,3 x 25,5 cm, Ra. 40,8 x 35 cm.
066 Arthur Thiele "Alpine landscape". 1910.
Arthur Thiele 1841 Dresden – 1919 bei München
Oil on canvas. Signed "Thiele". Framed. Retouched in the area of the sky, as well as small cracks in the paint layer.
70 x 100 cm, Ra. 116,5 x 86 cm.
067 I. Tiedt "Spectator". 1971.
J. Tiedt 20. Jh.
Oil on fibreboard. monogrammed and dated. Verso titled and inscribed "I. Tiedt Feldberg" by different hand.
39,8 x 50 cm.
068 Karl Timmler "Fishing village". 1950's.
Karl Timmler 1906 Liegnitz – 1996 Moritzburg
Oil on fibreboard. Signed "K. Timmler". Framed.
24 x 31,8 cm, Ra. 34,6 x 42,8 cm.
069 Otto Westphal"Coast near Amalfi". Ca. 1925.
Otto Westphal 1878 Leipzig – 1975 Dresden
Oil on canvas. Oil on canvas. Signed "Otto Westphal" to the lower right. Titeled to the reverse on the frame.
Tiny retouche to the canvas, minimal scratch mark to the beach.
75,5 x 86,5 cm.
070 Otto Westphal "Grazing cow". 1945.
Otto Westphal 1878 Leipzig – 1975 Dresden
Oil on canvas. Signed "Otto Westphal" and dated. On the lower image border small chips, the canvas slightly loose.
60,5 x 70 cm.
071 Otto Westphal "St. Saphorin at the lake of Genf". 1950.
Otto Westphal 1878 Leipzig – 1975 Dresden
Oil on canvas. Signed "Otto Westphalen". Verso on the stratcher titled "St. Saphorin am Genfer See, Otto Westphal Dresden". On the right image border light craqueleé and discoloured varnish.
65 x 87 cm.
072 H. Wolffert "Birch on a lake". 1st half 20th cent.
Oil on fibreboard. Signed "H: Wolffert". Paint with minimal defects.
54 x 26 cm.
073 Hans Jürgen Wolter "Willow by th reed". 1973.
Oil on cardboard. Mounted by the artist on a hardboard and framed by a strip of wood. Verso titled, dated and insribed on the hardboard with penzil. As well as signed, titled, dated and inscibed label.
BA: 31,5 x 22 cm, Ra. 46 x 37 cm.
074 Hans Jürgen Wolter "Autumnbunsh in a blue pitcher". 1976.
Oil on cardboard. Mounted by the artist on a hardboard and framed by a strip of wood. Verso titled, dated and insribed on the hardboard with penzil. As well as signed, titled, dated and inscibed label.
BA: 31,7 x 22 cm, Ra. 46 x 36,5 cm.
075 Hans Zank "Standau - Augusta Ufer in the winter". No date.
Hans Zank 1889 Berlin – 1967 Falkensee
Oil on cardboard. Signed "H: Zank". Verso insribed bei differend hand. Framed. Compare adequad motiv catalogue raisonné Sabatier 919f with illustration.
31,5 x 37,8 cm, Ra. 39 x 45 cm.
076 F. Zuska "Male portrait". 1909.
Oil on canvas. Signed "F. Zuska" and dated. Verso inscribed on the stratcher by differend hand. Framed.
60 x 50 cm, Ra. 66 x 56 cm.
077 Monogrammist E.H. "Gypsies at a river". 1900.
Oil on canvas. Monogrammed. A few retouches and small chips on the image borders as well as some wastage on the edges. Light craqueleé.
34 x 52 cm.
Oil on wood. Unsigned. Framed. painting with extensive craqueleé, which where professional retouched. Lager retouched on the right image border.
34 x 50 cm, Ra. 58 x 71 cm.
079 "Summerhaus". 1st half 20th cent.
Oil on plywood. Verso signed on cyrillic with penzil. Framed.
30 x 39,5 cm, Ra. 31,5 x 42 cm.
080 "The view of an hamlet in the Riesengebitge". 1900.
Oil on canvas. Unreadeble signed. Verso unreadeble titled and inscribed "Sid Staeger" (?) by differend hand. Two deposit tear in the midle of the picture, small retouched.
17,5 x 49 cm.
081 Anton Wagner "Chivalric scene". 1810.
Tempera on ivory. Signed "A.Wagner". Framed behing glass in a mat. minimal tears in the paint on the left image border (circa 8mm).
9,5 x 13,5 cm, Ra. 19,5 x 23 cm.
082 Emanuel Hegenbarth"Sittig female nude". 1904.
Emanuel Hegenbarth 1868 Böhmisch-Kamnitz – 1923 Dresden
Oil on canvas. Monogrammed. Framed. Small chips in the backround of the painting. Pressure mark in the canvas.
Not in the catalogue raissonné Feilen, but compare with a nearly identical painting no. 238.
60 x 70 cm, Ra. 76 x 87 cm.
083 "Portrait of a rococo dame". 19th cent.
Tempera on ivory. Cloudy signed. Framed behind glass.
4,2 x 2,8 cm.
084 "Evening landscape". 1st half 20th cent.
Oil on fibreboard. Framed.
56,5 x 75 cm, Ra. 66,5 x 85,5 cm.
090 Tito Agujari "Dame with two child". Late 19th cent.
Tito Agujari 1834 Adria/Rovigo – 1908 Triest
Watercolour and pencil. Signed "Agujari". Inscribed in the picture by different hand.
BA. 22,5 x 11,5 cm, Ra. 55,5 x 44,5 cm.
091 Wilhelm Busch "The warm bath". 1865.
Wilhelm Busch 1832 Wiedensahl – 1908 Mechtshausen
Coloured wood engraving. Signed to the medium "W. Busch", dated and titled, as well as insribed. 20. run. Framed behind glass. In the middle horizontal traces of crinkles.
Bl. 40,8 x 33,4 cm, Ra. 47,2 x 38 cm.
092 Wilhelm Busch "The monkay and the shoemaker boy". 1863.
Wilhelm Busch 1832 Wiedensahl – 1908 Mechtshausen
Coloured wood engraving. Monogrammed and dated to the medium and titled as well as inscribed. 23. run. Framed behind glass. In the middle nearly unisual horizontal traces of crinkles. At the lower image border traces of fews.
Bl. 43,5 x 33,6 cm, Ra. 47 x 38,1 cm.
093 Walter Buhe "Hamlet street". 1915.
Walter Buhe 1882 Aschersleben – ? 1958 Leipzig
Etching in black-brown with lite surface tone, waret coloured. Signed with penzil "W. Busch". Verso titled with penzil. Paper minimal stained, with diagonal traces of crinkles and small stain due of water spottiong.
22,5 x 31,2 cm, Bl.35 x 46,5 cm.
094 Walter Buhe "Court with washing wimmen". 1915.
Walter Buhe 1882 Aschersleben – ? 1958 Leipzig
Etching in black-brown with lite surface tone, waret coloured. Signed with penzil "W. Busch". Verso titled with penzil. Paper with small initial tearing by the upper image border. Edges with some traces of crinkles, The image of the border is a bit unclean.
Pl. 23,3 x 32 cm, Bl. 41 x 49,3 cm.
095 Wilhelm Ludwig Heinrich Claudius "Landscape". 1910.
Wilhelm Claudius 1854 Altona – 1942 Dresden
Watercolour. Signed "Wilh. Claudius". Framed behind glass in mat. Verso inscribed with penzil by different hand.
BA. 18 x 36 cm, Ra. 45 x 54 cm.
096 Wilhelm Ludwig Heinrich Claudius "By the Lößnitz". 1873.
Wilhelm Claudius 1854 Altona – 1942 Dresden
Pencil drawing, painted in watercolours on tanned paper. Signed with Penzil "Wilh. Claudius", titled and dated. Framed behind glass. Attractive Paper with nice colours. minimal sign of penzilannotation. Litly dusty and traces of few.
BA.24 x 17,5 cm, Ra. 46 x 35,5 cm.
097 Wilhelm Ludwig Heinrich Claudius "Loschwitz". 1874.
Wilhelm Claudius 1854 Altona – 1942 Dresden
Pencil drawing, painted in watercolours on slightly stained paper. Signed "Wilh. Claudius", titled and dated. Verso estate stamp of Artist in the mat. Atractiv paper with nice colours. Penzi annotation. slightly dusty and traces of few.
Bl. 20,8 x 14,8 cm.
098 Honoré Daumier "Two male". 1838.
Honoré Daumier 1810 Marseille – 1879 Valmondois
Lithograph, painted in watercolours. Monogrammed in Stone "H. D.". Down the illustration "Chez Aubert gal. verododat.", "Mon cher ...", as well as "Imp. d'Aubert et Cie" and "CROQUIS D'EXPRESSIONS, No. 6.". Catalogue raisonné Delteil Nr 471. Framed behind glass in mat.
BA. 24 x 32,2 cm, Ra. 32,1 x 42,3 cm
099 Honoré Daumier "Two male with snuff". 1838.
Honoré Daumier 1810 Marseille – 1879 Valmondois
Lithograph, painted in watercolours. Monogrammed in Stone "H. D.". Down the illustration "Chez Aubert gal. verododat.", "Heim! comment ...", as well as "Imp. d'Aubert et Cie." and "CROQUIS D'EXPRESSION, No 23.". Catalogue raisonné Delteil Nr. 489. Framed behind glass. Small stain on the upper left hand side.
Bl. 23,9 x 32,6 cm, Ra. 33,4 x 41,6 cm.
100 Honoré Daumier "The invalid". 1840.
Honoré Daumier 1810 Marseille – 1879 Valmondois
Lithograph, painted in watercolours. Monogrammed in Stone "H. D.". Down the illustration "Chez Aubert gal. verododat.", "Oui! ...", as well as Imp. d'Auber & Cie" and CROQUIS D'EXPRESSIONS, No. 16.". Catalouque raisonné Delteil Nr. 482. Framed behind glass.
Bl. 24 x 32,6 cm, Ra. 34,4 x 44 cm.
101 Louis Philibert Debucourt "La Rose mal défendue". 1791.
Louis Philibert Debucourt 1755 Paris – 1832 ebenda
Coloured stipple engraving. Titled and dated in the middle of the plate, as well as unscribed "dessiné et gravé" down left hand side and "par Debucourt peintre graveur" down right hand side. Framed behind glass in mat.
BA. 46,8 x 36,8 cm, Ra. 65,7 x 52,7 cm.
102 J. Duthé "La Resurrection de Lazare". 1st half 19th cent.
J. Duthé um 1800 – 1840
Coloured stipple engraving. Inscribed in the plate "Dessiné par Blaisot", Gravé par Duthé", as well as titled in the middle. Framed behind glass. Small damage on the right image border.
Bl. 31,5 x 24,3 cm, Ra. 43 x 33 cm.
103 Matthias Gottfried Eichler "Un paysage vu en soleil". 1810.
Matthias Gottfried Eichler 1748 Erlangen – 1818 Augsburg (?)
Coloured copper engraving. Inscribed in the pall "Peint par de la Hire", Defsiné par Marchais" and "Gravé à Augsbourg par M. G. Eichler.", as well as titled. Framed behind glass. Drawing minimal wavy.
BA. 32 x 35,5 cm, Ra. 56 x 62 cm.
104 Robert ErbeRobert Erbe "Poultry in the forest". 1881.
Robert Erbe 1844 Gera – 1903 Oberlößnitz b. Dresden
Watercolour. Watercolour and Gouache on paper. Dated and signed "R. Erbe". Fresh and beautyfull colours. Minimal fox marks to the reverse, remnants of an old mounting.
20 x 27,5 cm.
105 Robert Erbe "Fowls in the Garden". 1884.
Robert Erbe 1844 Gera – 1903 Oberlößnitz b. Dresden
Watercolour. Watercolour and Gouache on paper. Dated and signed "R. Erbe". Minimal initial tearing (1,6 cm) en the imige edge top right hand side. Verso some left overs of an ald montation. Minimal mouldy. Fresh colours.
23 x 30 cm.
106 Francois Godefroy "Paysage" 1810.
Francois Godefroy 1743 Bois-Guillaume – 1819 Rouen (od. Paris?)
Coloured copper engraving. Insribed in the plate "Peint par Oizzonte", Defsiné par Marchais" and "Gravé par Godefroy", as well as titled. Framed behind glass in mat.
BA. 29 x 36,5 cm, Ra. 56,5 x 63 cm.
107 Christian Gottlob Hammer Christian Gottlob Hammer "Castle Walbeck in the Harz". Ca. 1830. 1830.
Christian Gottlob Hammer 1779 Dresden – 1864 ebenda
Coloured etching after a drawing of Anton Balzer. Signed to the plate.
Small, restored tear to the upper edge, tiny hole (d. 1mm) to the left edge. Minimal vertical creases to the illustration.
Very good print with fresh and nice colours.
St. 39,8 x 52,5 cm, Bl. 43,4 x 59 cm.
108 Christian Gottlob Hammer Vue orientale prise du gradn Pont". 1st half 19th cent.
Christian Gottlob Hammer 1779 Dresden – 1864 ebenda
Engraving. Titled and inscribed "Dresden bei Heinrich Ritter", "C. G. Hammer del. et sculp.", numbert 6. In mat. Strong print.
Pl. 20,5 x 25,5 cm, 23,6 x 33 cm.
Christian Gottlob Hammer 1779 Dresden – 1864 ebenda
Engraving copyed a painting from Thormayers. inscriebed in the plate "Thormayer del", Dresden bei Heinrich Ritter", "C. G. Hammer sculp" and numbered 2. Mat.
Pl. 20,5 x 25,7 cm, Bl. 23,6 x 33 cm.
110 John Harris "Pullingup to un-skid/Changing Horses". Mid 19th cent.
John Harris 1791 London – 1873 ebenda
Lithograph in colours. 2 workings copyed by paintings from C. C. Henderson. Both titled in stone, inscribed "painted by C. C. Henderson", "engraved by J. Harris" and a publisher description. Strong and fresh colour.Bothe partly estained and foxing. Image border minimal with traces of crinkle. One paper with an tear (5 cm) on the top image border and three more (0,5 cm) ont the low image border. the other with two tears (2 cm) on the left image border.
St. 53 x 73 cm, Bl. 56,7 x 81,2 cm.
111 E. Hullinger "Brunch of roses". 1880.
Watercolour. Mat. Framed behind glass.
BA. 28,8 x 23,4 cm, Ra. 46,8 x 39,6 cm.
112 E. Hullinger "cactus". 1880.
Watercolour. Signed "Hullinger". Mat. Framed behind glass.
BA. 28,8 x 21,4 cm, Ra. 41,5 x 36,5 cm.
113 Johann Carl Mare "A draft to a monument for King Friedrich den Grossen". 1832.
Johann Carl Mare 1772 Berlin – 1835 ebenda
Coloured copper engraving. Copyed by a drawing of Karl Friedrich Schinkels. Inscriebed "Erfunden und gezeichnet von Schinkel", "Gestochen von C. Mare in Berlin 1832" and numbred 166. Typographicly titled and insribed "Verlag von Ernst & Korn in Berlin". The edge of the paper is ripped. Small part down right hand side in the edge is shorten.
Pl. 41 x 52 cm, Bl. 42,3 x56,5 cm.
Maria Sybilla Merian 1647 Frankfurt/M. – 1717 Amsterdam
Coloured engraving. Oldcoloured copper engraving. From: Metamorphosis insectorum Surinamensium. Catalogue raisonné Nissen 1341.
Beautyfull colours. Minimal fox marks.
Pl. 37,5 x 27,5 cm, Bl. 50,2 x 36 cm.
115 Maria Sybilla Merian "cacau". 1700.
Maria Sybilla Merian 1647 Frankfurt/M. – 1717 Amsterdam
Coloured engraving. Inscriebed in the plate "P. Sluyter sculp", numbert 26. Mat. Cataloque raisonné Nissen 1341. Minimal foxing. Petty tear (0,5 cm) on the image border down right hand side. Otherwise unstained status. Fresh and strong colours.
Pl. 34,3 x 27 cm, Bl. 48,5 35,8 cm.
116 Georg Emanuel Opiz "Friedrich August I. - King of saxoni". 1825.
Georg Emanuel Opiz 1775 Prag – 1841 Leipzig
Watercolour beyond pen drawing in india ink.
Darst. 40 x 25,4 cm, Bl. 50,5 x 41,7 cm.
117 Richard Püttner "By root". 1866.
Richard Püttner 1842 Wurzen – 1913 München
Brush drawing in ink on brown Paper. Dated with indian ink. double mat. Framed behind glass.
BA. 25 x 35,8 cm, Ra. 43 x 53 cm.
118 Johann Heinrich Ramberg "Amezed lovers under a peartrea". 1799.
Johann Heinrich Ramberg 1763 Hannover – 1840 ebenda
Etching, painted in watercolours. Signed in the plate. Framed behind glass. Catalogue raisonné Hoffmeister 66.
37 x 30 cm (Oval).
119 Johann Heinrich Ramberg "A eavesdrope lovers down a willow". 1799.
Johann Heinrich Ramberg 1763 Hannover – 1840 ebenda
Etching, painted in watercolours. Signed in the plate. Framed behind glass. Catalogue raisonné Hoffmeister 65.
38 x 30 cm (Oval).
120 Johann Heinrich Ramberg "The virgin test or the surprise monastry". 1800.
Johann Heinrich Ramberg 1763 Hannover – 1840 ebenda
Etching, painted in watercolours. Framed behind glass. Catalogue raisonné Hoffmeister 70. strong and shiny colours.
47,3 x 57 cm.
121 Johann Carl August Richter "View of the picture gallery and the Neumarkt" 1820.
Johann Carl August Richter 1785 Dresden – 1853 ebenda
Coloured etching. Titled and signed "I. C. A. Richter", as well as numberd 28. Mat. Framed behind glass.
BA.10,6 x 14,3 cm, Ra. 24,5 x 28,2 cm.
Johann Carl August Richter 1785 Dresden – 1853 ebenda
Coloured etching. Titled and numbert "20" in the plate. Mat. Framed behind glass.
BA. 10,8 x 15,2 cm, Ra. 24,5 x 28,2 cm.
123 Christian Rugendas "horseman scene". Mid 18th cent.
Christian Rugendas 1708 Augsburg – 1781 ebenda
Mezzotint engraving in colours on hand made paper. Inscribed "Georg Philipp Rugendas inv." and "Christian Rugendas sculpsit et excudit Aug. Vind." as well as numbered "13". Paper in quite good conservation, only two small holes from thumbtacks on the left image border.Pencil annotation down the plate border.
Pl. 14 x 18,5 cm, Bl. 24,2 x 38 cm.
124 Christian Rugendas "Three horseman". Mid 18th cent.
Christian Rugendas 1708 Augsburg – 1781 ebenda
Mezzotint engraving in colours on hand made paper. Inscribed "Georg Philipp Rugendas inv." and "Christian Rugendas sculpsit et excudit Aug. Vind." as well as numbered "17". Paper in quite good conservation, only two small holes from thumbtacks on the left image border.
Pl. 14 x 18,5 cm, Bl. 24,2 x 38 cm.
125 Fridrich August Scheureck "The performance of the evening music". 1783.
Fridrich August Scheureck 18. Jh.
Coloured copper engraving. Inscribed in the plate "gezeichnet und gestochen von Friedrich August Scheuereck", as well as titled. Mat. Framed behind glass. Reinforced central fold.
BA. 42,8 x 69,5 cm, Ra. 66 x 90,5 cm.
126 Paul Scheurich "The rose cavalier". 1920.
Paul Scheurich 1883 New York City – 1945 Brandenburg an der Havel
Lithograph, painted in watercolours. 17 deawings out of handmade paper. They are signed with pencil "Scheurich" as well as typographicly titled and inscribed "litho by Paul Scheurich, publisher Fritz Gualitt Berlin 1920". Verso numbered with pencil "2" and signed "Paul Scheurich". In a mapp.
Bl. 44,5 x 35 cm, Mappe 46 x 38 cm.
127 Adrian Schleich "The card lady". 2nd half 19th cent.
Adrian Schleich 1812 München – 1894 ebenda
Coloured copper engraving. Titled and inscribed in the plate "Drawen by Joh. printet by v.J. Wilhelm in Munich, graved by Adr. Schleicher". At the lower image border shorten. Traces of crinkel and traces of views.
Darst. 45,3 x 56, Bl. 54,6 x 65.
128 Johann Bernhard Schmelzer "The view of an hamlet". 2nd half 19th cent.
Johann Bernhard Schmelzer 1833 Annaberg – ?
Watercolour. Signed "J. B. Schmelzer Dresden". Mat. Minimal traces of crinkle. Petit fouling in the area of the sky. Verso remains of an old montation.
Bl. 20,5 x 24,3 cm.
Friedrich August Schmidt Vor 1800 ? – ?
Etching, painted in watercolours. Watercolored Etching. Inscribed "gest. von F. A. Schmidt", "Herrn Graf Henrich zu Stollberg, Wernigerode..." on the print medium.
Cut to the plateborder. Three minimal restored tears (1,5cm) to the left and right edge (out of the illustration). Tidy tear (0,3cm) to the lower edge. Slight foxing to front- and backside.
Pl. 50,6 x 64,5 cm.
130 Bernhard Schreuder "The pissing Farmer". 1775.
Bernhard Schreuder ? – 1790 Hoorn bei Amsterdam
Etching in colours. Accourding to Adriaen van Ostade. Mat. Framed behind glass. Catalouge raisonné Bartsch 16. Shorten to the picture.
Bl. 13,9 x 10,9 cm, Ra. 31,2 x 25,2 cm.
131 Bernhard Schreuder "The baker". 1775.
Bernhard Schreuder ? – 1790 Hoorn bei Amsterdam
Etching in colours accourding to Adriaen van Ostade. Inscribed "A V Osade" Mat. Framed behind glass. Catalogue raisonné Bartsch 7. Shoren to the picture.
Bl. 9,9 x 8,5 cm, Ra. 28,8 x 26,5.
132 Normand Sohn "perspective view of the side facade of the new playhouse". 1st half 19th cent.
Coloured copper engraving. Inscibed in the plate "planed by Schinkel", "Drawen for the engrave by Berger", "by Normand Sohn", numbered and typographicly titled. Minimal mouldly and water spotting, as well as small tears. Verso remains of an old montation. Nearly shorten until the picture.
Pl. 32 x 45,5 cm, Bl. 36 x 51,7 cm.
Karl Friedrich Thiele 1780 Berlin – 1836 ebenda
Coloured copper engraving. accourding a drawing of Karl Friedrich Schinkel. Inscribed in the plate "gez von Schinkel", "grav. by C. F. Thiele, numbered "85", typographicly titled and inscribed "Publisher Ernst & Korn in Berlin". Verso minimal mouldy.
Pl. 29 x 38,8 cm, Bl. 42 x 56 cm.
134 William Ward "A Visit to the Child at Nurse". 1788.
William I Ward 1766 London – 1826 ebenda
Coloured mezzotint engraving. Signed and titled. Mounted on cardboard in a mat. unprofessional mounting on the left image border.
Darst. 46,5 x 56.
135 William Ward "A visit to the boarding shool" 1789.
William I Ward 1766 London – 1826 ebenda
Coloured mezzotint engraving. Signed and titled. Mounted on cartong in a mat. Remarks of an old mountation. Marks of uncorrect using.
46 x 56 cm
136 Adrian Zingg "Riesenschloß in Bohemia". 1st half 19th cent.
Adrian Zingg 1734 St. Gallen – 1816 Leipzig
Etching washed in sepia. Verso inscribed with pencil. Mat. Framed behind glass.
Bl. 9,8 x 14,5 cm, Ra. 26 x 29,9 cm.
137 Adrian Zingg "Area next to Harlem". 2nd half 18th cent.
Adrian Zingg 1734 St. Gallen – 1816 Leipzig
Etching.
Pl. 23,5 x 27,8 cm, Bl. 28,7 x 40,6 cm.
138 Unknown artist "Triumphal march of the emperor Maximilian". 1796.
Coloured wood cut. Numbered "45". Drawing from the Burgmaier edition, Wien, 1796 accourding to an original from 1512/26. Paper dejected.
Bl. 41,7 x 58 cm, Darst. 36,5 x 37,7 cm.
139 Unknown French artist "Family scene". 2nd half 18th cent.
Red chalk drawing. With black pencil. Mounted on cardboard. Verso stamp and ballpen notes. Tiny trace of crinkle in one corner of the sheet.
Bl. 23 x 25,5 cm.
140 Unknown artist "Mythological scene". 2nd half 18th cent.
Red chalk drawing. Twice mounted on cardboard. In mat.
Two tiny holes (2 mm), minimal traces of crinkle. Slight freckles.
24 x 15 cm.
141 Unknown artist "Friedrich II. king of the Prussian." Around 1860.
Coloured lithograph. Titled in the medium. Framed in mat with glass.
BA. 35,2 x 26,8 cm, Ra. 51 x 42,6 cm.
142 Sheet of music "Incomuni/Uniusmartyris". 16th cent.
Pen drawing. Hand-written on vellum. In mat. Titled and numbered. Edges slightly corrugated. Two thin points in the sheet. Tiny hole (4 mm).
60,5 x 41,5 cm.
Coloured engraving. According to Bellotto, named Canaletto. Titled in French and Latin. Numbered. Cut to the plates edges. Edges reinforced with traces of crinkles. Minimal freckles.
32,5 x 44,2 cm.
144 Wagner (?) "Prospect of the royal saxonally monastery city Zeitz". Ca. 1820/30.
Coloured etching. Coloured etching on paper. Caption affix to the backside of the frame and inscribed "Dem hochedeln Magistrat der Stadt Zeitz etc.", "Im Verlag der Kunsthandlung von L. v. Kleist in Schleitz.". Framed in mat with glass. Molded stillage with silver plate. Cut to the illustration, completly mounted and restored to the edges. Paper darkened, but light points in the range of the heaven.
Darst. 33 x 49,5 cm.
145 Unknown artist "Still life with roses". 1st half 20th cent.
Mixed media. Tempera and pastel. Tiny tear. Framed with glass.
Bl. 60,5 x 46,5 cm, Ra. 75 x 55 cm.
146 Unknown artist "Set of five birds of prey". Late 18th cent.
Coloured copper engraving. Numbered in the plate. Verso remainings of an old mountig. Silght traces of the age on the edges.
Bl. 35,7 x 23,5 cm.
147 Unknown artist "Set of five water birds". Late 18th cent.
Coloured copper engraving. Numbered in the plate. verso remainings of an old mounting. Slight traces of age on the edges.
35,7 x 23,7 cm.
148 Unknown artist "Landscape with water mill". 19th cent.
Coloured etching. Almost invisible tear on the bottom. Very nice sheet. Framed in mat with glass.
BA. 36,5 x 41 cm, Ra. 53,4 x 57 cm.
149 G. Mercator "Trier and Luxembourg". Around 1585.
Coloured copper engraving. Inscribed in the plate. Verso printed, too.
Central fold, tiny tear and small reinforced tear.
Pl. 36,7 x 47,2 cm, Bl. 42 x 51,5 cm.
150 Monogrammist R.W. "horses, which are attecked of wolves". 1810. 1810.
Watercolour. Watercolour. Monogrammed and dated. Framed in mat with glass. Black stillage. Mounted on paper.
Small freckles in the range of the heaven and the mounted paper.
12,2 x 19,2 cm.
Coloured copper engraving. From: Braun, Georg; Hogenberg, Franz: Civitates Orbis Terrarum. Framed in mat with glass.
Central fold. Glass with small crack.
BA. 35,5 x 50,5 cm, Ra. 53,5 x 67,5 cm.
155 Gustav Bamberger "House at the bridge". 1900.
Lithograph in colours. Slightly mouldy and with water freckles.
Darst. 30,5 x 28,5 cm, Bl. 53 x 42 cm.
156 Johann Barnes "View of the mountain Lilienstein in Saxony". 1770.
Johann Barnes um 1700
Etching and drypoint. Mounted on cardboard, cut to the plates edges, traces of age.
Bl. 24,5 x 31 cm.
157 B. H. Bendix "Dr. M. E. Bloch - doctor and scientist". 1794.
B. H. Bendix 18.Jh.
Engraving. Cut to the plates edges.
Bl. 22,7 x 17 cm.
158 Ferdinand Berger "Design of a monument for Frederic 2nd in Berlin". Mid 19th cent.
Engraving. according to a design by K.F. Schinkel. Inscribed, numbered and titled in the plate. In a mat. Edges lightly rounded.
42 x 56,5 cm.
159 Jean Jacques Boissieu "Lumberjacks". 1798.
Jean Jacques de Boissieu 1736 Lyon – 1810 ebenda
Etching. monted on hand-made paper. Dated and mongrammed in the plate. Ventral fold. Severeal tiny tears. Very mouldy sheet.
Darst. 44,5 x 57,5 cm, Bl. 52,8 x 64,5 cm.
161 Hugo Bürkner "The walk". 1868.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. Titled and inscribed in the plate. In a mat. Mounted on a slightly mouldy cardboard.
Darst. 18,5 x 25 cm, Bl. 28 x 38 cm.
162 Hugo Bürkner "The greeting". 1877.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. After a drawing by A.L.Richter.
Pl. 23,8 x 31 cm, Bl.34,6 x 45 cm.
163 Hugo Bürkner "Hind with calf". Around 1870.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. With white highs. Sheet slightly mouldy.
Pl. 24 x 20 cm, Bl. 29,6 x 22,4 cm.
164 Jacques Callot"The big hunt". 1619.
Jacques Callot 1592 Nancy – 1635 ebenda
Etching. Inscribed in the medium. Framed in mat with glass.
Catalogue raisonné: Lieure, IV 353.
Cut to the mediums edges, mounted on cardboard. Wonderful, effectual print.
19,9 x 46 cm.
165 Jacques Callot (attrib.) "Girl with birdcage". 17th cent.
Jacques Callot 1592 Nancy – 1635 ebenda
Etching. Vreo inscribed by another hand (?). Pencil traces. Minimal freckles. Verso remainings of an old mounting.
Bl. 10,6 x 8,4 cm.
166 Giovanni Benedetto Castiglione "Tobias, burying the dead". Around 1650.
Giovanni Benedetto Castiglione 1616 Genua – 1670 Mantua
Etching. Signed in the medium.
Catalogue raisonné: Bartsch 5.
Rare sheet. Cut to the mediums edges, but very nice condition.
20,2 x 29,7 cm.
167 Daniel Nicolaus Chodowiecki "Bene meritis". After 1790.
Daniel Nicolaus Chodowiecki 1726 Danzig – 1801 Berlin
Engraving. Inscribed in the medium. Numbered 106. Mounted on cardboard. In mat. Verso remainings of an old mounting. Minimally mouldy.
Darst. 11,9 x 6,8 cm, Bl. 14 x 8,7 cm.
168 Daniel Nicolaus Chodowiecki "The economic trophy of Labes". 1770.
Daniel Nicolaus Chodowiecki 1726 Danzig – 1801 Berlin
Etching on hand-made paper. Signed in the medium and titled by the artist himself.
Catalogue raisonné: Bauer 104.
Small edges. Tiny mouldy freckles and crinckles. Verso remainings of an old mounting. Strong print.
Pl. 27,3 x 34 cm, Bl. 29 x 35 cm.
169 Daniel Nicolaus Chodowiecki "Works of darkness". 1781.
Daniel Nicolaus Chodowiecki 1726 Danzig – 1801 Berlin
Etching. Inscribed and titled in the medium. Framed in mat with glass. Edges of the medium well visible.
Minimal mouldy.
BA. 22,8 x 28,8 cm, Ra. 41 x 47 cm.
170 Daniel Nicolaus Chodowiecki "Couple of women, standing". 1758.
Daniel Nicolaus Chodowiecki 1726 Danzig – 1801 Berlin
Etching. Inscribed in the medium.
Catalogue raisonné: Bauer 12. Tiny freckle in the center of the sheet.
BA. 14,7 x 10,8 cm, Ra. 27,5 x 22 cm.
171 Daniel Nicolaus Chodowiecki "Wilhelm von Blumethal". 1760.
Daniel Nicolaus Chodowiecki 1726 Danzig – 1801 Berlin
Engraving. Signed and numbered in the medium. In mat.
Minimal mouldy and small reinfocements. mounted on cardboard.
Darst. 10,9 x 6,1 cm, Bl. 16,2 x 10,6 cm.
172 Daniel Nicolaus Chodowiecki Daniel Nicolaus Chodowiecki "Journey to Dresden". 1795. 1795.
Daniel Nicolaus Chodowiecki 1726 Danzig – 1801 Berlin
Etching. Etching. Framed in mat with glass. Black, molded stillage.
Work cut.
Catalogue raisonné Bauer 1833. E. 793.
Pl. 21,2 x 27,6 cm, Bl. 21,8 x 28,2 cm.
173 "Frederic 2nd and his gernerals". Late 19th cent.
Lithograph. Titled and inscribed.
Small water freckles, sheet with some thin points, tin tears.
St. 51,2 x 72 cm, Bl. 63,5 x 83,5 cm.
174 Jean Daullé "Male portrait". 1732.
Jean Daullé 1703 Abbeville – 1763 Paris
Engraving. Inscribed in the medium. In mat. Verso pencil notes. Bron freckle in the range of the arm. Cut to the mediums edges on the bottom of the portrait.
Bl. 39 x 28,9 cm.
175 Christian Wilhelm Ernst Dietrich (Dietricy) "Hiking musicians". 1769.
Christian Wilhelm Ernst Dietrich, gen. Dietricy 1715 Weimar – 1774 Dresden
Etching and drypoint. Print probably around 1845.
Catalogue raisonné: Linck 80/II.
Cut to the mediums edges. Verso minimal mouldy with remainings of an old mounting.
Bl. 17,7 x 12,4 cm.
Hans Fincke 1800 Berlin – 1849 Bad Kreuznach
Engraving. On hand-made paper. According to a desin by K.F.Schinkel. Inscribed, numbered and titled in the medium. In mat. Minimal frayed corner.
Pl. 52,2 x 40 cm, Bl. 56,5 x 42,6 cm.
177 Max Flashar "Tiny know-it-all". 1910.
Max Flashar 1855 – 1915
Watercolour and pencil.
Bl. 42,5 x 57 cm.
178 Julius Fleischmann "Village school house" 1835.
Julius Fleischmann 1813 Meißen – ?
Etching. Insribed and titled in the medium. Framed with glass. Molded strip of wood.
BA.23,5 x 28,5 cm, Ra. 41,3 x 45,2 cm.
179 Maximilian Franck "Portrait of Friedrich Schiller". Around 1820.
Maximilian Franck 1780 Düsseldorf – nach 1830 ?
Lithograph. Inscribed and titled in the medium, numbered by pen. Framed with glass.
Cut to the mediums edges. Restored tear.
Bl. 30 x 22 cm, Ra. 41,7 x 31,5 cm.
180 Albert Frisch "Colored designs of rococo painting". 1894.
Collotype print in colours. Map. Some sheets with small tears or brown edges.
Bl. 51,5 x 37 cm.
181 Paul Goettich "Christmas". 1607.
Paul Goettich 1586 – 1622 Augsburg
Engraving. according to A. Dürer. Monogrammed in the medium, inscribed and dated beyond the mediums edge. Framed in mat with glass.
Catalogue raisonné: Bartsch C6.
Bl. 21,5 x 13,6 cm, Ra. 35,5 x 29 cm.
Pencil drawing. Monogrammed, titled an dated. Paper lightly tanned. Tiny tears within the sheet. One small corner missing.
Bl. 22 x 29,8 cm.
183 A. Gohde "Stülpner and his comrades"/"Huntsman in danger". 2nd half 19th cent.
Coloured lithograph. One glass cracked. One sheet with water freckles and tiny imperfections.
Darst. 29,3 x 24,5 cm, Ra. 45,5 x 39 cm.
184 Johann Christian Benjamin Gottschick "Putting up the Cross". 1804.
Johann Christian Benjamin Gottschick 1776 Niedergorbitz b. Dresden – 1844 Dresden
Engraving. Inscibed in the medium. In mat.
Edges slightly geasy. Tiny traces of crinckles.
Darst. 27,4 x 13,5 cm, Bl. 31,6 x 20,5 cm.
185 Oskar Graf "Knight". Late 19th cent.
Oskar Graf 1873 Freiburg im Breisgau – 1958 Bad Boll
Aquatint etching. Tiny tears, freckles, a little bit mouldy. Verso remainings of an old mounting.
Pl. 31,5 x 31,5 cm, Bl. 53 x 41,5 cm.
186 Ludwig H. Theodor Gurlitt "Mountains with river and huntsman". 1856.
Heinrich Louis Theodor Gurlitt 1812 Hamburg-Altona – 1897 Naundorf (Schmiedberg)
Etching. verso remainings of an old mounting. Slightly mouldy, with minimal traces of crinckle.
Pl. 16,2 x 21 cm, Bl. 29,5 x 37 cm.
187 Ernst Hasse "Chicken run". Around 1850.
Ernst Hasse 1819 Erfurt – 1860 Dresden
Pencil drawing. Verso remainings of an old mounting. Central fold.
Bl. 14,5 x 25,6 cm.
188 "St. Christopherus". Around 1530.
Wood cut. Several tiny damages and freckles.
Pl. 12 x 9,3 cm, Bl. 37,8 x 28,5 cm.
189 "Prussian Hall of Fame...". Around 1863.
Lithograph. Titled and inscribed. In mat. Restored folds. verso remainings of an old mounting.
52 x 50,2 cm.
190 Hermann Kauffmann "Landscape with lakes and resting herd". 1869.
Hermann Kauffmann 1808 Hamburg – 1889 ebenda
Pen drawing. Dated and signed in ink. Mounted on cardboard.
A tiny bit mouldy but otherwise faultless.
Bl. 12,5 x 20,5 cm.
Max Klinger 1857 Leipzig – 1920 Groß-Jena/Naumburg
Map 68 pages. 31 etchings on fine paper. Original gilt embossed linen top. With dedication.
Very rare and beautiful exemplar in faultless condition.
Edges of the binding minimally hit.
36 x 27 cm.
Carl Wilhelm Kolbe 1757 Berlin – 1835 Dessau
Etching. Etching. Numbered 17 on the medium. Framed in mat with glass.
Catalogue raisonné Martens 270 III, WVZ Jentsch 198.
Pl. 34,5 x 47,7 cm, BA. 36,8 x 49,8 cm.
Carl Wilhelm Kolbe 1757 Berlin – 1835 Dessau
Etching. Etching. Inscribed and titled on the print medium. Framed in mat with glass. Restoration to the elft and right edge. Restored tear (3,5 cm) to the lower edge.
Catalogue raisonné Martens IV.
Pl. 30,2 x 41 cm, BA. 38 x 44 cm.
194 Julius Kollert "Two drawings of the Baltic sea - beach of Heringsdorf". 1876.
Pencil drawing. One drawing signed. Mounted on cardboard.
Minimally mouldy.
16,2 x 10,4 cm, 16,8 x 12,3 cm.
195 Jacques Philippe Le Bas Jacques Philippe Le Bas "Scene with horseman at a well". 1775.
Jacques Philippe Le Bas 1707 Paris – 1783 ebenda
Engraving after J. Lingelbach. Inscribed in the medium and beyond. Mounted into a mat. Tiny imperfection in the range of the sky.
Darst. 17,9 x 15,7 cm, BA. 22 x 17,2 cm.
196 Johann Christian Leopold Johann Chr. Leopold "Vinaria - Weimar". Ca. 1735. 1735.
Johann Christian Leopold 1699 – 1755
Engraving. Engraved map on slight darkened paper. Inscribed and titled on the print medium. Long description with emblems under the picture. Framed in mat with glass. Silvery, molded stillage.
Pl. 20,5 x 29,5 cm, BA. 23 x 31,3 cm.
197 E. von Loebens "Barn". 1858.
Pencil drawing on yellowish paper. Signed and dated. In mat. Verso remainings of an old mounting.
Bl.20 x 23,5 cm.
Tobias Conrad Lotter 1717 Augsburg – 1777 ebenda
Coloured copper engraving. Coloured engraving map on slight darkened hand-made paper with titled cartridge. Alongside index, declarations and a compass rose. Framed in mat with glass.
Vertical fold. Slight minor damages and traces of crinkles.
Pl. 47,8 x 56 cm, BA.52,5 x 62 cm.
199 Edouard Manet "La Parisienne". Around 1873.
Edouard Manet 1832 Paris – 1883 ebenda
Wood cut on buff coloured paper with paper mill stamp. Signed and inscribed in the medium.
Catalogue raisonné: Harris 78 II (of II).
Tiny mouldy freckles and tiny tear (3 mm) on the bottom side of the sheet.
Stk. 10 x 15 cm, Bl. 31 x 25 cm.
200 Jacob Wilhelm Mechau "Entrata nel osco di Marine". 1792.
Jacob Wilhelm Mechau 1745 Leipzig – 1808 Dresden
Etching. Titled, inscribed and dated in the medium.
Catalogue raisonné: Nagler 18.
Cut to the mediums edges. Verso remainings of an old mounting. Minimal freckles and one tiny tear.
Pl. 36,5 x 27,8 cm.
201 Felix Meier "Landscape". Late 17th cent.
Felix Meier 1653 Winterthur – 1713 Wyden
Etching. Inscribed and numbered in the medium. Cut to the mediums edges, restored tear.
Bl. 10,4 x 11,9 cm.
202 Felix Meier "Landscape with ruin". Late 17th cent.
Felix Meier 1653 Winterthur – 1713 Wyden
Etching. Inscribed on the medium.
Small edges. Tiny tear and one little reinforcement.
Bl. 12,7 x 20 cm.
203 Matthäus Merian Mattheus Merian "Weißenfels". 1641.
Matthäus I Merian 1593 Basel – 1650 Schwalbach
Coloured copper engraving. Coloured engraving map after a drawing of Carlo Cappi. Out of "Theatrum Europaeum " of Matthaeus Merian. Mount plan of Weißenfels and the area with deployments of militaries. Titled cardrige with date. Another small map indiscribed "Profile der Kay: Posten. D. ...".
Reinforced fold in the middle. Dusty Edges outside the picture.
Pl. 21x 32,7 cm, Bl. 26,6 x 37 cm, Ra. 68 x 79,5 cm.
204 Ch. Moolenaer "Portrait of Daniel Chodowiecki". Around 1775.
Pencil drawing. Inscribed and titled in pencil and in ink. Framed in mat with glass.
BA. 29 x 26 cm, Ra. 44 x 40,5 cm.
205 Raphael Morghen "Pio Sexto Pont. Max.". 2nd half 18th cent.
Raphael Morghen 1758 Neapel – 1833 Florenz
Engraving on hand-made paper. According to Raffaelos frescos in the Vatican.Titled and inscribed on the medium. In mat.
Reinforced central fold. Cut to the mediums edges. Tiny freckles.
57 x 77,6 cm.
206 Jean Moyreau "La Grote du Marechal". 1748.
Jean Moyreau 1690 Orléans – 1762 Paris
Engraving on hand-made paper. Titled, dated, inscribed and numbered on the medium. Edges minimally light brightened and frayed.
Pl. 47,7 x 36,5 cm, Bl.59,2 x 42 cm.
207 Jean Moyreau "La Buvette des Cavaliers". 1753.
Jean Moyreau 1690 Orléans – 1762 Paris
Engraving on hand-made paper according to a painting by P. Wouwermans. Titled, dated and numbered in French and English on the medium.
Edges minimally shop-soiled. Tiny tear.
Pl. 47,5 x 36,5 cm, Bl. 57,8 x 41,6 cm.
208 Georg Pencz "Joseph, pushed into a well by his brethren". 1546.
Georg Pencz um 1500 Nürnberg – 1550 Leipzig
Engraving. Monogrammed and dated on the medium.
Catalogue raisonné: Bartsch 10.
Cut to the mediums edges.
Bl. 11 x 7,3 cm.
209 Friedrich Preller d.Ä. "Two studies to the Odyssee". 1st half 19th cent.
Friedrich Preller d.Ä. 1804 Eisenach – 1878 Weimar
Pencil drawing on brownish paper. Mounted on cardboard. Titled and signed in crayon.
Minimal imperfections in the sheet. Tiny freckles.
9,3 x 18,8 cm, 15,2 x 20,2 cm.
210 Rembrandt (after) "Marias death". Late 19th cent.
Etching. Signed on the medium. Small edges.
Good condition.
42 x 32,2 cm.
211 Renner (?) "Bischofswerda and its Main buildings". Mid 19th cent.
Lithograph after a drawing by Wegener. Titled and inscribed on the medium and beyond. In mat.
Edges minimally corrugated. Tiny tears.
Bl. 31 x 43,2 cm.
212 Adrian Ludwig Richter "Herrnhut". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
9,7 x 15,4 cm.
213 Adrian Ludwig Richter "Castle and village of Gnadstein". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,3 x 15,5 cm.
214 Adrian Ludwig Richter "Bautzen und die Ortenburg". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching aus dem Zyklus "70 Malerische An- und Aussichten der Umgegend von Dresden". In der Platte u.Mi. nummeriert 64 und bezeichnet u.re. "n.d.Nat.gez.u.gest.v. A.L.Richter".
WVZ Hoff./Budde 93 VI.
Auf dem Blatt u.Mi. in Blei von fremder Hand betitelt.
10,4 x 15,6 cm.
215 Adrian Ludwig Richter "Castle Weesenstein". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching aus dem Zyklus "70 Malerische An- und Aussichten der Umgegend von Dresden". In der Platte u.Mi. nummeriert 41 und u.li. bezeichnet "L.A.R. Nat.des.", sowie u.re."A.L.R.aqf.".
WVZ Hoff./Budde VI.
Auf dem Blatt u.Mi. in Blei von fremder Hand betitelt.
10 x 15,5 cm.
216 Adrian Ludwig Richter "Der Oybin". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10 x 15,3 cm.
217 Adrian Ludwig Richter "Zittau". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching. A little bit spotted. Tiny tear.
9,8 x 15,4 cm.
218 Adrian Ludwig Richter "The ruin of Stolpen". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,4 x 15,5 cm.
219 Adrian Ludwig Richter "Schandau und Krippen". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,3 x 15,4 cm.
220 Adrian Ludwig Richter "Waldheim". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching aus dem Zyklus "70 Malerische An- und Aussichten der Umgegend von Dresden". In der Platte u.Mi. nummeriert 54 und bezeichnet u.li. "n.d.Nat.gez.u.gest.v. A.L.Richter".
WVZ Hoff./Budde 83 IV.
Auf dem Blatt u.Mi. in Blei von fremder Hand betitelt.
10,1 x 15,4 cm.
221 Adrian Ludwig Richter "Hischstein unter Meißen". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10 x 15,4 cm.
222 Adrian Ludwig Richter "Ruin and church of Tharandt". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,2 x 15,3 cm.
223 Adrian Ludwig Richter "Castle Siebeneichen". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,2 x 15,3 cm.
224 Adrian Ludwig Richter "Potschappel und der Windberg". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,1 x 15,5 cm.
225 Adrian Ludwig Richter "Castle and town of Nossen". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,6 x 15,3 cm.
226 Adrian Ludwig Richter "Ruin of Altzella". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,2 x 14,8 cm.
227 Adrian Ludwig Richter "Moritzburg". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,5 x 15,7 cm.
228 Adrian Ludwig Richter "Castle of Lohmen and the mill". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,2 x 15,4 cm.
229 Adrian Ludwig Richter "Augustusburg". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,3 x 16,4 cm.
230 Adrian Ludwig Richter "Ruin and town of Kohren". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching. Small traces of crinckles.
10,5 x 15,7 cm.
231 Adrian Ludwig Richter "Kriebstein an der Zschopau". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,1 x 15,3 cm.
232 Adrian Ludwig Richter "Chemnitz". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,4 x 15,6 cm.
233 Adrian Ludwig Richter "Ruin of Frauenstein". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,3 x 15,5 cm.
234 Adrian Ludwig Richter "Schandau". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,2 x 15,5 cm.
235 Adrian Ludwig Richter "Der Flinsberg". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,3 x 15,4 cm.
236 Adrian Ludwig Richter "Tharandt with the bath house". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching aus dem Zyklus "70 Malerische An- und Aussichten der Umgegend von Dresden". In der Platte u.Mi. nummeriert 44 und bezeichnet u.li. "n.d.Nat.gez.u.gest.v. A.L.Richter".
WVZ Hoff./Budde 73 IV.
Auf dem Blatt u.Mi. in Blei von fremder Hand bezeichnet.
10,4 x 15,6 cm.
237 Adrian Ludwig Richter "The settee". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching.
10,2 x 15,4 cm.
238 Adrian Ludwig Richter "30 picturesque views of Dresden". 1820.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching. 18 pages and 29 etchings.
One etching missing, cover restored. All pages with tiny restored holes. Traces of finger spots.
Catalogue raisonné: Hoff/Budde 100-129.
14,8 x 22,5 cm.
239 Carl August Richter "View of the castle and the Catholic church in Desden". 1830.
Carl August Richter 1770 Wachau/Dresden – 1848 ebenda
Coloured etching. Minimal mouldy.
Pl. 10 x 15,5 cm, Bl. 13,4 x 22,3 cm.
240 Carl August Richter "Interior view of the Pillnitz castle". 1830.
Carl August Richter 1770 Wachau/Dresden – 1848 ebenda
Coloured etching.
Pl. 10,6 x 16 cm, Bl. 14 x 22,3 cm.
241 Carl August Richter "Royal castle Weesenstein". 1830.
Carl August Richter 1770 Wachau/Dresden – 1848 ebenda
Coloured etching. Brownish paper. Verso remainings of an old mounting. Cut to the mediums edges.
Bl. 11,8 x 17,4 cm.
242 Carl August Richter "View from the Bastei to Königstein und Liliestein". 1830.
Carl August Richter 1770 Wachau/Dresden – 1848 ebenda
Coloured etching. Verso remainings of an old mounting. Cut to the mediums edges.
Bl. 11,8 x 17,4 cm.
243 Carl August Richter "Interior view of the Kuhstall-cave". 1830.
Carl August Richter 1770 Wachau/Dresden – 1848 ebenda
Coloured etching.
Bl. 12,1 x 17,4 cm.
244 Carl August Richter "Die neue Verbindung-Brücke von Alt- und Neu-Rathen". 1830.
Carl August Richter 1770 Wachau/Dresden – 1848 ebenda
Coloured etching. Verso remainings of an old mounting. Cut to the mediums edges.
Bl. 11,8 x 17,4 cm.
245 Carl August Richter "View at the Prebisch Thor". 1830.
Carl August Richter 1770 Wachau/Dresden – 1848 ebenda
Coloured etching. Cut to the mediums edges. Verso remainings of an old mounting. Minimally mouldy.
Bl. 11,8 x 17,4 cm.
246 Johann Elias Ridinger "Canes porcarii". 1768.
Johann Elias Ridinger 1698 Ulm – 1767 Augsburg
Coloured copper engraving. Edges a little bit shop-soiled. Tiny freckle.
Pl. 31,5 x 21 cm, Bl. 41,5 x 26,5 cm.
Johann Elias Ridinger 1698 Ulm – 1767 Augsburg
Etching. Cut to the mediums edges. Traces of dust, tiny damages and finger points.
Pl. 26 x 34,5 cm, Bl. 26,3 x 35,5 cm.
248 Bernhard Rode "Hermann, comanding to bring the head of Varus to Marobod". 1781.
Christian Bernhard Rode 1725 Berlin – 1797 ebenda
Etching on hand-made paper. Signed and dated on the medium. Small edges. Several tiny points of filthiness and tears.
Pl. 50 x 36 cm, Bl. 51,6 x 37,8 cm.
Photoengraving. Minimal mouldy.
Bl. 19 x 24 cm, Ra. 14 x 19,5 cm.
250 Luigi Rossini "Veduta dell' Arango dell' Amphiteatro Cartreuse". 1822.
Luigi Rossini 1790 Ravenna – 1857 Rom
Etching. Inscribed, dated and titled on the medium.
A little bit mouldy. Tiny tears. Slightly yellowed.
Darst. 33,5 x 46,2 cm, Bl. 49 x 64 cm.
251 Thomas Rowlandson "The Four Seasons of Love". 1st quarter 19th cent.
Thomas Rowlandson 1756 – 1827
Coloured etching.
BA. 25 x 35 cm, Ra. 44 x 54,3 cm.
Pieter (Petrus junior) Schenk 1698 Amsterdam – 1775 ebenda
Coloured copper engraving. Coloured engraving map with a big titled cartridge. Other cartridges with declarations. Framed in mat with glass. Molded stillage.
Vertical fold in the middle. Slighty mouldy. Small trace of crinkles to tht right edge.
Pl. 49 x 58 cm, BA. 50 x 59 cm.
253 Wilhelm Friedrich Schlotterbeck "Noon". 1797.
Wilhelm Friedrich Schlotterbeck
Mezzotint engraving according to a painting by Claude Lorrain. Cut to the mediums edges and mounted on an old cardboard. Framed with glass.
Darst. 46 x 63 cm, Ra. 70,5 x 83,5 cm.
254 E. C. Schmidt "Southwestern Germany". Around 1850.
Ernst Christian Schmidt 1809 Eisenach – 1862
Coloured steel engraving. Tiny traces of damage and filthiness.
Pl. 28 x 32,5 cm, Bl.31,9 x 39,4 cm.
255 Ludwig Friedrich Schnell "Monte Reale near Palermo". 1st quarter 19th cent.
Ludwig Friedrich Schnell um 1790 Darmstadt – 1834 Karlsruhe
Engraving. Reinforced tiny hole. Small traces of crinckles. Mounted on cardboard.
Darst. 20,2 x 28,2 cm, Bl. 26,6 x 33,2 cm.
256 Johann David Schubert "Last supper". Around 1800.
Johann David Schubert 1761 Dresden – 1822 ebenda
Ink drawing, painted in watercolours. Framed in mat with glass.
Sheet a little bit corrugated.
Darst. 13,1 x 7,2 cm, Ra. 27,4 x 22,2 cm.
257 Johann David Schubert "Leonore". Around 1800.
Johann David Schubert 1761 Dresden – 1822 ebenda
Pen drawing. Illustration to a poem by Gottfried August Bürger. Titled and inscribed. Framed in mat with glass.
Bl. 11 x 8,4 cm, Ra. 25 x 19,1 cm.
258 Johann David Schubert "Encountering a native". Around 1800.
Johann David Schubert 1761 Dresden – 1822 ebenda
Pen drawing. Inscribed. Mounted on paper. Framed in mat with glass.
Bl. 9,3 x 7,1 cm, Ra. 25,3 x 19,7 cm.
259 Johann David Schubert "Prometheus and Pandora". 1800.
Johann David Schubert 1761 Dresden – 1822 ebenda
Pen drawing and tempera on grey-greenish paper. Titled, inscribed and numbered. Framed in mat with glass.
Bl. 11,6 x 7,6 cm, Ra. 27,5 x 22,4 cm.
261 Christian Gottfried Schultze "The rape of Ganymed". Around 1780.
Christian Gottfried Schultze 1749 Dresden – 1819 ebenda
Engraving with etching according to Rembrandt.
Verso remainings of an old mounting. Cut to the mediums edges.
Pl. 63,5 x 45,4 cm.
262 Franz Schwechten "Side-face of the Church of St. Nicolai in Potsdam". Mid 19th cent.
Franz Schwechten 1841 Köln – 1924 Berlin
Engraving on hand-made paper. After a design by K.F. Schinkel. In mat.
Almost cut closely to the mediums edges. Tiny freckles.
56,5 x 42,5 cm
263 Franz Schwechten "Side-face of the Church of St. Nicolai in Potsdam". Mid 19th cent.
Franz Schwechten 1841 Köln – 1924 Berlin
Engraving on hand-made paper. After a design by K.F. Schinkel. In mat.
Almost cut closely to the mediums edges. Tiny freckles on the upper edge.
56,3 x 42,3 cm.
Carl August Schwerdgeburth 1785 Dresden – 1878 Weimar
Lithograph on hand-made paper. Titled and monogrammed on the medium. In mat.
Cut to the mediums edges. Verso remainings of an old mounting.
38 x 52,3 cm.
265 Ferdinand Staeger "Christmas carol". Around 1910.
Ferdinand Staeger 1880 Trebic – 1976 Waldkraiburg
Etching. Signed and titled in pencil. Slightly mouldy.
Pl. 32 x 32 cm, Bl. 51,5 x 37 cm.
266 Ferdinand Staeger "The endless street". Around 1910.
Ferdinand Staeger 1880 Trebic – 1976 Waldkraiburg
Etching on japanese paper in auburn. Signed and titled in pencil.
Paper with slight traces of crinckles. Minimal mouly with slight finger points.
Pl. 20,4 x 31,5 cm, Bl. 30,5 x 45,7 cm.
267 Johanna Nepomuk Strixner "St. Christopherus". 1822.
Johanna Nepomuk Strixner 1782 Altötting – 1855 München
Lithograph. with white highs. Dated and inscribed on the medium. Tiny tears on the upper edge of the sheet. One restored tear.
St./ Bl. 55,7 x 25,3 cm
Johann Alexander Thiele 1685 Erfurt – 1752 Dresden
Etching. Titled, numbered and inscribed on the medium.
Catalogue raisonné: Moritz Stübel 2.
Restored central fold. Strenghtened edges.
Pl. 36 x 55 cm, Bl. 40 x 60 cm.
269 Peter Troschel "Dresden - fireworks arches". 17th cent.
Peter Troschel um 1620 Nürnberg – nach 1667
Engraving. Inscribed on the medium. Framed with glass.
Visible central folds.
BA. 30 x 81 cm, Ra. 34 x 85 cm.
270 William Unger "From Lovrana". Late 19th cent.
William Unger 1837 Hannover – 1932 Innsbruck
Etching ,coloured. Verso remainings of an old mounting.
Pl. 21,5 x 28,5 cm, Bl. 41,8 x 53 cm.
271 N. van de Venne (after) "Wilhelm 2nd visiting the Kirmst in Den Haag". Late 17th cent.
Engraving. Inscribed in on the medium. Cut to the mediums edges. Reinforced central fold. Slightly shop-soiled and mouldy.
39,2 x 43,6 cm.
272 Giovanni Volpato "Pio Sexto Pont. Max.".
Giovanni Volpato 1733 Bassano – 1803 Rom
Engraving on hand-made paper. In mat.
Reinforced central fold. Cut to the mediums edges. Edges minimally shop-soiled with tiny tears.
57,3 x 77 cm.
273 Giovanni Volpato "Pio Sexto Pont. Max.". 2nd half 18th cent.
Giovanni Volpato 1733 Bassano – 1803 Rom
Engraving on hand-made paper. In mat. Cut to the mediums edges. Edges minimally shop-soiled with tiny tears.
57 x 77,6 cm.
274 Johann Georg Wille "Frederic 2nd King of the Prussian". 2nd half 18th cent.
Johann Georg Wille 1715 Biebertal b. Gießen – 1808 Paris
Engraving after A. Pesne. Titled in range of the plinth. Small imperfections in the range of the delienation. Framed in mat with glass.
BA. 37,5 x 26,5 cm, Ra. 42 x 53 cm.
275 Franz Winckler "Roman architecture". Late 18th cent.
Franz Winckler vor 1766
Engraving. Numbered and scribed. Mounted into a mat.
Tin tear at one edge. Slightly mouldy.
BA. 42,5 x 63,5 cm.
276 Giacomo Zatta "Frederic 2nd at Rossbach". Around 1757.
Engraving on hand-made paper. Titled, numbered and scribed on the medium in French and Italian. In mat.
Several tiny tears.
Pl. 37 x 41,5 x 42,2 x 47,8 cm.
278 Unknown artist "Clarissimorum virorum". 2nd half 18th cent.
Engraving.
Pl.19,4 x 25,4 cm, BA. 20 x 26 cm, Ra. 35,2 x 41,6 cm.
279 Unknown artist "Vue de la Ville et Forteresse de Königstein en Saxe". Around 1750.
Coloured engraving mounted on cardboard.
Unrestored original condition.
Pl. 29,5 x 42,5 cm, Bl. 32 x 47 cm.
280 Unknown artist "Dresden". Mid 19th cent.
Steel engraving. Minimal mouldy.
Pl. 13,7 x 20,3 cm, Bl. 18,8 x 27,8 cm.
281 Unknown artist "Catholic church at Dresden". Around 1830.
Coloured etching. Traces of crinckles and tiny damages. Cut to the mediums edges.
Bl. 12 x 18,7 cm.
282 Unknown artist "Dresde prise du jardin de Brühl". Around 1830.
Coloured etching. Small edge. Slight traces of filthiness.
Pl. 12,5 x 18 cm, Bl. 14,5 x 21 cm.
283 Unknown artist "Portrait of a lady". Mid 19th cent.
Pastel. White lead destroyed.
27,2 x 20,4 cm.
284 Unknown artist "Cosswick". 1757.
Engraving. Reinforced, abraded central fold. Very mouldy and with slight traces of crinckles. Cut to the mediums edges.
36,5 x 48 cm.
285 Raree show page: "Vue de la Ville et Forteresse de Königstein en Saxe". Around 1750.
Coloured engraving. Not restored original condition.
Pl. 28,8 x 43 cm, Bl. 34,3 x 53,6 cm.
286 German romanticist "Figurative study". 1st half 19th cent.
Pencil drawing on brownish paper. Three horizontal folds. minimal traces of filthiness and verso remainings of an old mounting.
27 x 23 cm.
287 Unknown Dutch artist "Oh!...". Probably Late 18th cent.
Pen drawing (ink). Inscribed in Dutch. In mat.
Tiny hole at one edge. Verso remainings of an old mounting.
Darst. 7 x 4,9 cm, Bl. 15,1 x 11,8 cm.
288 Unknown artist "Grocery". 17th cent.
Wood cut. Verso remainings of an old mounting. Traces of oxdation.
10 x 16 cm.
289 Unknown German (?) artist "Mary with baby jesus at the spherds" Late 18th cent.
Pen drawing, with white highs on brownish paper.
Minimal traces of damage. Verso remainings of an old mounting.
Bl. 20,5 x 30 cm.
290 Unknown artist "Landscape with town in the distance". 2nd half 18th cent.
Pencil drawing. Paper with paper mill sign.
Verso remainings of an old mounting. Minimal mouldy and with few thin points in the sheet.
17,8 x 29,3 cm.
291 Unknown Italian (?) artist "Mythological scene". 17th cent.
Pen drawing, washed in sepia on brownish paper. Mounted on cardboard.
19 x 25 cm.
292 Unknown Dutch artist "Scuffle in a tavern". 17th cent.
Pencil drawing, washed in sepia. Completey mounted. Serveral traces of age and slight damage. Verso remainins of an old mounting.
21,3 x 34 cm.
293 Unknown artist, raree show page:"Vue perspective de la Ville de Dresde". Around 1760.
Coloured engraving. Traces of age and slght damage, cut to the mediums edges.
30,2 x 49,5 cm.
294 Unknown artist "Flowers and butterflies". 19th cent.
Coloured copper engraving. Tiny freckle.
BA. 25,5 x 19 cm, Ra. 45,2 x 38,2 cm.
295 Unknown artist "At Vernx near Montreux". 1860.
Pencil drawing with white highs. Titled and dated. Traces of filthiness. verso remainings of an old mounting.
Bl. 20,7 x 30,4 cm.
296 Set "travelmaps". 19. century. 19th cent.
Four coloured pen drawing. Inscribed "Lau II. Curs", one with "Gross-Herzogthum Sachsen-Weimar-Eisenach H.L. Mein Hildb., Herzogthum Altenb., H.L. Kob. Gotha...", anotherone with "Prov. Hannover" and the last one with "Kgr. Sachsen".
Vertical and horizontal fold in the middle. Minimal mildewed.
Verschiedene Maße.
297 "Vue perspective de la Ville de Dresde". Around 1729.
Coloured copper engraving. Cetral fold. Cut too the mediums edges.
53,2 x 62 cm.
298 "Landgrav. Thuringiae tab. generalis". Around 1729.
Coloured copper engraving. Central fold. Cut to the mediums edges. Traces of age and slight reinforcements.
53 x 62 cm.
299 "Memory of the Saxon Switzerland". Mid 19th cent.
Lithograph. Reinforced tear at the bottom edge.
BL 35,5 x 46,5 cm.
300 Damien de Templeux "L'Isle de France". Around 1680.
Damien de Templeux ? – 1620
Coloured copper engraving. Inscribed on the medium. Map of the surrounding of Paris. Framed in mat with glass. Numbered and inscribed in pencil.
Central fold.
BA. 48,5 x 58,5 cm, Ra. 60 x 74 cm.
302 Unknown artist "Two views of Dresden". 19th cent.
Engravings. Small imperfections on the edges.
Bl. 34,2 x 25,5 cm.
303 Various artists "Copper engravings after drawings by K.F.Schinkel". 1820 to 1840.
119 engravings. Partly titled, inscribed on the medium.
Various conditions.
verschiedene Maße ca. 55 x 43 cm.
304 G. L. L. de Buffon "Allgemeine Historie der Natur ...". Grund und Holle, Hamburg/ Leipzig. 1756.
"...nach allen ihren besondern Theilen abgehandelt;. nebst einer Beschreibung der Naturalienkammer Sr. Majestät des König's von Frankreich." Band 3.
Mit gestochenen Titelvignetten, 110 Kupfertafeln und einer gefalteten Ordnungstafel. Halbledereinband der Zeit.
Dieser an den Kanten bestoßen. Vorsatzpapier etwas braunfleckig, minimaler Wurmfraß, sonst sehr guter Zustand.
24,5 x 20,5 cm
306 Heinrich Rittner (Hrsg.) "Dresden mit seinen Prachtgebäuden und schönsten Umgebungen". Um 1809.
Album mit 24 Kupferstichen von J.A.Darnstedt, Christian Gottlob Hammer, Johann Gottlob Schumann, J.G.A. Frenzel und J. Philipp Veith nach Zeichnungen von Hammer und Thormayer. Einleitendes Vorwort und ausführliche Beschreibung aller Tafeln in Deutsch und Französisch. Gedruckt bei Carl Gottlob Gärtner.
Pappeinband des 19. Jahrhunderts, wohl nicht original. Einband an den Ecken und Kanten leicht bestoßen. Vorsatz in Blei bezeichnet mit winzigem Löchlein. Stiche minimal stockfleckig, doch insgesamt sehr guter Zustand.
Pl. 20,3 x 26 cm, Bl. 26 x 42 cm.
310 Heinz Auerswald Heinz Auerswald "Artist's view" (view to the Frauenkirche, Dresden). Ca. 1900. 1900.
Heinz Auerswald 1891 Zschopau – 1974 Güstrow
Etching.
19,5 x 14,5 cm.
311 Albert Baertsoen "Sackgasse". Um 1904.
Etching in Schwarzbraun. Typografisch bezeichnet "Die Sackgasse - Originalradierung von A. Baertsoen" u.li., "Druck & Verlag der Gesellschaft F. vervielf. Kunst in Wien" u.re. Stempel am linken Blattrand. Reste alter Klebemontierung an den Blatträndern. Unauffällig stockfleckig.
Pl. 38 x 36 cm, Bl. 53 x 42 cm.
312 Ernst Barlach "Seufzerstein". 1912.
Ernst Barlach 1870 Wedel – 1938 Güstrow/Mecklenburg
Lithograph on buff coloured paper.
St. 26 x 31 cm, Bl. 42,5 x 53,5 cm.
314 Tina Bauer-Pezellen "Sitzendes Mädchen". 1930.
Charcoal drawing on light tanned paper.
49,7 x 31 cm,
315 Ottohans Beier "Madame". 1977.
Ottohans Beier 1892 Karlsruhe – 1979 München
Etching on japanese paper.
Pl. 14,2 x 18,2 cm, Bl.20,2 x 26 cm.
316 Klaus Böttger "Danae, nach Jan Gossaert, gen. Mabuse". 1977.
Klaus Böttger 1942 Dresden – 1992 Wiesbaden
Aquatint etching in colours.
Pl. 38 x 32 cm, Bl./Ra. 65 x 50 cm.
317 Arno Breker "Selbstbildnis". No date.
Arno Breker 1900 Elberfeld – 1991 Düsseldorf
Lithograph Im Stein signiert "Breker" und datiert 1918 u.re. In Blei von Künstlerhand signiert "Arno Breker" u.li., sowie nummeriert 206/250. Editionsgrafik der Galerie Marco. Mit Blindstempel versehen.
Hinter Glas in einer silbernen Holz-Rechteckleiste gerahmt.
Bl. 52,5 x 33,5 cm, Ra. 57 x 38,2 cm.
318 Albrecht Brück "Schloss Tirol". 1st half 20th cent.
Albrecht Bruck 1874 Lauban – 1964 ?
Etching , koloriert. In Blei signiert "A. Bruck" u.re., betitelt u.li. Trockenstempel "Original Radierung v. Alb. Bruck" u.li., "Schloss Tirol" u.Mi., "Carl Jander, Berlin" u.re. Ein kleiner Einriss (1 cm) am unteren Blattrand. Blattränder minimal knickspurig.
Pl. 29 x 20 cm, Bl. 39,8 x 30 cm.
319 Wolff Buchholz "Stadtansicht von Hamburg". 1959.
Wolff Buchholz 1935 Hamburg
Aquatint on hand-made paper.
Pl. 24,6 x 17,4 cm, Bl. 38,4 x 29 cm.
320 Pol Cassel "Schwangere Katze". 1924.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Etching on hand-made paper Posthumer Probedruck in Braun. In Blei vom Sohn des Künstlers, Constantin Cassel, signiert "C. Cassel für Pol Cassel 2005" u.re., betitelt und datiert u.Mi., bezeichnet "E.A." für Probedruck u.li.
Unscheinbar knickspurig, sonst sehr gut erhalten.
Pl. 22 x 16 cm, Bl. 39,5 x 30 cm.
321 Pol Cassel "Panje grüßt das Jahr 1928". 1927.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Etching on hand-made paper.
Pl. 15,5 x 24 cm, Bl. 29,5 x 39 cm.
322 Pol Cassel "Ährenleserin". 1935.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Etching on hand-made paper.
Pl. 9,5 x 14,3 cm, Bl. 18 x 23 cm.
323 Pol Cassel "Katzentier". 1929.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 31 c 25,6 cm, Bl. 50 x 34,5 cm.
324 Pol Cassel "Blumenkorb". 1929.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 34,6 x 23,5 cm, Bl. 50,5 x 34,8 cm.
325 Pol Cassel "Frühlingszauber". 1929.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 27 x 38 cm, Bl. 41,2 x 53 cm.
326 Pol Cassel "Affenliebe". No date.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 35,5 x 26,5 cm, Bl. 61,3 x 40 cm.
327 Pol Cassel "Hahn". No date.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 17,5 x 17,5 cm.
328 Pol Cassel "Vogelflug". No date.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 25 x 32,5 cm, 40 x 61 cm.
329 Pol Cassel "Nachdenklich". No date.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 30,2 x 25,5 cm, Bl. 61 x 40 cm.
330 Pol Cassel "Feldhase". No date.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 23,5 x 30,5 cm, Bl. 32 x 50 cm.
331 Pol Cassel "Kakteenblüte". No date.
Pol Cassel 1892 München – 1945 Kischinau, UdSSR
Linocut.
Pl. 40 x 34 cm, Bl. 61 x 40 cm.
332 Johann Vinzenz Cissarz "Mädchen am Strand". Um 1920.
Johann Vinzenz Cissarz 1873 Danzig – 1942 Frankfurt (Main)
Charcoal drawing on light tanned paper.
34 x 43,5 cm.
333 Lutz Dammbeck "Grafik-Film-Plakat". 1980.
Lutz Dammbeck 1948 Leipzig
Offset lithograph in colours.
Bl. 40,5 x 57,6 cm.
334 Willy Damme "Landschaft bei Goppeln". Um 1920.
Chalk drawing in colours.
Darst. 12 x 16,5 cm, Bl. 21 x 29 cm.
335 Anna Freifrau von Damnitz "Dünenstrand bei Knocke, Belgien". 1912.
Anna Freifrau von Damnitz 1871 Sternalitz/Oberschlesien – 1945 Potsdam
Watercolour.
Bl. 19 x 28 cm.
336 Erich Dietz "Winterliche Stadt". 1938.
Erich Dietz 1903 Zipsendorf – 1990 Plottendorf b. Altenburg
Charcoal drawing, hightend in white.
60,5 x 47 cm.
337 C. Dorn "Stilleben mit Weinlaub". Late 19th cent.
Mixed media.
BA. 67 x 47 cm, Passepartout 84,5 x 62,5 cm.
339 Georg Ehrlich "Mädchen und Mumien". 1924.
Georg Ehrlich 1897 Wien – 1966 Luzern
Silberstiftzeichnung auf gebräuntem Papier. In Blei datiert und signiert "G. Ehrlich" u.re., betitelt u.Mi., undeutlich bezeichnet u.li. "In ewig tiefer Liebe zu ... Engerl". Dargestellt sind wohl die Schauspielerin Elisabeth Bergner sowie der Künstler.
Zwei winzige Einrisse (0,3 cm) am unteren und linken Blattrand.
47,5 x 34,2 cm.
340 Paul Eliasberg "Karpaten". 2nd half 20th cent.
Paul Eliasberg 1907 München – 1983 Hamburg
Aquatint etching..
Pl. 43,3 x 35,6 cm, Bl. 65,7 x 50 cm.
341 Paul Eliasberg "Leukadia II". 2nd half 20th cent.
Paul Eliasberg 1907 München – 1983 Hamburg
Etching.
Pl. 36,7 x 48,3 cm, Bl. 50 x 65,6 cm.
342 Conrad Felixmüller "Matthäserbräu, München". 1969.
Conrad Felixmüller 1897 Dresden – 1977 Berlin
Wood cut on japanese paper.
Stk. 12,6 x 17 cm, Bl. 28,5 x 38,5 cm.
343 Theodor Hugo Fenners "Drei Zeichnungen". 1st half 20th cent.
Charcoal drawing auf chamoisfarbenem Papier. Ein Blatt betitelt u.Mi. sowie auf dem Passepartout signiert "T.H. Fenners" u.re. und betitelt u.li. Diese Arbeit verso mit Nachlass-Klebeetikett und Signatur des Enkels Horst Krick. Die anderen Blätter verso in Blei betitelt und nummeriert sowie mit Nachlass-Stempel und Signatur des Enkels Horst Krick versehen.
Verschiedene Maße.
344 Wilfried Fitzenreiter "Liegender Akt". 1974.
Wilfried Fitzenreiter 1932 Salza – 2008 Berlin
Zincography.
Bl. 35 x 48,8 cm.
* Droit-de-suite of 2.00 % applies.
345 Wilfried Fitzenreiter "Rückenakt". 1970's.
Wilfried Fitzenreiter 1932 Salza – 2008 Berlin
Zincography.
Bl. 48,7 x 36 cm.
* Droit-de-suite of 2.00 % applies.
346 E. R. Gallwitz "Landschaft im Erzgebirge (Schellerhau)". Mid 20th cent.
Watercolour.
30 x 44 cm.
347 Salvador Dali "Portrait aux signatures". Wohl 1966.
Aquatint etching..
Pl. 33 x 24,5 cm, Bl./Ra. 67,5 x 51,5 cm.
348 Oskar Gawell "Sitzendes Mädchen". 1st half 20th cent.
Oskar Gawell 1888 Hawlodno/Polen – 1955 Wien
Wood cut on buff coloured paper.
Stk. 21,8 x 14,6 cm, Bl. 29,5 x 21 cm.
349 Rudolf Gebhardt "Birkenweg". No date.
Rudolf Gebhardt 1894 Dresden – 1985 ebenda
Etching.
Pl. 22,7 x 16,5, Bl. 38,6 x 30,5 cm.
350 Rudolf Gebhardt "Josemita". 1st half 20th cent.
Rudolf Gebhardt 1894 Dresden – 1985 ebenda
Etching in brown.
Pl. 19 x 25 cm.
351 Georg Gelbke "Mädchenkopf nach rechts". 1920.
Georg Gelbke 1882 Rochlitz – 1947 Dresden
Etching in brown.
Pl. 8 x 6 cm, Bl. 15 x 12 cm.
352 Georg Gelbke "An der Alster". 1921.
Georg Gelbke 1882 Rochlitz – 1947 Dresden
Etching in brown.
Pl. 20,6 x 17,5 cm, 36 x 28 cm.
354 Leo Gestel "Zinnwald". 1st half 20th cent.
Leo Gestel 1881 Woerden – 1941 Hilversum
Lithograph on buff coloured paper Im Stein betitelt und bezeichnet "(Ertsgeb) Febr. 23" u.re., "Litho. D. Leo. Gestel" u.li., signiert "Leo Gestel" u.li. In Blei signiert "Leo Gestel" u.li. Blattränder leicht stockfleckig und angefleckt. Verso Reste eines alten Klebeetiketts.
St. 18 x 22 cm, Bl. 22 x 29,5 cm.
355 Wilhelm Giese "An der Havel". 1920.
Wilhelm Giese 1883 Horn – 1945 Wegeleben
Etching in brown.
Pl. 19,8 x 24 cm, Bl. 25,8 x 30 cm.
356 Verschiedene Künstler "3 Ansichten von Venedig". Early 20th cent.
Bruno Goldschmitt 1881 Nürnberg – 1964 München
Etching Ein Probedruck von Bruno Goldschmitt, in Blei signiert "B. Goldschmitt" u.re., bezeichnet "Probedruck" u.li. Leicht lichtrandig. Eine weitere Radierung von Pierluigi Bartolucci-Alfieri. In der Platte monogrammiert. In Blei signiert u.re., betitelt und nummeriert No. 16 u.li. Kolorierte Radierung "Venedig" von "Schioppi" (?) undeutlich in Blei signiert u.re. und betitelt u.li. Diese Arbeit minimal stockfleckig und mit kleinem Wasserfleckchen (0,8 cm) am unteren Blattrand.
Verschiedene Maße.
357 Dieter Goltzsche "Frau mit Hirsch". No date.
Dieter Goltzsche 1934 Dresden – lebt in Berlin
Lithograph in brown.
Darst. 22,5 x 17 cm, Bl.37,8 x 25,7 cm.
358 Dieter Goltzsche "Kneipenszene". Um 1980.
Dieter Goltzsche 1934 Dresden – lebt in Berlin
Etching on hand-made paper.
Darst. 15,5 x 13,5 cm, Bl. 36 x 35,7 cm.
359 Otto Götze "Weiblicher Akt beim Bade". Um 1910.
Otto Götze 1868 Leipzig – 1931 Berlin
Etching on hand-made paper.
Pl. 27,5 x 20,5 cm, Bl. 37,4 x 28,3 cm.
360 Peter Makolies und Peter Graf "Ausstellungsplakat Plastiken und Bilder". 1985.
Peter Graf 1937 in Crimmitschau – lebt in Radebeul
Lithograph.
Bl. 63 x 49 cm.
361 Paul Groß (?) "Die Elbe bei Gauernitz". No date.
Paul Groß 1873 Dresden – letzte Erw. 1914 ebenda
Etching in brown.
Pl. 24,7 x 19,5 cm, Bl. 37,8 x 31 cm.
362 Rudolf Großmann"Zwei Mädchen". Um 1922.
Rudolf Großmann 1882 Freiburg i. Breisgau – 1941 ebenda
Lithograph.
Darst. 38 x 23 cm, Bl. 53,8 x 35 cm.
363 Rudolf Großmann "Junge Frau". Um 1925.
Rudolf Großmann 1882 Freiburg i. Breisgau – 1941 ebenda
Etching on hand-made paper.
Pl. 34,7 x 22 cm, Bl. 42,1 x 29,2 cm.
364 Rudolf Großmann "Dr. Ignaz Seipel". 1st half 20th cent.
Rudolf Großmann 1882 Freiburg i. Breisgau – 1941 ebenda
Pen drawing.
BA. 38 x 28 cm.
365 Rudolf Großmann"Jahrmarkt". Um 1919.
Rudolf Großmann 1882 Freiburg i. Breisgau – 1941 ebenda
Etching.
Pl. 12 x 20 cm, Bl. 25,3 x 36,5 cm.
366 Rudolf Großmann "Im Liegestuhl". No date.
Rudolf Großmann 1882 Freiburg i. Breisgau – 1941 ebenda
Coloured etching.
BA. 18,5 x 23,4 cm, Ra. 33,4 x 38,2 cm.
367 Lea Grundig "Häusergiebel". 1930.
Lea Grundig 1906 Dresden – 1977 während einer Mittelmeerreise
Wood cut.
Darst. 35 x 25,5 cm, Bl. 54 x 38,8 cm.
369 Sabina Grzimek "Zwei Kinder". 1980.
Sabina Grzimek 1942 Rom
Aquatint etching..
Pl. 17 x 18,4 cm, Bl. 37 x 34,6 cm.
370 Herta Günther "Ausstellungsplakat - Farbige Grafik". 1976.
Herta Günther 1934 Dresden – 2018 ebenda
Lithograph in colours.
Bl. 49 x 33 cm.
371 Otto Gussmann "Akt". 1919.
Otto Gussmann 1869 Wachbach – 1926 Dresden
Pen drawing.
33 x 25,5 cm.
372 Gustav Hagemann "Fischerdorf bei Nacht". 1929.
Linocut.
Pl. 49,2 x 35,5 cm, Bl. 60,5 x 43,5 cm.
373 Angela Hampel "Grafikkalender 1994". 1993.
Angela Hampel 1956 Räckelwitz – lebt in Dresden
Offset lithograph mit dazwischenliegenden Gedichtblättern verschiedener Autoren. Auflage 120 Exemplare. Das Deckblatt im Stein betitelt "1994" und in Blei signiert u.re sowie als "E.A." bezeichnet. Sämtliche Grafiken in Blei signiert am unteren Blattrand.
Bl. 48,8 x 30 cm.
374 K. Hansen "Die Fischer". 1960.
Karl-Heinz Hansen 1915 Hamburg – 1978 Tittmoning/Bahia
Wood cut.
Darst. 38 x 66 cm, Bl. 51,7 x 79 cm.
375 Werner Haselhuhn "Baumgruppe". 1963.
Werner Haselhuhn 1925 Bad Frankenhausen – 2007 Dresden
Wood cut on japanese paper.
Darst. 40 x 50 cm, Bl. 50 x 60,7 cm.
376 Werner Haselhuhn "Alter Steinbruch". 1967.
Werner Haselhuhn 1925 Bad Frankenhausen – 2007 Dresden
Brush lithograph.
Pl. 40 x 50 cm, Bl. 50 x 63 cm.
377 Werner Haselhuhn "Weg durch die Felder". 1968.
Werner Haselhuhn 1925 Bad Frankenhausen – 2007 Dresden
Wood cut.
Stk. 27 x 35,8 cm, Bl. 44,5 x 53,6 cm.
378 Ernst Hassebrauk "Tod und Spielkarten" 1956.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Drypoint etching.
Pl. 30,3 x 46,8 cm, Bl. 41,1 x 60 cm.
379 Ernst Hassebrauk "Stilleben". 1972.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Lithograph in colours.
St. 37 x 48,5 cm, Bl. 49,8 x 70,3 cm.
380 Ernst Hassebrauk "Stilleben". No date.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Drypoint etching.
Pl. 18 x 46,5 cm, Ra. 36,5 x 66,8 cm.
381 Ernst Hassebrauk "Stilleben mit Obstschale". No date.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Drypoint etching.
Pl. 30,5 x 47 cm, Ra. 41,2 x 53,8 cm.
382 Ernst Hassebrauk "Selbst mit einer Dame am Tisch". 1962.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Pencil drawing.
Bl. 16 x 24 cm.
383 Ernst Hassebrauk "Duo". Um 1947.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Drypoint etching.
Pl. 23,2 x 20,5 cm, Bl. 40 x 32,5 cm.
384 Ernst Hassebrauk "Epitaphe, Innerer Neustädter Friedhof". No date.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Etching.
Pl. 24,5 x 39 cm, Bl. 39,5 x 53,5 cm.
385 Ernst Hassebrauk "Bodetal (Harz)". No date.
Ernst Hassebrauk 1905 Dresden – 1974 ebenda
Etching.
Pl. 29 x 49,5 cm, Ra. 44 x 63 cm.
386 Franz Heckendorf "Vor Saloniki". 1916.
Franz Heckendorf 1888 Berlin-Schöneberg – 1962 München
Lithograph on buff coloured paper.
Darst. 14,5 x 12 cm, Bl. 30 x 23 cm.
387 Josef Hegenbarth "Hyäne". Um 1950.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
Brush drawing in ink.
24,7 x 19 cm.
388 "Der Wolf und der Fuchs". Rütten & Loening, Potsdam. 1951.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
23 Seiten. Mit 8 farbigen, ganzseitigen Zeichnungen von Josef Hegenbarth. Halbleinen-Einband.
Seiten gebräunt und leicht stock- und fingerfleckig. Neu gebunden, untere rechte Ecke des Buchdeckels bestoßen und fleckig. Buchdeckel und Vorsatz mit handschriftlicher Nummerierung in Tinte/ Kugelschreiber.
22,8 x 31 cm.
389 Josef Hegenbarth "Drei spielende Kinder". Um 1950.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
Pen drawing (ink) auf chamoisfarbenem Papier. In Tusche signiert "Jos. Hegenbarth" u.re. Verso weitere Tuschezeichnung. Diese in Blei bezeichnet "Die Kinder" in Bildmitte, "Berlin" o.li. (von fremder Hand?). Im Passepartout.
WVZ Zesch F III 588.
Blattecken mit minimalen Knickspuren.
11,7 x 13,8 cm.
390 Josef HegenbarthJosef Hegenbarth "Goats". Not dated. 1950.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
Pen and brush drawing in ink on paper. Signed with pencil "Jos. Hegenbarth" to the lower right. Set in a mat.
Remnants of an old mounting to the reverse. Tiny tear to the lower edge. Minimal yellowed.
Catalogue raisonné Zesch D V 582.
25 x 32,2 cm.
* Droit-de-suite of 2.00 % applies.
391 Josef Hegenbarth "Seiltänzer an der Pillnitzer Landstraße in Loschwitz". Um 1950.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
Pen drawing.
20,2 x 25,2 cm.
392 Josef Hegenbarth "Spielende schwarze Katze". Um 1950.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
Pen and brush drawing in ink.
18,5 x 24,3 cm.
393 Artur Henne "Vorfrühling". 1st half 20th cent.
Artur Henne 1887 Dresden – 1963 Liebstadt
Etching in brown.
Pl. 19,5 x 28 cm, Bl. 29,7 x 37,2 cm.
394 Gunter Herrmann "Tagebaulandschaft IV". 1982.
Gunter Herrmann 1938 Bitterfeld – 2019 Radebeul
Etching.
Pl. 34,5 x 55,5 cm, Bl. 53 x 73,5 cm.
395 Peter Herrmann "Februar". 1976.
Peter Herrmann 1937 Großschönau – lebt in Berlin
Lithograph.
Darst. 43,5 x 32 cm, Bl. 47 x 36 cm.
396 Paul Herrmann "Eva Nr. 44". 1909.
Paul Herrmann (Henri Héran) 1864 München – 1944 Berlin
Etching on buff coloured hand-made paper.
Pl. 14,2 x 11 cm, Bl. 37 x 25,5 cm.
397 Paul Herrmann "Spielendes Meerweib". Um 1900.
Paul Herrmann (Henri Héran) 1864 München – 1944 Berlin
21,5 x 30 cm.
398 Peter Herrmann "Einladung zur Ausstellung - Albert Ebert. Malerei und Graphik". 1976.
Peter Herrmann 1937 Großschönau – lebt in Berlin
Lithograph in colours.
St. 28,7 x 41,3 cm.
399 Walter Herzog "Hohes Ufer" 1977.
Walter Herzog 1936 Dresden
Etching.
Pl. 15 x 30,5 cm, Bl. 36,5 x 35,2 cm.
400 Alfred Hesse "Gehöft im Winter". 1942.
Alfred Hesse 1904 Schmiedeberg – 1988 Dresden
Pencil drawing.
BA. 30 x 46 cm, Ra. 50,5 x 63 cm.
401 Erhard Hippold "Landschaft". No date.
Erhard Hippold 1909 Wilkau – 1972 Bad Gottleuba
Brush lithograph on buff coloured paper.
St. 20 x 25 cm, Bl.26,8 x 37,6 cm.
402 Erhard Hippold "Villa in Radebeul". 1937.
Erhard Hippold 1909 Wilkau – 1972 Bad Gottleuba
Etching in Blauschwarz. Posthumer Abzug. In der Platte datiert und signiert "E. Hippold" u.li. In Blei von der Ehefrau des Künstlers signiert "für Erhard Hippold: Gussy Hippold" u.re. Drei Einrisse (5 cm o.re., 3 cm o.li., 1,5 cm o.Mi.).
Minimal knickspurig.
Pl. 11,6 x 25,8 cm, Bl. 49,7 x 37,5 cm.
403 Erhard Hippold "Fischer mit ihren Booten". 1953.
Erhard Hippold 1909 Wilkau – 1972 Bad Gottleuba
Brush drawing in ink.
39,2 x 58 cm.
404 Karl-Georg Hirsch "Neun Frauendarstellungen". 1972.
Karl-Georg Hirsch 1937 Breslau – lebt in Leipzig
Wood engraving.
Darst. 8,5 x 5,5 cm, Bl. 48 x 34 cm.
405 Karl-Georg Hirsch "Zu literarischen Parodien". 1979/80.
Karl-Georg Hirsch 1937 Breslau – lebt in Leipzig
Wood engraving.
Bl. 48 x 34 cm.
406 Karl Hofer "Das Nest". 1920.
Karl Hofer 1878 Karlsruhe – 1955 Berlin
Lithograph on buff coloured paper Im Stein monogrammiert. Verso typographisch betitelt, signiert "Karl Hofer" und bezeichnet "Originalradierung" u.Mi. In der Kunstzeitschrift "Genius" 1921 erschienen.
WVZ Rathenau L 34.
Leichte Stockfleckenbildung.
Darst. 27,5 x 23,5 cm, Bl. 34,5 x 26 cm.
407 Karl Hofer (zugeschr.) "Drei Portraits". 1940.
Karl Hofer 1878 Karlsruhe – 1955 Berlin
Pencil drawing.
29,5 x 21,7 cm.
408 Karl Hofer "Auferstehung II". Um 1948.
Karl Hofer 1878 Karlsruhe – 1955 Berlin
Lithograph.
Darst. 27,5 x 19,5 cm, Bl. 47 x 38,5 cm.
409 Karl Hofer "Mädchen mit Christblume". Um 1946.
Karl Hofer 1878 Karlsruhe – 1955 Berlin
Lithograph.
Bl. 42 x 29,5 cm.
410 Michael Hofmann "Ohne Titel". 1983.
Michael Hofmann 1944 Chemnitz – lebt in Radebeul
Wood cut in colours.
Stk. 75 x 48,5 cm, Bl. 83 x 56,6 cm.
411 Ludwig von Hofmann "Springende Mädchen". Um 1905.
Ludwig von Hofmann 1861 Darmstadt – 1945 Pillnitz bei Dresden
Lithograph.
St. 26,3 x 31,5 cm, Bl. 32,2 x 45,4 cm.
412 Ludwig von Hofmann "Badende". Um 1920.
Ludwig von Hofmann 1861 Darmstadt – 1945 Pillnitz bei Dresden
Etching on hand-made paper.
Pl. 21 x 17 cm, Bl. 33 x 24,8 cm.
413 Ludwig von Hofmann "Landschaften bei Pillnitz, Warmbad und im Erzgebirge". Um 1920.
Ludwig von Hofmann 1861 Darmstadt – 1945 Pillnitz bei Dresden
Lithograph 12 Arbeiten auf Bütten. Alle im Stein monogrammiert, in Blei betitelt u.re, signiert "L. v. Hofmann" u.li. In einer Klapp-Mappe mit altem Besitzernachweis.
Ein Blatt mit kleinem Einriss (4 cm) o.re. Vier Arbeiten mit leicht angestaubten Blatträndern. Eine Arbeit mit minimalen Trockenfältchen am unteren Blattrand. Mappe mit minimalen Bestoßungen. Sonst sehr guter Zustand.
Mappe 51,5 x 39,5 cm.
414 Charles Holroyd "Mitternacht-Gottesdienst in Venedig". Um 1904.
Charles Holroyd 1861 Leeds (West Yorkshire) – 1917 Weybridge (Surrey)
Etching.
Pl. 28,5 x 23,5 cm, Bl. 53 x 42 cm.
415 Paul Horst-Schultze "Arbeiter". Um 1920.
Paul Horst-Schulze 1876 Naundorf b. Leipzig – 1937 ebenda
Pen drawing.
37,2 x 26,8 cm.
416 Willy Jäckel "Simsons Rache an den Philistern". Um 1920.
Sandor Dóró 1950 Hajduböszörmény (Ungarn) – lebt in Dresden
Etching on hand-made paper.
Pl. 25 x 19 cm, Bl. 50 x 34,5 cm.
417 Walter Jacob "Landschaft". 1922.
Walter Jacob 1893 Altenburg/Thüringen – 1964 Hindelang/Allgäu
Charcoal drawing.
45,5 x 63 cm.
418 Matthias Jäger "Hippodrom". 1968.
Matthias Jäger 1945 Schwerin – 2012 Neubrandenburg
Lithograph.
Darst. 34 x 46 cm, Bl. 50,5 x 59,5 cm.
419 Georg Jahn "Bastei Sächsische Schweiz". 1927.
Georg Jahn 1869 Meißen – 1940 Dresden-Loschwitz
Etching in brown auf chamoisfarbenem Papier. In Blei datiert und signiert "Georg Jahn" u.re., betitelt und bezeichnet "Probedruck" u.re.
Blattecke o.re. leicht fleckig. Beigegeben: Radierung von Rudolf Gebhardt. Diese in Blei signiert "Rudolf Gebhardt" u.re., betitelt "Sächs. Schweiz" u.li. Minimal stockfleckig und leicht wellige und knittrige Blattränder.
Pl. 23,7 x 17,2 cm, Bl. 37,5 x 30,4 cm.
422 Jansen (?) "Europa und der Stier". 1976.
Lithograph.
St. 40 x 45 cm, BA. 46,5 x 68 cm, Ra. 50,5 x 72 cm.
423 Rudolf Jettmar "Felslandschaft". No date.
Rudolf Jettmar 1869 Zawodzie – 1939 Wien
Etching Typografisch bezeichnet "Felslandschaft - Originalradierung von Rudolf Jettmar" u.Mi., "Druck & Verlag der Gesellschaft F. vervielf. Kunst in Wien" u.li., "Originalradierung" und "Vervielfältigung vorbehalten" u.re. Stempel am linken und oberen Blattrand.
Winziger Einriss (1,3 cm) am unteren Blattrand.
Pl. 37,5 x 28,8 cm, Bl. 52,7 x 41,5 cm.
424 Rudolf Jettmar "Felsschlucht". Um 1905.
Rudolf Jettmar 1869 Zawodzie – 1939 Wien
Etching Typographisch betitelt u.re., bezeichnet "Druck der k.k. Hof-& Staatsdruckerei Wien" u.Mi., "Original-Radierung von Rudolf Jettmar" u.li., "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" u.re. Verso Reste alter Klebemontierung am linken Blattrand. Obere Blattecken unauffällig knickspurig.
Pl. 41 x 27 cm, Bl.53 x 42 cm.
425 Horst Jockusch "Konvolut von 6 Stadtansichten". 2nd half 20th cent.
Horst Jockusch 1925 Dresden – 2014 ebenda
5 Radierungen und 1 Holzschnitt aus den Jahren 1962 bis 1995. Je 2 Ansichen von Prag und St. Petersburg und je einer Ansicht der Städte Hallstadt (als Probedruck) und Budapest. Alle Blätter in Blei signiert und datiert. 2 Blätter mit Widmung, eines auf Japanpapier auf Untersatzblatt geheftet.
Verschiedene Formate.
426 Rudolf Karasek " Verschneit". 1st half 20th cent.
Wood cut.
Stk. 17 x 22,2 cm, Bl. 24,5 x 31,7 cm.
427 Petra Kasten "Urlaub am Meer"/ "Immer der Nase nach" 1988/ 1990.
Petra Kasten 1955 Dresden
Etching.
Blatt 1 Pl. 49,7 x 64 cm, Bl. 52,5 x 75 cm. Blatt 2 Pl. 49 x 64,2 cm, Bl. 60,7 x 73,5 cm.
428 Hermann Kätelhön "Für treue Arbeit - Harpener Bergbau AG". Early 20th cent.
Hermann Kätelhön 1884 Hofgeismar – 1940 München
Etching.
Pl. 44,5 x 34 cm, Bl. 53,5 x 41,6 cm.
429 Edmund Kesting "Weiblicher Akt". 1915.
Edmund Kesting 1892 Dresden – 1970 Birkenwerder
Wood cut on japanese paper.
Stk. 20,5 x 29,2 cm, Bl. 30 x 48,4 cm.
430 Werner Klemke "Es lebe was auf Erden stolziert in grüner Tracht". Verlag Karl Quarch, Leipzig. 1976.
Werner Klemke 1917 Berlin – 1994 ebenda
Coloured wood engraving 24 Arbeiten auf 12 Blättern. 12 davon in Blei datiert und signiert "Klemke" u.re. Drei weitere Holzstiche auf dem Titelblatt. In originaler Leinwand-Kassette. Verso typographisch bezeichnet "Holzstiche Werner Klemke, Abgezogen von den Originaldruckstöcken, Verlag Karl Quarch Leipzig, III/18/32 L8/76" u.Mi.
Tadelloser Zustand.
Mappe 36,3 x 23 cm.
431 Werner Klemke "Konvolut Grafik". No date.
Werner Klemke 1917 Berlin – 1994 ebenda
Wood engraving.
Verschiedene Maße.
432 Walther Klemm "Fischender Adler". No date.
Walther Klemm 1883 Karlsbad – 1957 Weimar
Wood cut.
Stk. 44,4 cm x 33,5 cm, Bl. 59,8 x 45 cm.
433 Walther Klemm "Hahn". No date.
Walther Klemm 1883 Karlsbad – 1957 Weimar
Wood cut in colours on japanese paper.
Stk. 25 x 19,7 cm, Bl. 35,7 x 26 cm.
434 Walther Klemm "Affe". No date.
Walther Klemm 1883 Karlsbad – 1957 Weimar
Wood cut on japanese paper.
Stk. 13,5 x 10,3 cm, Bl. 32 x 27 cm.
435 Walther Klemm "Junge Hunde". 1907.
Walther Klemm 1883 Karlsbad – 1957 Weimar
Wood cut in colours Im Stock monogrammiert und datiert u.li. Typografisch betitelt u.Mi., bezeichnet "Farbiger Originalholzschnitt von Walter Klemm" u.li., "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" u.re.
Verso Reste alter Montierung am oberen Blattrand. Kleiner Wasserfleck an der Blattecke u.re. Unauffällig knittrig.
Darst. 25 x 30 cm, Bl. 42 x 53 cm.
436 Max Klinger "Zelt, I. Nr. 8 - Vergewaltigung". 1915.
Max Klinger 1857 Leipzig – 1920 Groß-Jena/Naumburg
Aquatint etching Typographisch betitelt und signiert "Max Klinger" u.re., bezeichnet "Druck von O. Felsing". In Blei betitelt u.Mi. (von fremder Hand ?). Im Passepartout. Blatt aus dem Radierzyklus "Zelt".
Rechter Blattrand minimalst angestaubt, sonst exzellenter Zustand.
Dieser Zyklus bildet mit seinen romantisch-symbolistischen Darstellungen eines Märchens den Abschluss der graphischen Zyklen Klingers.
Pl. 22,5 x 18 cm, Bl. 35,5 x 25 cm.
437 Max Klinger "Zelt, II. Nr. 36 - Vor dem Turm". 1915.
Max Klinger 1857 Leipzig – 1920 Groß-Jena/Naumburg
Aquatint etching Typographisch betitelt und signiert "Max Klinger" u.re., bezeichnet "Druck von O. Felsing". In Blei betitelt u.Mi. (von fremder Hand ?). Im Passepartout. Blatt aus dem Radierzyklus "Zelt".
Rechter Blattrand minimalst angestaubt, sonst exzellenter Zustand.
Pl. 22,5 x 18 cm, Bl. 35,5 x 25 cm.
438 Max Klinger "Zelt, I. Nr. 7 - Der Schwanenprinz". 1915.
Max Klinger 1857 Leipzig – 1920 Groß-Jena/Naumburg
Aquatint etching..
Pl. 22,5 x 18 cm, Bl. 35,5 x 25 cm.
439 Rudolf Koch "Jesus". 1980.
Rudolf Koch 1902 Braunschweig – 1985 ebenda
Wood cut on japanese paper.
Stk. 24,6 x 22,5 cm, Bl. 47,5 x 31 cm.
440 Thea Kowar "Ballett Martinique". 1985.
Thea Kowar 1945 Leipzig
Lithograph.
St. 30,5 x 43,5 cm, Bl. 45 x 55 cm.
441 Thea Kowar "Akte im Raum". 1985.
Thea Kowar 1945 Leipzig
Lithograph in brown.
St. 34,5 x 47,5 cm, Bl. 45 x 54,7 cm.
442 Aleksei Ilych Kravchenko "Paar". 1930's.
Aleksei Ilych Kravchenko 1889 – 1940
Wood cut.
Stk. 15,7 x 10,2 cm, Bl. 23,8 x 17,5 cm.
443 Gotthard Kuehl "Inneres der Johanneskirche in Müchnen". Um 1900.
Gotthardt Kuehl 1850 Lübeck – 1915 Dresden
Etching on japanese paper.
32,5 x 19 cm.
444 Karl Kunz "Zwei weibliche Akte". 1968.
Karl Kunz 1905 Augsburg – 1971 Frankfurt a.M.
Pencil drawing.
Bl. 65 x 50 cm.
445 Otto Lais "Stehender weiblicher Akt". 1925.
Otto Lais 1897 Wilferdingen – 1988 Wegberg-Merbeck
Etching on hand-made paper.
Pl. 25,7 x 11 cm, Bl. 38,3 x 24,4 cm.
446 Otto Lais "Verkrüppeltes Mädchen ( Die kleine Scherer)". 1923.
Otto Lais 1897 Wilferdingen – 1988 Wegberg-Merbeck
Etching on hand-made paper.
Pl. 25 x 19,5 cm, Bl. 34,7 x 25,4 cm.
448 Eva Langkammer "Landschaft". Um 1900.
Eva Langkammer 1884 Leipzig – 1956 ? Berlin
Wood cut in colours.
22 x 18,5 cm.
449 Eva Langkammer "Vier Birken". Um 1905.
Eva Langkammer 1884 Leipzig – 1956 ? Berlin
Wood cut in colours.
18 x 21,3 cm.
450 Reinhold Langner "Mutter mit Kind am Weg". Um 1948.
Reinhold Langner 1905 Weinböhla – 1957 Dresden
Lithograph.
BA.24,5 x 37,3 cm, Ra. 38,5 x 54,5 cm.
451 Oskar Laske "Die Porta Capuana in Neapel". Um 1920.
Oskar Laske 1874 Bukowina – 1951 Wien
Lithograph.
Darst. 39,9 x 32,5 cm. Bl. 55,7 x 44,8 cm
452 Hermine Laukota "Regenschauer". Um 1900.
Hermine Laukota 1853 Prag – 1931 ebenda
Etching.
Pl. 27,5 x 36 cm, Bl. 41,5 x 53 cm.
453 Johannes Lebek "Hütte". Mid 20th cent.
Johannes Lebek 1901 Zeitz – 1985 Adelebsen
Wood cut on japanese paper.
Stk. 8,7 x 13,5 cm, Bl. 12 x 16,8 cm.
454 Helge Leiberg "Ostmiefwestwahn". 1990.
Helge Leiberg 1954 Dresden
Lithograph.
Darst. 37,5 x 58 cm.
455 Volker Lenkeit "Nächtlicher Reigen". 1987.
Volker Lenkeit 1959 Dresden – lebt in Dresden
Lithograph in colours.
Darst. 31,5 x 44,5 cm, Bl. 40 x 55 cm.
456 Gerda Lepke "Skulpturenkabinett/ Berlin". 1981.
Gerda Lepke 1939 Jena – lebt in Wurgwitz und Gera
Etching.
Pl. 26,5 x 23,5 cm, Bl. 37,8 x 24,6 cm.
457 Gerda Lepke "Plakat Dresdner Sezession 89". 1990.
Gerda Lepke 1939 Jena – lebt in Wurgwitz und Gera
Offset lithograph.
Bl. 61,5 x 89 cm.
458 Rudolf Levy (zugeschr.) "Drei Kopfstudien". Um 1920.
Rudolf Levy 1875 Stettin – 1944 Italien
Brush drawing in ink.
BA. 42,5 x 32,2 cm, Ra.53,5 x 43,5 cm.
459 Ernst Lewinger "Flußufer". 1981.
Ernst Lewinger 1931 Dresden – 2015 ebenda
Lithograph.
St. 17,5 x 29,7 cm, Bl. 37,5 x 45,6 cm.
460 Marlies Lilge "Cafe" / "Spyker". 1980.
Marlies Lilge 1945 Halbe – 1983 Dresden
Bl. 32 x 43,4 cm/Bl. 40,7 x 50 cm.
461 Otto Limmers "Mainlandschaft". 1921.
Otto Limmer 1882 Leipzig
Etching in brown.
Pl. 30 x 39,4 cm, Bl. 41 x 49,5 cm.
462 Erich Lindenau "Enzian". Um 1930.
Erich Lindenau 1889 Bischofswerda – 1955 Dresden
Etching.
Pl. 14,8 x 11,5 cm, Bl. 33,4 x 27,7 cm.
463 Heinz Lohmar "3 Grafikblätter". No date.
Heinz Lohmar 1900 Troisdorf – 1976 Dresden
Verschiedene Maße.
464 Carl Lohse "Pflüger". No date.
Carl Lohse 1895 Hamburg – 1965 Dresden
Wood cut.
Stk. 39,8 x 49,8 cm, Bl. 48 x 53,3 cm.
465 Carl Lohse "Heuernte". No date.
Carl Lohse 1895 Hamburg – 1965 Dresden
Wood cut In Blei signiert "Carl Lohse" u.re. und betitelt u.li. Etwas vergilbter rechter Blattrand mit kleinem Ausriss an der oberen Ecke. Blatt oben mittig eingerissen (ca. 2,5 cm) mit horizontaler Knickfalte. Leicht stockfleckig mit Resten von Druckfarbe. Kleines Löchlein o.li.
Stk. 39,5 x 49,5 cm, Bl. 47,8 x 62,7 cm.
466 Alfred Walter Lomnitz "Figuren". 1919.
Linocut In der Platte monogrammiert u.re. In Blei signiert "Lomnitz" und datiert u.re. Trockenstempel der Weimarer Künstlergruppe "Die Schaffenden" u.li., deren Mitglied Lomnitz war.
Kleiner Einriss (1 cm) am oberen Blattrand. Oberer Blattrand geringfügig knickspurig sowie mit dünnen Stellen im Papiers.
Pl. 26 x 35,8 cm, Bl. 31,2 x 41,2 cm.
467 Georg Lührig "Im Paradies". 1898.
Georg Lührig 1868 Göttingen – 1957 Lichtenstein/Erzgebirge
Lithograph in colours auf leicht gräulichem Papier. Im Stein monogrammiert und datiert u.li. Typographisch betitelt u.Mi., bezeichnet "Druck der k.k. Hof-& Staatsdruckerei Wien" u.li., "Original-Lithographie von Georg Lührig" u.Mi., "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" u.re.
Verso Reste alter Klebemontierung am oberen Blattrand. Stempel am oberen Blattrand. Blattränder minimal knickspurig. Kleiner Einriss (0,7 cm) an der Blattecke o.re.
Darst. 27 x 38 cm, Bl. 41 x 53,3 cm
468 Georg Lührig "Jahreszeiten". 1910.
Georg Lührig 1868 Göttingen – 1957 Lichtenstein/Erzgebirge
Lithograph.
St. 60,5 x 44,5 cm, Bl. 73,5 x 56 cm.
469 Adolf Luntz "Nach dem Regen". Um 1905.
Adolf Luntz 1875 Wien – 1934 Karslruhe
Etching.
Pl. 22 x 25 cm, Bl. 41,8 x 53 cm.
470 Gerd Mackensen "Stolpert über einen Schnörkel". 1986.
Gerd Mackensen 1949 Nordhausen – lebt in Sondershausen
Etching in brown.
Darst. 20 x 13,2 cm, Bl. 31,5 x 23 cm.
471 Gerd Mackensen "Paar". Um 1980.
Gerd Mackensen 1949 Nordhausen – lebt in Sondershausen
Etching.
Darst. 21,3 x 29,4 cm, Bl.36 x 35,7 cm.
472 Klaus Magnus "Stilleben" 1987.
Klaus Magnus 1936 Gumbinnen – lebt in Fulda
Etching on hand-made paper.
Pl. 20,4 x 24 cm, Bl. 53,5 x 39,5 cm.
473 Wolfgang Mattheuer "Sonne und Badende". 1981.
Wolfgang Mattheuer 1927 Reichenbach/Vogtland – 2004 Leipzig
Linocut.
Pl. 36,2 x 53,2 cm, Bl. 63 x 50 cm.
* Droit-de-suite of 2.00 % applies.
474 Grafikkalender. Staatlicher Kunsthandel der DDR. 1980.
Kalender mit 12 Originalgraphiken von:
K.-G. Hirsch "Tanz" (Holzstich), M. Butzmann "Speicherstadt" (Aquatintaradierung), M. Uhlig "Ohne Titel" (Lithographie), H. Metzkes "Liegender Akt" (Radierung), N. Quevedo "Spanische Landschaft" (Lithographie), D. Gotzsche "Frau auf Balkon" (Radierung, Aquatinta), F. B. Henkel "Sommerlandschaft" (Aquatintaradierung), J. John "Traum mit Jockei" (Radierung), W. Wittig "Landschaft mit Baugerüst" (Holzschnitt), B. Heisig "Straßenszene" (Lithographie), W.
...
> Read more
Bl. 37 x 35 cm, Kalenderformat 48,7 x 35,3 cm.
475 Hans Meid "Hamburg Winterhude". 1922.
Hans Meid 1883 Pforzheim – 1957 Ludwigsburg
Etching.
Pl. 24,6 x 37 cm, Bl. 38 x 54 cm.
476 Hans Meid "Pferdetränke". 1922.
Hans Meid 1883 Pforzheim – 1957 Ludwigsburg
Etching on hand-made paper.
Pl. 22,5 x 29 cm, Bl. 37 x 54 cm.
477 Hans Meid "Badende Mädchen". 1921.
Hans Meid 1883 Pforzheim – 1957 Ludwigsburg
Etching on buff coloured hand-made paper.
Pl. 2025 cm, Bl. 37 x 52,3 cm.
478 Edmund (Edmundo) Moeller "Unter der Inkasonne". No date.
Edmund (Edmundo) Moeller 1885 Neustadt an der Heide – 1958 ?
Etching In der Platte monogrammiert und bezeichnet "Peru" u.li. In Blei signiert "Ed. Moeller" u.Mi., betitelt u.re., bezeichnet "Orig. Radierung" u.li. Im Passepartout.
Kräftiger Druck mit schönem Plattenton. Volle Blattränder mit minimalen Fältchen und Knickspuren. Kleiner Einriss am unteren Blattrand.
Pl. 25,2 x 29,8 cm, Bl. 35,7 x 40,2 cm.
479 Arno Mohr "Uferlandschaft". 1985.
Arno Mohr 1910 Posen – 2001 Berlin
Wood cut.
BA. 10,2 x 15 cm, Ra. 32,5 x 42,7 cm.
480 Michael Morgner "Regen". 1989. 1989.
Michael Morgner 1942 Chemnitz
Aquatint etching..
Pl. 24,5 x 32 cm, Bl. 39 x 53 cm.
481 Alfred Traugott Mörstedt "Wipfelgesicht". 1976.
Alfred Traugott Mörstedt 1925 Erfurt – 2005 Weimar
Lithograph in colours.
Darst. 21,5 x 27 cm, Bl. 35 x 48,8 cm.
482 Kurt Mühlenhaupt "Affe an der Leine". 1968.
Kurt Mühlenhaupt 1921 Klein Ziescht – 2006 Bergsdorf
Wood cut.
Stk. 22,3 x 15,5 cm, Bl. 43,8 x 31 cm.
483 Richard Müller "Schneedächer mit Telephonstand". 1899.
Richard Müller 1874 Tschirnitz/Böhmen – 1954 Dresden-Loschwitz
Etching mit Plattenton. Kunstbeilage Heft II V. Jahrgang der Zeitschrift "PAN". Typographisch betitelt und bezeichnet "Richard Müller, Pan V2, Originalradierung" u.li.
WVZ Günther 47.
Äußerster rechter und unterer Blattrand leicht angestaubt. Geringfügig stockfleckig.
Pl. 15 x 23 cm, Bl. 37,2 x 28,2 cm.
484 Richard Müller"Vier Schmetterlinge". 1899.
Richard Müller 1874 Tschirnitz/Böhmen – 1954 Dresden-Loschwitz
Etching.
2Pl. 29,5 x 23,5 cm, Bl. 50,2 x 34,7 cm.
* Droit-de-suite of 2.00 % applies.
485 Richard Müller "Huhn". 1901.
Richard Müller 1874 Tschirnitz/Böhmen – 1954 Dresden-Loschwitz
Etching in Schwarzbraun mit Plattenton auf chamoisfarbenem Papier. In der Platte signiert "Rich. Müller" und datiert u.li. Typografisch bezeichnet "Original-Radierung von Richard Müller" u.li, "Druck & Verlag der Gesellschaft für vervielfältigende Kunst, Wien." u.re.
WVZ Günther 55.
Minimal stockfleckig. Unscheinbar knittrig und wasserfleckig am oberen Blattrand.
Pl. 43,5 x 26 cm, Bl.53 x 41,7 cm.
486 Richard Müller "Mein Quick". 1912.
Richard Müller 1874 Tschirnitz/Böhmen – 1954 Dresden-Loschwitz
Etching.
Bl. 33,8 x 53,1 cm, Ra. 50,9 x 68,3 cm.
487 Richard Müller "Figurengruppe mit Initiale M". 1938.
Richard Müller 1874 Tschirnitz/Böhmen – 1954 Dresden-Loschwitz
Pencil drawing.
Bl. 39,8 x 23,7 cm.
488 Rolf Münzner "Atelier I". 1978.
Rolf Münzner 1942 Geringswalde i. Sa. – lebt in Geithain
Mezzotint lithograph.
Pl. 24,5 x 37,5 cm, Bl. 36 x 47,7 cm.
489 Rolf Münzner "Rennen hinter Motoren". 1982. 1982.
Rolf Münzner 1942 Geringswalde i. Sa. – lebt in Geithain
Mezzotint lithograph.
Darst. 34,4 x 42,2 cm, Bl. 53,3 x 65,4 cm.
490 Rolf Münzner "M. durchfährt Schleuse bei L.". 2000.
Rolf Münzner 1942 Geringswalde i. Sa. – lebt in Geithain
Mezzotint lithograph.
Darst. 26,5 x 17 cm, Bl. 32,5 x 20,5 cm.
491 Heinrich Nauen "Mutter und Kind". 1919.
Heinrich Nauen 1880 Krefeld – 1940 Kalkar
Etching on light tanned paper Verso typographisch betitelt, datiert, signiert "Heinrich Nauen" und bezeichnet "Originalradierung" u.li. In der Kunstzeitschrift "Genius" 1919, Heft 1-2 erschienen.
Leicht lichtrandig. Linker Blattrand mit Resten alter Montierung. Geknickte Blattecke u.li.
Pl. 25 x 19,8 cm, Bl. 34 x 26,2 cm.
492 Hermann Naumann "Zu Scholem Alechem: Die Geschichte Tewjes des Milchhändlers". 1960.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
Wood cut on hand-made paper.
Stk. 28 x 24 cm, Bl. 40,2 x 30,3 cm.
493 Hermann Naumann "Akt mit Schminkstift". 1964.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
Lithograph.
Pl. 50 x 29,5 cm, Bl.62,7 x 46 cm.
494 Hermann Naumann "Im Zirkus". 1991.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
Lithograph in colours.
St. 34 x 25,5 cm, Bl. 53,8 x 39,7 cm.
495 Emil NoldeEmil Nolde "Grete". 1922.
Emil Nolde 1867 Nolde – 1956 Seebüll i. Nordfriesland
Etching on paper. Signed "Emil Nolde" with pencil to the lower right. Numbered (?) III/3 to the lower left. Edition: 19. Catalogue raisonné Schiefler 219 III.
Horizontal bend. Right and left edge of the sheet with minimal restoration.
Pl. 25 x 22 cm, Bl. 45,2 x 31,2 cm.
* Droit-de-suite of 2.00 % applies.
496 Otto Niemeyer-Holstein "...zum neuen Jahr". 1960.
Otto Niemeyer-Holstein 1896 Kiel – 1985 Lüttenort/Koserow
Etching.
BA. 15,7 x 25,8 cm, Ra. 32,7 x 42,7 cm.
497 Wilhelm Oesterle "Eisbahn". Um 1920.
Wilhelm Oesterle 1876 Wagenstadt – 1928 Berlin
Etching.
Pl. 13,5 x 28,8 cm, Bl. 33 x 42 cm.
498 Wilhelm Oesterle "Begeisterung". 1922.
Wilhelm Oesterle 1876 Wagenstadt – 1928 Berlin
Etching on buff coloured hand-made paper.
Pl. 23,2 x 17 cm, Bl. 30,5 x 23,2 cm.
499 Alexander Olbricht "Sieben Radierungen aus Weimar". Hrsg. Horst Hussel, Berlin. Um 1980.
Alexander Olbricht 1876 Breslau – 1942 Weimar
Etching auf Hahnemühle-Bütten. Sieben Arbeiten in einer Kassette. Alle mit dem von Marcus Brehmer entworfenem Präge-Signet "AO" u.re. Einleitender Text mit einer Würdigung des Künstlers von Renate Müller-Krumbach. Edition der Pirckheimer-Gesellschaft. 99. Exemplar von 150. Verlagsfrisches Exemplar in einem exzellentem Zustand.
Pl. 10,5 x 14,5 cm, Bl. 23 x 26,5 cm, Mappe 26 x 29,5 cm.
500 Karl Ortelt "Sitzender". Um 1963.
Karl Ortelt 1907 Mühlhausen – 1972 Jena
Pen and brush drawing in ink.
42 x 29,8 cm.
501 Heinrich Otto "Schafe im Pferch". 1908.
Etching In der Platte monogrammiert und bezeichnet "Lissingon Juli 1908" u.re., "Druck der k.k. Hof-& Staatsdruckerei Wien" o.re. Typografisch betitelt in Schwarzbraun. U.Mi., bezeichnet "Original-Radierung von Heinrich Otto" u.re., "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" u.re.
Verso Reste alter Klebemontierung sowie winzig kleine Einrisse (0,2 cm) am oberen Blattrand. Schöner Druck in Dunkelbraun.
Pl. 19 x 27,5 cm, Bl. 42 x 53 cm.
502 Cornelia Paczka "Die Parze". Um 1900.
Cornelia Paczka-Wagner 1864 Göttingen – um 1930
Algraph in Rot auf Japan. In der Platte bezeichnet "Cornelia Paczka, geb. Wagner" o.li. Auf Untersatzkarton montiert, dort typorgraphisch betitelt und bezeichnet "Original-Algraphie von Cornelia Paczka" u.li., "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" u.re.
Verso Reste alter Klebemontierung am linken Blattrand. Bis knapp an die Plattenkante beschnitten.
Bl. 41,5 x 30 cm.
503 Paul Paeschke "Vor dem British Museum". 1st half 20th cent.
Paul Paeschke 1875 Berlin – 1943 ebenda
Etching on japanese paper.
Pl. 12 x 21 cm, Bl. 17,5 x 33,6 cm.
504 Paul Paeschke "San Marco". 1st half 20th cent.
Paul Paeschke 1875 Berlin – 1943 ebenda
Etching on hand-made paper.
Pl. 22,5 x 27,5 cm, Bl. 30 x 39,5 cm.
505 Paul Perks "Küste". Um 1930.
Paul Adalbert Perks 1879 Görlitz – vor 1932 ebenda
Watercolour.
BA. 33,8 x 53,6 cm, Ra. 40,7 x 60,5 cm.
506 Emil Pottner "Flußlandschaft". Um 1920.
Emil Pottner 1872 Salzburg – 1942 Minsk
Wood cut in colours.
Stk. 28,7 x 24 cm, Bl. 31,4 x 27 cm.
507 Friedrich Press "Christuskopf". No date.
Friedrich Press 1904 Ascheberg – 1990 Dresden
Lithograph.
St. 30 x 19 cm, Bl. 38,6 x 26,5 cm.
508 Barbara Quandt "Sich ankleidende Frauen". No date.
Barbara Quandt 1947 Berlin – lebt in Lehnitz und Berlin
Etching on hand-made paper.
Pl. 20,8 x 29 cm, Bl. 39 x 52,6 cm.
509 Nuria Quevedo "Spanische Landschaft": 1979.
Nuria Quevedo Teixidó 1938 Barcelona – lebt in Berlin
Lithograph.
St. 27,5 x 32 cm, Bl. 31,9 x 35,1 cm.
Richard Walter Rehn 1884 Dresden – 1951 ?
Etching on hand-made paper.
Pl. 24,5 x 19,8 cm, Bl. 30 x 24,7 cm.
511 Pierre-Auguste Renoir "Baigneuse". 1910.
Bernhard Schrock 1953 Neubrandenburg
Etching on hand-made paper.
Pl. 16,5 x 11,1 cm, BA. 20,8 x 15,5 cm, Ra. 37 x 31,5 cm.
512 Günter Richter "Sechs Molen". No date.
Günter Richter 1933 Meißen – lebt in Leipzig
Etching on hand-made paper.
Pl. 30,5 x 34 cm, Bl. 34,5 x 40,2 cm.
513 Hans Theo Richter "Zwei zeichnende Kinder". 1954.
Hans Theo Richter 1902 Rochlitz – 1969 Dresden
Lithograph.
Darst. 21 x 31,3 cm, Bl. 30,3 x 42 cm.
514 Hans Theo Richter "Sich umblickendes Mädchen". 1959.
Hans Theo Richter 1902 Rochlitz – 1969 Dresden
Lithograph (Pinsel, Feder und Kreide). In Blei signiert "Richter" u.re., nummeriert 14/16 u.li.
WVZ Schmidt 506.
Unterer Blattrand mit minimalen Knickspuren und winzigen Druckstellen. Verso Reste alter Montierung. Am oberen Blattrand unscheinbares Fleckchen. Sehr schönes, seltenes Blatt.
Darst. 39,6 x 13,3 cm, Bl. 53,7 x 19 cm.
515 Hans Theo Richter "Weiblicher Akt nach rechts vorn". 1959.
Hans Theo Richter 1902 Rochlitz – 1969 Dresden
Lithograph.
St. 38,5 x 15 cm, Bl. 53,5 x 25,3 cm.
516 Hans Theo Richter "Mädchenkopf mit hochgestecktem Haar". 1959.
Hans Theo Richter 1902 Rochlitz – 1969 Dresden
Lithograph.
Darst. 26,2 x 14,5 cm, Bl. 36 x 28,5 cm.
517 Hans Theo Richter "Mädchen mit offenem Haar". 1962.
Hans Theo Richter 1902 Rochlitz – 1969 Dresden
Lithograph.
St. 49 x 30, Bl. 54 x 38 cm.
518 Hans Theo Richter "Auf dem Boden lesendes Mädchen". 1964.
Hans Theo Richter 1902 Rochlitz – 1969 Dresden
Lithograph.
Darst. 21,6 x 19 cm, Bl. 38 x 35,5 cm.
519 Gerd Richter "Dresden - Ziegelei". 1923.
Gerd Richter 1903 Dresden – ?
Charcoal drawing auf sehr dünnem Japan. In Blei signiert "Gerd Richter", betitelt und datiert u.li. Auf dem Original-Passepartout nochmals in Tusche betitelt u.li, signiert "Gerd Richter" und datiert u.re. Auf Untersatzpapier und im Original-Passepartout montiert.
Passepartout minimal stockfleckig. Blatt mit winzigen Reißzwecklöchleich in den Ecken.
BA. 33 x 23 cm, 48,2 x 38 cm (Orig. Passepartout).
520 Theodor Rosenhauer "Straße in Radebeul". 1935.
Theodor Rosenhauer 1901 Dresden – 1996 Berlin
Etching.
Pl. 19,9 x 27,2 cm, Bl. 30,2 x 42 cm.
521 Wilhelm Rudolph "Arbeiterkopf". 1924.
Wilhelm Rudolph 1889 Chemnitz – 1982 Dresden
Wood cut.
Stk. 33,5 x 24,4 cm, Bl. 47,5 x 35 cm.
522 Horst Sakulowski "Konfrontation". 1974.
Horst Sakulowski 1943 Saalfeld
Aquatint etching..
Pl. 19 x 35 cm, Bl. 34 x 48 cm.
523 Karl Erich Schäfer "Konvolut Graphik". Um 1930.
Karl Erich Schäfer 1905 Dresden – 1982 ebenda
Lithograph , zwei Landschaftsdarstellungen, zwei Rinderdarstellungen. Zwei Blätter in Blei signiert und mittig mit dem Blindstempel der Dresdner Akademie der Bildenden Künste versehen.
Mit leichten Knickspuren und kleinen Einrissen am unteren Blattrand.
Verschiedene Maße
524 M. von Schlotheim "Papagei". 1st half 20th cent.
Wood cut in colours on japanese paper.
Stk. 40 x 29,6 cm, Bl. 46,5 x 34,6 cm.
525 Eberhard Schlotter "Reiter". No date.
Eberhard Schlotter 1921 Hildesheim – lebt in Alicante
Aquatint in colours.
Pl. 24,5 x 21,6 cm, Bl. 45,3 x 38,6 cm.
526 Eberhard Schlotter "Damenakt". No date.
Eberhard Schlotter 1921 Hildesheim – lebt in Alicante
Aquatint etching..
Pl. 24,5 x 21,5 cm, Bl. 46 x 34,5 cm.
527 Willy Schmidt "Hockender". Wohl um 1930/ 1940.
Willy Schmidt 1895 Görlitz – 1959 ebenda
Charcoal drawing.
BA. 50,5 x 37,5 cm, Ra. 79,5 x 65,5 cm.
528 Helmut Schmidt-Kirstein "Mondnacht über einer südlichen Stadt". No date.
Helmut Schmidt-Kirstein 1909 Aue – 1985 Dresden
Lithograph on buff coloured paper.
St. 34 x 24 cm, Bl. 41 x 30 cm.
529 Helmut Schmidt-Kirstein "Mädchen mit Brille". Um 1982.
Helmut Schmidt-Kirstein 1909 Aue – 1985 Dresden
Lithograph.
St. 14,2 x 9,9 cm, Bl. 30 x 23,7 cm.
530 Helmut Schmidt-Kirstein "Mädchen". 1982.
Helmut Schmidt-Kirstein 1909 Aue – 1985 Dresden
Lithograph.
St. 14,5 x 9,4 cm, Bl. 22,8 x 15,3 cm.
531 Helmut Schmidt-Kirstein "Mädchenkopf". 1978.
Helmut Schmidt-Kirstein 1909 Aue – 1985 Dresden
Bl. 33,1 x 24,5 cm.
532 Wolfram Schubert "Feldarbeit". 1961.
Wolfram Schubert 1926 Körbitz – lebt in Brandenburg
Aquatint.
Pl. 32 x 42,5 cm, Bl. 40,5 x 53,8 cm.
533 Fritz Schulze "Kriegsinvaliden"/ "Straßenkehrer". No date.
Fritz Schulze 1903 Leipzig – 1942 Berlin–Plötzensee
Wood cut.
Verschiedene Formate.
534 Armin Schulze "Zwei Interieurs". Um 1930.
Armin Schulze 1906 Dresden – 1987 Ebersbach/Sachsen
Charcoal drawing auf gräulichem Papier, weiß gehöht/ lavierte Federzeichnung in Tusche auf chamoisfarbenem Papier. Beide Arbeiten im Passepartout. Federzeichnung in Blei signiert "A. Schulze" u.re. Kohlezeichnung verso mit Nachlass-Stempel u.li. Diese Arbeit mit minimal eingerissenen Blatträndern. Tuschezeichnung mit winzigen Stockflecken.
Verschiedene Maße.
535 Franz Theodor Schütt "Prostituierte der Hühnerbeingasse in Stettin". 1979.
Franz Theodor Schütt 1908 Berlin – 1990 Wiesbaden-Biebrich
Etching on hand-made paper.
Pl. 29,5 x 20 cm, Bl. 39,8 x 30,2 cm.
536 Max Schwimmer "Neujahrsgrafik - Glück, Frieden und Einheit 1948". 1948.
Max Schwimmer 1895 Leipzig – 1960 ebenda
Etching.
Pl. 10,7 x 8,3 cm, Bl. 17 x 11,5 cm.
537 Max Schwimmer "3 Skizzenblätter". No date.
Max Schwimmer 1895 Leipzig – 1960 ebenda
Pen drawing.
Verschiedene Maße.
538 Jürgen Seidel "Schnecken". No date.
Jürgen Seidel 1924 Chemnitz – 2014 Dresden
Aquatint etching..
Pl. 25,7 x 32 cm, Bl. 39 x 53,5 cm.
539 Jürgen Seidel "Muscheln". No date.
Jürgen Seidel 1924 Chemnitz – 2014 Dresden
Aquatint etching..
Pl. 24,7 x 32 cm, Bl. 39,5 x 50 cm.
540 Lothar Sell "Grusisnisches Festmahl"/ "Kleine russische Landschaft". 1967/ "Gerüstbauer". 1963.
Lothar Sell 1939 Treuenbrietzen – 2009 Meißen
Verschiedene Formate.
541 Lothar Sell "Fallada - Jeder stirbt für sich allein". 1975.
Lothar Sell 1939 Treuenbrietzen – 2009 Meißen
Wood cut.
Stk. 29 x 20 cm, Bl. 32,5 x 25 cm.
542 Hans Siebert von Heister "Hagar, vor ihrem verschmachtendem Sohn Ismael". 1st half 20th cent.
Crayon drawing.
Bl. 40 x 35,7 cm.
545 Willi Sitte "Träumen". Druckverlag Kettler, Halle. 1992.
Willi Sitte 1921 Kratzau – 2013 Halle
Mappe mit 16 Lithographien. Davon eine Vorzugsgrafik (Auflage 100), im Stein signiert und datiert und in Blei signiert "W. Sitte" und datiert u.re.
Zwölf einfarbige und drei mehrfarbige Lithografien von der Aluminiumplatte (Auflage 400), in der Platte signiert und datiert. Blätter mit Gedichten von H. Hensel, H. Peuckmann, D. Treeck. Einführungsblatt mit Biographien und gedruckten Signaturen der beteiligten Künstler.
43 x 30 cm.
546 Max Slevogt Max Slevogt "Wrestling". 1922. 1922.
Max Slevogt 1868 Landshut – 1932 Neukastel
Etching. Etching. Signed in pencil. Framed in mat with glass. Gold coloured, molded stillage. Rare print.
Small edges. Tidy defects (0,2cm) on the lower edge.
Catalogue raisonné Söhn Nr. 565.
Pl. 17,6 x 23,6 cm, Bl. 18 x 25 cm.
547 Unbekannter deutscher Künstler "Oedipus Rex". 1979.
Etching.
Pl. 25 x 16 cm, Bl. 49,5 x 37,4 cm.
548 Else Staps "Sommer". Um 1910.
Else Staps 20. Jh.
Wood cut in colours on japanese paper.
Stk. 22 x 25,3 cm, Bl. 31,5 x 35,3 cm.
549 Else Staps "Vögel auf einem Zweig". Um 1910.
Else Staps 20. Jh.
Wood cut in colours on japanese paper.
Stk. 21,8 x 25,3 cm, Bl. 29,2 x 34,5 cm.
550 Jakob Steinhardt "Männlicher Kopf". 1987.
Jakob Steinhardt 1887 Zerkow – 1968 Naharija
Wood cut.
Stk. 30 x 22,8 cm, Bl. 35 x 27 cm.
551 Robert Sterl "Steinbrecher im Elbsandsteingebirge" 1928.
Robert Hermann Sterl 1867 Großdobritz – 1932 Naundorf/Sächs. Schweiz
Lithograph.
Bl. 70 x 50 cm.
552 Hermann Struck "Zwei Graphiken - Wüstenlandschaft mit Pyramide". 1939.
Hermann Struck 1876 Berlin – 1944 Haifa
Etchings.
Pl. 12 x 16 cm, Bl. 15,2 x 22,5 cm.
553 Hermann Struck "Südliche Landschaft mit Palmen". Um 1940.
Hermann Struck 1876 Berlin – 1944 Haifa
Wood cut on buff coloured paper.
Stk. 10 x 14,5 cm, Bl. 17,7 x 23,5 cm.
554 Emil Stumpp "Martin Andersen Nexö". 1921.
Emil Stumpp 1886 Neckarzimmern – 1941 Stuhm (West-Preußen)
Lithograph on buff coloured paper Im Stein signiert "Stumpp" und datiert u.re., betitelt u.li. Verso Künstlerstempel und "Orig. Lithografie" u.re.
Verso Reste alter Montierung. Blattränder minimal berieben und knittrig. Reißzwecklöchlein in den Blattecken.
49,5 x 35,5 cm.
555 Max Suppantschitsch (zugeschr.) "Mondschein". No date.
Lithograph in colours.
St. 37,5 x 30 cm, Bl. 51,5 x 40,5 cm.
557 Richard Tacke "Sic placuit fastis quae ne convellere temptes". 1948.
Watercolour and pencil.
Darst. 35 x 34 cm, Bl. 47,5 x 36,5 cm.
558 Peter Takal "Interieur". 1930.
Pen drawing (ink) , sparsam laviert. Signiert "Takal" u.re. In Blei datiert u.li.
Mäßig lichtrandig und stockfleckig. Zwei kleine Löchlein am oberen Blattrand außerhalb der Darstellung. Zwei unscheinbare Einrisse am rechten Blattrand. Blattränder leicht wellig.
Darst. 20 x 29 cm, Bl. 26,7 x 44 cm.
559 Georg Tappert "Zwei Frauenköpfe". Um 1915.
Georg Tappert 1880 Berlin – 1957 ebenda
Linocut.
Pl. 16 x 11,8 cm, Bl. 22 x 15,2 cm.
560 Franz Thurow "Segler im Abendschein". No date.
Wood cut in colours.
Darst. 35 x 25,5 cm, Ra. 46,7 x 32,3 cm.
561 Tony Torrilhon "Akt sich die Haare frisierend" 1981.
Tony Torrilhon 1931 Melun (Frkr.) – lebt in Berlin
Engraving.
Pl. 25,7 x 39,8 cm, Bl. 39,8 x 53,6 cm.
562 Tony Torrilhon "Blumenstilleben". 1983.
Tony Torrilhon 1931 Melun (Frkr.) – lebt in Berlin
Engraving.
Pl. 39 x 24,7 cm, Bl. 53,6 x 38 cm.
564 Fritz Tröger "Figurinen für eine Theateraufführung". 1919.
Fritz Tröger 1894 Dresden – 1978 ebenda
Pen drawing (ink) , mit Farbstift teilkoloriert. Signiert "Tröger" und datiert u.re.
Vertikale Mittelfalz. Minimal angestaubt.
Der Künstler war von 1919 bis 1920 Mitglied des künstlerischen Rates am Hoftheater Meiningen. In dieser Zeit entwarf er die Figurinen und Bühnenbilder.
32,4 x 41,3 cm.
565 Leopold Wächtler "Johann Sebastian Bach". No date.
Leopold Wächtler 1896 Penig – 1961 Leipzig
Wood cut.
Stk. 22,5 x 16 cm, Bl.25,2 x 18,8 cm.
566 Leopold Wächtler "Beethoven". No date.
Leopold Wächtler 1896 Penig – 1961 Leipzig
Wood cut.
Darst. 19 x 13,8 cm, Bl.25 x 17,1 cm.
567 Leopold Wächtler "Berglandschaft". No date.
Leopold Wächtler 1896 Penig – 1961 Leipzig
Wood cut in colours.
Stk. 18,5 x 23,2 cm, Bl. 23,4 x 33,5 cm.
568 Carl Walther "Bockwindmühle". 1913.
Carl Walther 1880 Leipzig – 1956 Dresden
Etching in brown.
Pl. 33,3 x 27 cm, Bl. 40 x 32,3 cm.
569 Carl Walther "Drei Graphiken". Um 1926.
Carl Walther 1880 Leipzig – 1956 Dresden
Etchings.
Verschiedene Maße.
570 Carl Walther "Drei Graphiken". 1st quarter 20th cent.
Carl Walther 1880 Leipzig – 1956 Dresden
Zwei Zeichnungen und eine Radierung. Auf zwei kleinformatigen Blättern die Frau des Künstlers Vera, auf der größeren Zeichnung dessen Tochter Eva. Die Zeichnungen betitelt, Zeichnung "Vera" monogrammiert und datiert u.re. "CW '08". Alle Blätter mit dem Nachlaßstempel und Nummerierung versehen.
Verschiedene Maße.
571 Andreas Paul Weber "Der morsche Baum". 1973.
Andreas Paul Weber 1893 Arnstadt/Thüringen – 1980 Schretstaken
Lithograph on hand-made paper.
St. 42 x 31,8 cm, Bl. 62,2 x 53,2 cm.
572 Horst Weber "Dorfansicht". No date.
Horst Weber 1932 Olbersdorf/Oberlausitz – 1999 Dresden
Wood cut.
Stk. 12 x 25 cm, Bl. 17,8 x 30,7 cm.
573 Andreas Paul Weber "Die Wunderflinte". 1963.
Andreas Paul Weber 1893 Arnstadt/Thüringen – 1980 Schretstaken
Lithograph on hand-made paper.
St. 45,5 x 35,5 cm, Bl. 62,6 x 49,2 cm.
574 Andreas Paul Weber "Ziege". No date.
Andreas Paul Weber 1893 Arnstadt/Thüringen – 1980 Schretstaken
Wood cut.
Stk. 27,2 x 31,3 cm, Bl. 37 x 41,2 cm.
575 Claus Weidensdorfer "Rothaariges Mädchen". 1968.
Claus Weidensdorfer 1931 Coswig/Sachsen – 2020 Radebeul
Lithograph in colours.
Bl. 50,5 x 37 cm.
576 Claus Weidensdorfer "Auf der Bühne". 1972.
Claus Weidensdorfer 1931 Coswig/Sachsen – 2020 Radebeul
Lithograph.
Bl. 50 x 37,5 cm.
577 Claus Weidensdorfer "Junges Paar". 1973.
Claus Weidensdorfer 1931 Coswig/Sachsen – 2020 Radebeul
Lithograph.
Bl. 57,5 x 41cm.
578 Claus Weidensdorfer "Altes Paar". 1975.
Claus Weidensdorfer 1931 Coswig/Sachsen – 2020 Radebeul
Lithograph.
St. 53,5 x 40 cm, Bl. 62,5 x 49 cm.
579 Arthur Wellmann "Glückliche Hausfrau". Um 1925.
Arthur Wellmann 1885 Magdeburg – ?
Pencil drawing.
Bl. 28,5 x 18,5 cm.
580 Arthur Wellmann "Knabe mit zwei Zicklein kämpfend". 1949.
Arthur Wellmann 1885 Magdeburg – ?
Pen drawing.
35,7 x 28 cm.
582 Franz Winninger "Fünf Abessinerstudien". Um 1928.
Franz Winninger 1893 Wien – 1960 Berlin
Pen and brush drawing in ink Vier Feder- und Pinselzeichnungen in schwarzer Tusche auf leicht gebräuntem Papier. Eine Federzeichnung in schwarzer Tusche auf bräunlichem Pergamentpapier. Eine Federzeichnung in roter Tusche auf leicht bräunlichem Pergamentpapier. Drei Blätter in Tusche signiert "F. Winninger" u.li., zwei davon datiert. Eine Arbeit verso in Blei signiert "Winninger" u.li.
Verschiedene Maße.
584 Erich Wolfsfeld "Komischer Alter". Um 1910.
Erich Wolfsfeld 1884 Krojanke – 1956 London
Etching Typografisch betitelt und bezeichnet "Originalradierung von Erich Wolfsfeld" u.li., "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" u.re.
Unterer Blattrand leicht wasserfleckig. Winziger Einriss (0,5 cm) am rechten und unteren Blattrand. Unauffällig stockfleckig und knickspurig. Kugelschreiberstrich (3 cm) innerhalb der Darstellung.
Pl. 32 x 26 cm, Bl. 53 x 42 cm.
585 Fritz Zalisz "Meereslandschaft bei Nacht". No date.
Joseph Fritz Zalisz 1893 Gera – 1971 Holzhausen
Wood cut on japanese paper.
Stk. 16,3 x 13 cm, Bl. 34,5 x 23 cm.
586 Fritz Zalisz "Hafen". No date.
Joseph Fritz Zalisz 1893 Gera – 1971 Holzhausen
Etching.
Pl. 20 x 14,5 cm, Bl. 37,5 x 26,5 cm.
587 Fritz Zalisz "Dünen/Sylt". No date.
Joseph Fritz Zalisz 1893 Gera – 1971 Holzhausen
Etching on hand-made paper.
Pl. 9,3 x 17,2 cm, Bl. 26,6 x 37,4 cm.
588 Heinz Zander "Das bunte Tor". 1980.
Heinz Zander 1939 Wolfen – lebt in Leipzig
Etching on hand-made paper.
Pl. 11,7 x 25,8 cm, Bl. 35,8 x 50,5 cm.
589 Gottfried Zawadzki "Südliche Gasse". No date.
Gottfried Zawadzki 1922 Kamenz – 2016 ebenda
Wood cut in colours.
Stk. 47,5 x 31 cm, Bl. 63 x 48 cm.
590 Walter Zeising "Paris".1906, 1906.
Walter Zeising 1876 Leipzig – 1933 Dresden
Etching.
Pl. 16,3 x 24,5 cm, Bl. 28,7 x 45,8 cm.
591 Walter Zeising "Port d' Auteuil". 1907.
Walter Zeising 1876 Leipzig – 1933 Dresden
Etching.
Pl. 16,5 x 24 cm, Bl. 22,5 x 32 cm.
592 Walter Zeising "Steinernes Kreuz (Bretagne)". 1907.
Walter Zeising 1876 Leipzig – 1933 Dresden
Etching In der Platte monogrammiert und datiert u.re. Typographisch betitelt und bezeichnet "Original-Radierung von Walter Zeising" u.li., "Verlag der Gesellschaft für vervielfältigende Kunst, Wien" u.re. Verso Reste alter Klebemontierung am oberen Blattrand. Linker Blattrand minimal wasserfleckig. Oberer Blattrand unscheinbar knickspurig.
Pl. 31 x 49 cm, Bl. 41,5 x 53,2 cm.
593 Magnus Zeller "Trauernde". 1921.
Magnus Herbert Zeller 1888 Biesenrode/Harz – 1972 Caputh
Etching on hand-made paper.
Pl. 20,2 x 14,2 cm, Bl. 30 x 25 cm.
594 Heinrich Zille (zugeschr.) "Frau mit Händen in den Hüften." Um 1910.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Charcoal drawing.
Bl. 11,8 x 7,2 cm, Ra. 27,4 x 22,3 cm.
595 Heinrich Zille "Als das Freibad aufkam". 1919.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph.
BA. 32,7 x 24,6 cm, Ra. 49,8 x 36,9 cm.
596 Heinrich Zille "Rollschuhlaufen". 1924.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph on buff coloured paper.
Darst. 22 x 22,5 cm, Bl. 35,3 x 33,5 cm.
597 Heinrich Zille "Tanz um die Flasche" 1924.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph on buff coloured paper.
Darst. 32 x 23 cm, Bl. 40,5 x 33,5 cm.
598 Heinrich Zille "Wandervögel". 1924.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph on buff coloured paper.
Darst. 35,5 x 22,5 cm, Bl. 45,8 x 36 cm.
599 Heinrich Zille "Kinder spielen Hochzeit". 1924.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph on buff coloured paper.
Darst. 27 x 21 cm, Bl. 37 x 29 cm.
601 Unbekannter Künstler "David und Goliath". 1976.
Etching in colours.
Pl. 31,5 x 23,5 cm, Bl./Ra. 57,5 x 45 cm.
606 Unbekannter Künstler "Das Blaue Wunder in Dresden". 1987.
Etching.
Pl. 14,4 x 20,4 cm, Ra. 18,8 x 24,3 cm.
607 Uwe Bremer "Zusammenstoß zweier Halbroboter bei Halbmond". 1975.
Etching in colours.
Pl. 30,2 x 22 cm, Bl. 55,5 x 44,5 cm.
608 Konvolut von 6 "Dresdner Stadtansichten". 2nd half 20th cent.
Verschiedene Maße
609 Konvolut von 7 Graphiken Dresdner Künstler. 2nd half 20th cent.
Verschiedene Formate.
Achtseitiges Heft (S. 507 - 514) mit einer gedruckter Zeichnung von Moritz Melzer auf dem Titelblatt. Inhalt: Mynona - Fabelhaftes; E. Lasker-Schüler - Dem Barbaren; Trust - Wieder eine Woche; K. Haman - Literarhistorik und Journalismus; J. Wolfs - Kunst-Historismus; J. van Hoddis - Der Oberlehrer; J. Adler - Deutsche Phraseure; Minimax - Vermischtes; L. Segebarth - Versinnlichte Presse. Mittelfalte. Minimal fingerfleckig und und knickspurig am rechten Blattrand. Sonst sehr gut und vollständig erhalten.
37,6 x 28,3 cm.
620 Georg Behrend "Spring parade in Potsdam". 1893.
Albumen print monted on cardboard. Titled and dated with indian ink with embossing tool "G. Behrend". Well preserved.
16,5 x 21,8 cm.
621 Rudolf Dodenhoff "Swamp farmer"/"Worpswede". 1939.
Rudolf Dodenhoff 1917 Worpswede – 1992 Nordwede
Silver gelatine print, mounted in cardboard. Monogrammed and dated with indian ink.Verso typographic titled. Flawless condition.
21,8 x 16 cm.
622 Hugo Erfurth "Paul Wiecke - royal saxon court actor as Hamlet". 1915.
Hugo Erfurth 1874 Halle / Saale – 1948 Gaienhofen
Silver gelatine print. Fotopastcard (not stamped). Titled and inscribed "Hugo Erfurth, Dresden, phot. 1604". Verso signed with indian ink "Paul Wiecke". Veges with unimposing traces of age.
8,7 x 13,9 cm.
623 Hugo Erfurth "gertrude Strehlewitz - royal saxon court actress as Gretchen". 1915.
Hugo Erfurth 1874 Halle / Saale – 1948 Gaienhofen
Silver gelatine print. Fotopastcard (not stamped). Titled and inscribed "Hugo Erfurth, Dresden, phot. 1836". Verso signed with indian ink "Gertrud Stelewitz. Gretchen. Faust I." as well as small stamp. Veges with unimposing traces of age.
13,6 x 8,8 cm.
624 Walter Hahn "38 fews of Dresden". 1940.
Colmar Walter Hahn 1889 Berlin – 1969 Dresden
Silver gelatine print. The bigger part of the photos is markt with the stemp "W. Han Dresden" as well as partly titled and numbered. Enclosed four offset printing by the view of the Dresden castel. Mounted in an album. Silvergelantin prints in good condition. Album with unimposing traces of age.
Abzüge 10,3 x 14,6 cm, Album 17 x 23,5 cm.
625 Hermann Krone "Dresden". 1870.
Hermann Krone 1827 Breslau – 1916 Laubegast bei Dresden
Albumen print mounted on cardboard. With stamp "Photogr. and publisher from Hermann Krone, Dresden, Albrechtsgasse 8." and typographic titled. Verso dated and inscribed with indian inc. Good condition.
10 x 6,5 cm.
626 Ursula Richter "Musican band" 1925.
Ursula Richter 1886 Radebeul – 1946 Greifswald
Silver gelatine print. Mounted on cardboard. Front with embossing tool "Dresden - A.24. Winckelmannstr. 29." Verso tytographicly inscribed "Photogr. Urheber: Ursula Richter, Dresden - A24 Winckelmannstr. 29".
10,5 x 14,7 cm.
627 Pascal Sébah "Thébes Ramasseum". 1875.
Pascal Sébah 1823 – 1886
Albumen print. Signed, numbered and titled to the plate. Mounted on cardboard. Verso titled and signed in pencil by a different hand (?).
Abzug 20 x 26 cm, Bl. 29 x 34,5 cm.
628 Charles West "Inyo Mine". 2004.
Cyanotype. Signed, dated, titled an numbered in pencil.
Pl. 21 x 28 cm, Bl. 27,7 x 35 cm.
629 Max Ziesler "Emperor Wilhelm II. and his Wife". 1890.
Max Ziesler 19.Jh.
Albumen print. Numbered "26". Mounted on cardboard. Small cinch marks and pencil marks on the cardboard.
15,5 x 21,5 cm.
630 Unknown artist "Flowers". Early 20th cent.
Silver gelatine print. Verso remains of an old mounting.
22,5 x 16,6 cm.
631 Unknown artist "Zulu warrior". 1900.
Celloidin print. Verso signed unexplicitely in pencil.
20 x 15 cm.
Albumen print.
22,5 x 16,8 cm.
634 Unbekannter Künstler "Levin Kaufmann - Kaufhaus/Erzgebirge" 1919.
Silver gelatine print.
23 x 29,5 cm.
635 Unbekannter Künstler "Felix Graf von Luckner". Um 1915.
Silver gelatine print Blattecke o.r. minimal geknickt. Unscheinbare Bestoßungen und Kratzspuren an den Blatträndern. Verso Reste alter Montierung.
Dargestellt ist Kapitänleutnant des Hilfskreuzers "Seealder", Felix Graf von Luckner. Er war eine der herausragenden Persönlichkeiten des 20. Jahrhunderts und spielte eine wichtige Rolle bei der Rettung der Stadt Halle vor völliger Zerstörung im Jahre 1945.
24 x 18 cm.
640 Leonore Adler Leonore Adler "Green nude on red drapery". 1992.
Leonore Adler 1953 Plauen – lebt in Dresden
Mixed media. Mixed medium on water colour paper. Signed and dated.
49,5 x 64,5 cm.
* Droit-de-suite of 2.00 % applies.
641 Theo Balden "Requiem". 1984.
Theo Balden 1904 Blumenau / Santa Catarina – 1995 Berlin
Lithograph in colours.
St. 39 x 22 cm, Bl. 49 x 36 cm.
642 Gottfried Bammes "Blumen". 1945.
Gottfried Bammes 1920 Freital/Potschappel – 2007
Watercolour.
Bl. 36 x 29 cm, Ra. 52,5 x 43,7 cm.
643 Fritz Beckert "Brücke". 1928.
Fritz Beckert 1877 Leipzig – 1962 Dresden
Pencil drawing, washed.
BA. 16,5 x 24,6 cm, Ra. 32,8 x 42,4 cm.
644 Siegfried Berndt "Boote am Steg". Um 1909.
Siegfried Berndt 1889 Görlitz – 1946 Dresden
Wood cut in colours on japanese paper.
42,2 x 30,7 cm.
645 Siegfried Berndt "Segelboote". Um 1909.
Siegfried Berndt 1889 Görlitz – 1946 Dresden
Wood cut in colours.
Stk. 28 x 20cm, Ra. 42 x 32 cm.
646 Richard Birnstengel "Gewittrige Luft". Um 1930.
Richard Birnstengel 1881 Dresden – 1968 ebenda
Watercolour.
BA. 21,5 x 28,2 cm, Ra. 37,5 x 43,8 cm.
647 Gerd Böhme "Bei der Feldarbeit". Um 1920.
Gerd Böhme 1899 Dresden – 1978 ebenda
Mixed media in colours (Pinselzeichnung in Tusche, Aquarell) auf leicht gebräuntem Papier. In Blei signiert "G. Böhme" u.re. Verso weitere Pinselzeichnung in Tusche. Winzige Reißzwecklöcher in den Blatträndern. Geringfügig knittrig. Drei restaurierte Einrisse am rechten und linken Blattrand. Verso Reste alter Montierung.
33,5 x 43,8 cm.
648 Erich Buchwald-Zinnwald "Einsamer Baum". 1915.
Erich Buchwald-Zinnwald 1884 Dresden – 1972 Krefeld
Wood cut in colours.
25,8 x 25,8 cm.
649 Erich Buchwald-Zinnwald "Frauenkirche zu Dresden". 1918.
Erich Buchwald-Zinnwald 1884 Dresden – 1972 Krefeld
Wood cut in colours.
Stk. 16 x 12 cm, Bl. 24,8 x 17,5 cm.
650 Erich Buchwald-Zinnwald "Der da oben hilft". Um 1920.
Erich Buchwald-Zinnwald 1884 Dresden – 1972 Krefeld
Wood cut in colours.
Stk. 42,3 x 52 cm, Bl. 49,5 x 65,5 cm.
651 Heinrich Burkhardt "Gartenlandschaft". 1968.
Heinrich Burkhardt 1904 Altenburg/Thüringen – 1985 Berlin
Watercolour on hand-made paper.
39,5 x 48 cm.
652 Charles Crodel "Akte mit Papageien". Um 1920.
Charles Crodel 1894 Marseille – 1973 München
Lithograph in colours.
St. 29,5 x 38 cm, Bl. 35,2 x 47,6 cm.
653 Klaus Dennhardt "Ohne Titel". 1976.
Klaus Dennhardt 1941 Dresden
Lithograph in colours.
St. 42,5 x 31 cm, Bl. 46,5 x 36,5 cm.
654 Siegfried Donndorf "Elbblick". 1928.
Siegfried Donndorf 1900 Salbke bei Magdeburg – 1957 Dresden
Watercolour.
Darst. 30,5 x 39 cm, Bl. 36,4 x 45,5 cm.
655 Wolfram Ebenbach "Bernsteinsucher". 1979.
Wood engraving in colours.
Stk. 20,5 x 26 cm, Bl. 27,3 x 34,5 cm.
656 Georg Erler "Stadtansicht". Um 1930.
Georg Erler 1871 Dresden – 1950 Ainring/Bad Reichenhall
Pencil drawing auf chamoisfarbenem Papier. Signiert "G. Erler" u.re.
Winzige Reißzwecklöchlein an den Blatträndern. Eingerissene Knickspur und restaurierter Einriss an der Blattecke o.re. Kleiner Einriss am oberen und unteren Blattrand. Geringfügig lichtrandig.
32,5 x 47 cm.
657 Georg Erler "Malweiber". 1934.
Georg Erler 1871 Dresden – 1950 Ainring/Bad Reichenhall
Ink drawing in colours.
14 x 8,8 cm.
658 Heribert Fischer-Geising "Sächsische Schweiz". No date.
Heribert Fischer-Geising 1896 Teplitz-Schönau – 1984 Freiburg/Breisgau
Watercolour on hand-made paper.
50,7 x 39,7 cm.
659 Helmut Gebhardt "Stilleben mit Teekanne". 1970.
Helmut Gebhardt 1926 Dresden – 1989 ebenda
Linocut in colours.
Pl. 32,3 x 41 cm, Bl. 44,5 x 52,6 cm.
660 Helmut Gebhardt "Afrikanischer Tanz". 1965.
Helmut Gebhardt 1926 Dresden – 1989 ebenda
Linocut in colours.
21 x 29,6 cm.
661 Erich Gerlach "Landschaft am Teich". 1947.
Erich Gerlach 1909 Dresden – 1999 ebenda
Brush drawing in ink.
Bl. 50 x 63,5 cm
662 Hermann Glöckner "Probedruck zu Blatt 3 der Folge '10 Handdrucke' ". 1971.
Hermann Glöckner 1889 Cotta/ Dresden – 1987 Berlin (West)
Relief print in Olivgrün (Kasein-Tempera) auf Japan. Verso in Blei signiert "Glöckner", datiert "17 08 71" und bezeichnet "einzeln gelegt" sowie "Kleista" (?) und weitere Bleistiftannotationen (von fremder Hand?). Wohl 1 von 2 Exemplaren.
Blatt am oberen linken und unteren rechten Blattrand mit teils starken Knickspuren (außerhalb der Darstellung).
Pl. 24 x 31,5 cm, Bl. 50,3 cm.
663 HAP Grieshaber "Landschaft mit Baum". 1970.
HAP Grieshaber 1909 Rot – 1981 Achalm bei Reutlingen
Wood cut in colours von zwei Stöcken. In Blei von fremder Hand bezeichnet "HAP Grieshaber" u.re., datiert und bezeichnet "Orig. Holzschnitt" u.li. Im Passepartout.
In tadelloser und frischer Erhaltung. Kaum sichtbare Bleistiftrückstände an der linken Blattseite.
Darst. 28 x 20 cm, Bl. 36 x 24,8 cm.
664 Erwin Hahs "Selbstbildnis". 1943.
Erwin Hahs 1887 Berlin – 1970 Zernsdorf
Wood cut in colours.
Stk. 49,5 x 39,8 cm, Bl. 70 x 50,2 cm.
665 Erich Hammer "Stormy landscape". 1917.
Erich Hammer 1853 Blasewitz – ?
Watercolour and body colours. Signed.
Darst. 18 x 27,8 cm, Bl. 25, 3 x 38,4 cm.
666 Max Helas "Sitting baby in a flowering meadow". 1900.
Max Helas 1875 Dresden – 1948 ebenda
Wood cut in colours and pen drawing. Monogrammed to the medium. In mat, framed.
BA. 29 x 22,5 cm, Ra. 55 x 39 cm.
667 H. Herrmann "Boats and nets". No date.
Etching in colours. Signed with pencil. Framed.
Small stain to the title.
Pl. 20 x 26,8 cm, Ra. 32,5 x 40,5 cm.
668 Hendrik Hilhorst "Cat sitting on the sill". 1984.
Hendrik Hilhorst 1932 Bussum – 2005 Amsterdam
Mixed media in colours (watercolour, pencil and collage). Signed with pencil and dated. In mat, framed.
Bl. 9,8 x 11,7 cm, Ra. 27,4 x 32,8 cm.
669 Walter Hiller "Snowmelt". 1929.
Walter Hiller 1890 Untermolbitz – ?
Watercolour. Signed and dated. Verso collectors stamp. In mat.
Upper edge with minimal imperfections.
Bl. 38,8 x 50,3 cm.
670 Franz Xaver Hoch "Village in the Eifel". 1903.
Franz Xaver Hoch 1869 Freiburg i. B. – 1916 Châtas
Lithograph in colours. Signed to the medium. Mat.
Bottom edge minimal corrugated.
St. 36,5 x 47 cm, Bl. 42 x 53 cm.
671 Hans Kinder "Stillife with lemons". No date.
Hans Kinder 1900 Dresden – 1986 ebenda
Pastel crayons in colours. Signed with pencil and dated. Blind stamp lower right. Verso study of a dancer. In mat.
Bl. 40,5 x 59 cm.
672 Georg KolbeGeorg Kolbe "Kneeling female nude". Ca. 1920.
Georg Kolbe 1877 Waldheim (Sa.) – 1947 Berlin
Pencil drawing. Pencil drawing, washed in sepia. Monogrammed with pencil to the lower right. Framed in mat behind glass.
Several tiny fox marks, unprofessional restored to the lower right corner. Remnants of an old mounting to the reverse.
Bl. 49,5 x 34,4 cm.
* Droit-de-suite of 2.00 % applies.
673 Käthe Kollwitz "Greeting". 1892.
Käthe Kollwitz 1867 Königsberg – 1945 Moritzburg
Etching on hand-made paper. From: "PAN V1" 1896.
Catalogue raisonné Klipstein 10 II c.
With minimal fox marks. Tiny tears to the right edge. Minimal bends.
Pl. 12 x 9 cm, Bl. 37 x 27,5 cm.
674 Käthe Kollwitz "Half length portrait of a labour woman". 1903.
Käthe Kollwitz 1867 Königsberg – 1945 Moritzburg
Lithograph in colours. Not signed. Lithograph of the Gesellschaft für Vervielfältigende Kunst, Wien, 1906.
Catalogue raisonné Klipstein 68, Knesebeck A 75 IIIb.
Bottom corners with minimal bends. Verso remains of an old mounting.
35,4 x 24,5 cm.
675 Käthe Kollwitz "Break up". 1902/ 1921.
Käthe Kollwitz 1867 Königsberg – 1945 Moritzburg
Etching. Signed and dated to the medium. No. 5 of the "Peasant war". Edition Emil Richter, Dresden, 1921. Mat, framed.
Catalogue raisonné Klipstein 66 IX.
Completly mounted on cardboard.
Edges with tears.
Pl. 59,5 x 51 cm, Bl. 54 x 62,4 cm.
676 Wolfgang Korn Wolfgang Korn "Societätstheater I". 1984. 1984.
Wolfgang Korn 1949 Dessau
Monotype in colours. Monotype on paper. Signed and dated in pencil to the lower right, inscribed to the lower left.
54,5 x 71,5 cm.
677 Lilly Krause-Brenner "Birch glade". Ca. 1900.
Pencil drawing, coloured.
A tiny hole to the rigth and left edge. Horizontal bend.
Bl. 26 x 18,8 cm.
678 Willy Kriegel "Abstract study". 1920.
Willy Kriegel 1901 Dresden – 1966 Starnberg
Watercolour. Mounted on cardboard, there signed and dated.
Cardboard with tiny water stains and a minimal tear.
Darst. 28,3 x 19,7 cm.
679 Horst Leifer "Exhibition poster Leonhardi-Museum". No date.
Horst Leifer 1939 Altreichenau/Riesengeb. – 2002 Sanz
Lithograph. Signed.
Bl. 42 x 57,3 cm.
680 Horst Leifer "Not titeled". No date.
Horst Leifer 1939 Altreichenau/Riesengeb. – 2002 Sanz
Charcoal drawing, washed. Signed with pencil.
36 x 48 cm.
681 Erna Lincke "River landscape". No date.
Erna Lincke 1899 Dresden – 1986 ebenda
Wood cut in colours. Signed. Trial proof. In mat, framed.
BA. 37 x 27,5 cm, Ra. 56 x 46 cm.
682 Ewald MataréEwald Mataré "Horses on the willow". 1935.
Ewald Mataré 1887 Aachen – 1965 Büderich
Wood cut in colours. Woodcut in redbrown and black on paper. Signed with pencil "Ewald Mataré" to the lower right, numbered 226/250 to the lower left. Annual donation of the Kestner-Gesellschaft Hannover 1953. Framed in mat behind glass. Catalogue raisonné Peters 239, mataré 328.
Beautyfull print with wide edges. Inconspicuous wrinkles to the etches.
Stk. 12,6 x 33,3 cm, Bl. 29,8 x 49,2 cm.
* Droit-de-suite of 2.00 % applies.
683 Moriz Melzer "Jesus in the temple". Ca. 1925.
Moriz Melzer 1877 Albendorf/Schlesien – 1966 Berlin
Monotype on Japan paper. Signed bottom left. Mounted on cardboard. In mat. Collectors stamp to the reverse.
Compare: Archivarion. Moriz Melzer-Schrift 1. Februar - März 1948. S. 19.
Minimal corrugated. Tiny tear to the bottom edge.
BA. 40,5 x 55,5 cm.
684 W. A. Meyer-Überlingen "Fairy tale illustration". 1938.
W. A. Meyer-Überlingen 1885 Berlin – ?
Watercolour and pencil. Signed and dated. In mat.
Remains of an old mounting to the edge.
48 x 39 cm.
685 Joan Miró "Derrière le mirroir". 1972.
Joan Miró 1893 Barcelona – 1983 Palma de Mallorca
Lithograph in colours. Vertical bend with tiny pinholes.
32 x 49 cm.
686 Joan Miró "Derrière le mirroir". 1974.
Joan Miró 1893 Barcelona – 1983 Palma de Mallorca
Lithograph in colours. Vertical bend with tiny pinholes.
32 x 49 cm.
687 Joan Miró "Derrière le mirroir". 1973.
Joan Miró 1893 Barcelona – 1983 Palma de Mallorca
Lithograph in colours. Vertical bend.
32 x 49 cm.
688 Ernst Alfred Mühler "Schwarzenfeld". 1944.
Ernst Alfred Mühler 1898 Dresden – 1968 ebenda
Watercolour. Signed.
43,9 x 27,8 cm.
689 Wilhelm Müller "Composition". No date.
Wilhelm Müller 1928 Harzgerode – 1999 Dresden
Monotype in colours. Not signed. Mat.
Bl. 31,8 x 21,5 cm.
690 Wilhelm Müller "Not titeled". No date.
Wilhelm Müller 1928 Harzgerode – 1999 Dresden
Watercolour. Not signed. Mat.
Bl. 29,5 x 20,2 cm.
691 Wolfgang Müller "Ball over gold". 1977.
Wolfgang Müller 1928 Dresden – 1981 ebenda
Collage in colours. Signed and dated. Mounted on cardboard. In mat.
10,7 x 15 cm.
692 Georg Nerlich "Stillife with cloves". Around 1940.
Georg Nerlich 1892 Oppeln – 1982 Dresden
Watercolour and pencil. Signed with pen. In mat, framed.
Pinholes.
BA. 62,5 x 46 cm, Ra. 72,3 x 55,5 cm.
693 Paul Oberhoff "Young goatherd". 1938.
Paul Oberhoff 1884 Iserlohn – 1960 Dresden
Watercolour and pencil. Monogrammed and dated. Framed.
Remains of an old mounting to the upper edge.
Bl.24,5 x 34 cm, Ra. 36,3 x 45,7 cm.
694 Paul Oberhoff "Plaiting girl (the artists daughter)". 1922.
Paul Oberhoff 1884 Iserlohn – 1960 Dresden
Pencil drawing. Signed. Framed.
Minimal cut to the right edge.
Bl. 41,1 x 33,3 cm, Ra. 43,3 x 35,5 cm.
695 Jaroslav Opl "Frohngasse". 1935.
Jaroslav Opl 1900 Plzen – ?
Watercolour and pencil. Signed and dated. In mat, framed.
BA. 33,5 x 45,5 cm, Ra. 56 x 68 cm.
696 Hermann Max Pechstein "Waiting woman". 1946.
Hermann Max Pechstein 1881 Zwickau – 1955 Berlin
Lithograph in colours. Signed with pencil and dated. Mounted on paper to the upper edges.
Catalogue raisonné Krüger L413.
Paper minimal yellowed. Tear to the upper, left and right rim.
St. 44,2 x 25,5 cm, Bl. 48 x 32,2 cm.
697 A. R. Penck "Exhibition poster - Summer of Hamburg". 1986.
A.R. Penck 1939 Dresden – 2017 Zürich
Offset. Signed with pencil bottom right.
Bl. 84 x 59 cm.
698 Martin Erich Philipp (MEPH) "Male nude". 1908.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Pencil drawing.
47,2 x 32,8 cm.
699 Martin Erich Philipp (MEPH) "Standing female nude". 1908.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Charcoal drawing, hightend in white.
73 x 47,5 cm.
700 Martin Erich Philipp (MEPH) "Male nude". 1908.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Pencil drawing.
47 x 32,7 cm.
701 Martin Erich Philipp (MEPH) "Construction of the airship hall near Dresden". 1912.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Etching on buff coloured hand-made paper In Blei handüberarbeitet. In der Platte monogrammiert und datiert u.re. In Blei signiert "M.E. Philipp" u.re., betitelt u.Mi., bezeichnet "1. Zustand, 1. Druck, 1.-2.".
Vertikale Mittelfalz. Blattränder minimal knittrig und fingerspurig. Unterer Blattrand leicht ausgefranst. Zwei größere Tuscheflecken o.re.
Pl. 24,7 x 34,8 cm, Bl. 34 x 48,7 cm.
702 Martin Erich Philipp (MEPH) "Lovers outdoor". 1915.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Etching on buff coloured hand-made paper.
Pl. 17,5 x 19,5 cm.
703 Martin Erich Philipp (MEPH) "Cardinals". 1924.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Wood cut in colours on japanese paper. Monogrammed to the medium. Signed.
Stk. 22,8 x 28,5 cm, Bl. 27,5 x 32,5 cm.
704 Martin Erich Philipp (MEPH) "Two macaws". 1926.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Wood cut in colours. Monogrammed to the medium. Signed with pencil. Framed.
Stk. 30 x 20 cm.
705 Martin Erich Philipp (MEPH) "La sieste". No date.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Etching on light tanned paper. Sigend with pencil.
Pl. 14,2 x 9,3 cm, Bl. 30,5x 24 cm
706 Martin Erich Philipp (MEPH) "Clematis". No date.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Wood cut in colours on japanese paper. Monogrammed to the medium.
Stk. 29,6 x 39,4 cm, Bl. 38 x 48,5 cm.
707 Martin Erich Philipp (MEPH) "The bird in the hand". No date.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Wood cut. Trial proof. Monogrammed.
22,5 x 17 cm.
708 Martin Erich Philipp (MEPH) "Delphinium". No date.
Martin Erich Philipp (MEPH) 1887 Zwickau – 1978 Dresden
Watercolour on hand-made paper. Monogrammed.
48,5 x 40,8 cm.
709 Heine Rath "Dresden - Zwinger". 1910.
Heine Rath 1873 Berlin – 1920 Stuttgart
Wood cut in colours. Monogrammed to the medium. Signed with pencil, dated. Im mat.
Stk. 25,5 x 40,6 cm, Bl. 26,5 x 41,8 cm.
710 Erich Kurt Schäfer "Birthhouse of the artist in Pillnitz". 1938.
Kurt Erich Schäfer 1913 Berlin – 1944 Ruiselede in Flandern
Watercolour and pencil. Signed and dated. Estate stamp to the reverse. In mat.
Pinholes to the edges.
Bl. 50 x 5 cm.
711 Erich Kurt Schäfer "Erz mountains landscape". Ca. 1930.
Kurt Erich Schäfer 1913 Berlin – 1944 Ruiselede in Flandern
Watercolour. Verso estate stamp and undistinctly signed with pen.
Pinholes to the rims. Minimal tear to the upper rim.
51,6 x 56,5 cm.
712 Gustav Schmidt (attrib.) "View into the valley of the River Elbe": No date.
Gustav Schmidt 1888 Peine b. Hannover – 1972 Dresden
Chalk drawing in colours and tempera. Signed. Mounted. Framed.
BA. 44,3 x 60 cm, Ra. 49,5 x 65,5 cm.
713 Gustav Schmidt (attrib.) "Town with windmill". No date.
Gustav Schmidt 1888 Peine b. Hannover – 1972 Dresden
Chalk drawing in colours. Signed with pencil. Mounted on paper. Framed.
Minimal foxing and with a restored tear to the upper rim.
39 x 54,5 cm, Ra. 51,5 x 63 cm.
714 Elly Schreiter "Not titeled". 1987.
Elly Schreiter 1908 Dresden – 1987 ebenda
Watercolour. Signed.
Bl. 18,8 x 23,5 cm.
715 Otto Schubert "Landscape". Ca. 1925.
Otto Schubert 1892 Dresden – 1970 ebenda
Watercolour. Signed with pencil. In mat, framed.
BA. 29 x 41,5 cm, Ra. 50,2 x 62 cm.
716 Otto Schubert "Goethes ballad". 1932.
Otto Schubert 1892 Dresden – 1970 ebenda
Etching. Portfolio with 20 works. Signed with pencil.
Pl. 19,3 x 16,5 cm, Bl. 24 x 19,5, Mappe 39,5 x 33 cm.
717 Strawalde "Exhibition poster - breakfast in the forest". 1982.
Strawalde (Jürgen Böttcher) 1931 Frankenberg/Sa. – lebt in Berlin
Serigraph in colours. Signed with pencil.
Rims with tiny tears and pinholes.
Bl. 64,5 x 81,5 cm.
718 Erika Streit "That was my brush". No date.
Erika Streit 1910 Kutterschitz – 2011 Kilchberg ZH
Watercolour. Signed and titeled with pencil.
Bl. 15,5 x 11 cm.
719 Peter Sylvester "Earth and landscape". 1988.
Peter Sylvester 1937 Saalfeld – 2007 Leipzig
Mixed media. Signed with pencil. In mat.
Pl. 45,5 x 59,5 cm, BA. 53,5 x 66 cm.
720 Max Uhlig "Not titeled". No date.
Max Uhlig 1937 Dresden – lebt in Helfenberg (Dresden)
Chalk drawing in colours. Signed with pencil. Tiny pinholes to the rims.
19,3 x 34 cm.
721 Max Uhlig "Landscape". 1972/ 1973.
Max Uhlig 1937 Dresden – lebt in Helfenberg (Dresden)
Lithograph. Signed with pencil.
St.28 x 43 cm, Bl. 37,5 x 50 cm.
722 Hans Unger "Venice". Ca. 1920.
Hans Unger 1872 Bautzen – 1936 Dresden
Chalk drawing in colours. Signed "H. Unger" bottom right. In mat framed.
Minimal water stain to the sky.
BA. 31 x 47,5 cm, Ra. 56,7 x 70,5 cm.
723 Hans Unger "Portrait of the artists wife". Ca. 1910.
Hans Unger 1872 Bautzen – 1936 Dresden
Lithograph. Signed with pencil. Minimal tears to the right rim.
St. 31 x 26,5 cm, Bl. 42,3 x 30 cm.
724 Heinrich Vogeler "Christmas". 1912. 1912.
Heinrich Vogeler 1872 Bremen – 1942 Karaganda/Kasachstan
Etching. Etching on buff coloured paper. Monogrammed on the print medium. Inscribed in pencil. Framed in mat with glass. Ornamental, coloured stillage.
Minimal dirty to the right edge inside the illustration.
BA: 40,2 x 31 cm.
725 Emil Weddige "Psyche". 1957.
Emil Weddige 1907 Sandwich/Ontario – 2001
Lithograph in colours. Dated to the medium, signed with pencil. Remains of an old mounting to the reverse. Tiny tear to the bottom rim.
St. 51,5 x 70,2 cm, Bl. 56,5 x 76,5 cm.
726 G. Weis "Winter landscape". Ca. 1940.
Heinz Gustav Weis 19. Jh. – 20. Jh.
Watercolour. Signed bottom left. Framed.
BA. 27,8 x 37,5 cm, Ra. 58 x 68 cm (6,4 cm breit).
727 Albert Wigand "Blue and gold". 1970.
Albert Wigand 1890 Ziegenhain/Hessen – 1978 Leipzig
Collage in colours. Signed, dated and titeled with pen to the reverse. Framed.
Bl. 20,5 x 8,5 cm, Ra. 38,5 x 26,5 cm.
728 Werner Wittig "Stillife with flowers and glass". 1976.
Werner Wittig 1930 Chemnitz – 2013 Radebeul
Wood engraving in colours. Signed with pencil.
Stk. 39 x 39 cm, Bl. 50 x 63,2 cm.
729 Werner Wittig "House in the fields". 1977.
Werner Wittig 1930 Chemnitz – 2013 Radebeul
Wood engraving in colours. Signed with pencil.
Stk. 35,5 x 38,4 cm, Bl. 49 x 61 cm.
730 Werner Wittig "Gable". 1985.
Werner Wittig 1930 Chemnitz – 2013 Radebeul
Wood engraving in colours. Signed in pencil.
Stk. 31,4 x 37 cm, Bl. 50 x 38 cm.
731 Mac Zimmermann "Epitaph for the composer Karl Amadeus Hartmann". 1964.
Mac Zimmermann 1912 Stettin – 1995 Wasserburg am Inn
Pen lithograph and colour pen and pencil drawing in colours. Signed, titeled and dated. Mat.
Darst. 38 x 29,2 cm, Bl. 50 x 34,2 cm.
732 Unknown artist "Der Rattenfänger von Hameln". Ca. 1910.
Lithograph in colours. In mat. Minimal bends to the right rim.
28 x 72 cm.
733 Unknown artist "Schneewittchen". Ca. 1910.
Lithograph in colours. In mat.
Minimal tears to the rims.
28 x 72 cm.
736 Unknown artist "Rotkäppchen und der böse Wolf". 1910.
Lithograph in colours. In mat.
28 x 72 cm.
739 Unknown artist "Die Sieben-Meilen-Stiefel." Ca. 1910.
Lithograph in colours. In mat. Minimal tears to the bottom rim.
28 x 72 cm.
740 Unknown artist "Hänsel and Gretel. Ca. 1910.
Lithograph in colours. In mat.
Minimal tears to the right rim.
28 x 72 cm.
741 Peter Makolies"Standing female nude". 1992.
Peter Makolies 1936 Königsberg / Ostpreußen
Bronze, black and fractional with green patina. Verso monogrammed, dated, numbered and stamped "PM".
H. 24,3 cm.
742 Hans Alexander Müller(attrib.) "Voltaire". Around 1900.
Hans Alexander Müller 1888 Nordhausen – 1963 New Milford (Connecticut)
Cast - bronze with black patina. Signed "H. Müller" to the back. Mounted to a marble base.
H. 29 cm, 36 cm (mit Sockel).
* Droit-de-suite of 2.00 % applies.
743 (attrib.) "Cat of prey". 1935.
Kurt Erich Schäfer 1913 Berlin – 1944 Ruiselede in Flandern
Graved wood. Unsigned. It ist also possible, that the sculpture was made by Herbert Volwahsen, who shared a studio with Schäfer.
H. 42 cm, L. 91 cm, B. 34 cm.
746 "Mongolian rider". Russia. 1872/ 1906.
Iron art casting. Signed to the plinthe. Marked to the base.
H. 37 cm.
747 "Juggler festival of the students of the Royal Academie of Arts in Dresden". 1910.
Badge worked as a pendant. Casted copper with patina.
4,5 x 4 cm.
750 "Sittig couple of gardeners". Meissen. 1935.
Porcelain, glazed and hand-painted. Probably after a model by Ernst August Leuteritz. Crossed Sword mark, underglazed blue. Scribed form number Y 34.
Inconspicious fire crack on the back of the plinth. Minimal damages.
H. 14 cm.
751 "Jester 'Fröhlich' with owl". Meissen. 1980.
Porcelain, glazed. Crossed Sword mark, underglazed blue.
H. 11,5 cm.
752 für Meissen "Sitting girl with storybook". Around 1910. 1910.
Julius Konrad Hentschel 1872 Cölln b. Meißen – 1907 Meißen
Porcelain, glazed and hand-painted. Crossed Sword mark in underglazed blue, scribed model-nr. U 149. Minimal chip on the right hand side of the head.
H. 10,8 cm.
753 "Piping satyr with eavesdropping satyr boy". P. Ipsen Kobenhavn. Around 1909.
Otto Pilz 1876 Sonneberg/Thüringen – 1934 Dresden
Ceramic, black body. Signed. Embossing number 826.
H. 26 cm, B. 35 cm.
754 für KPM Berlin "Couple of ducklings". Around 1913.
Wilhelm Carl Robra 1876 – 1945
Porcelain, glazed and hand-painted. Sceptre mark, underglazed blue. Monogrammed to the base.
H. 8,5 cm.
755 "Rococo lady with pet dog". Aelteste Volkstedter Porzellanfabrik. Around 1930.
Porcelain, glazed and hand-painted. Decorated in gold. Marked to the base in underglazed blue.
H. 22,5 cm.
756 für Ph. Rosenthal/Selb "Matador". Mid 20th cent.
Porcellain, glazed. Green stamp and signature to the base.
Sword not fixed and restored. tiny chip on the inside of the collar. Cloth with capillary crack.
H. 17,5 cm.
757 - Gronau für Ph. Rosenthal/Selb. "Frog Queen". Around 1950.
Porcelain, glazed and slightly hand-painted. Marked and numbered to the base. Smal chip at the crown, tiny imperfections at the back and the bow.
H. 27 cm.
758 für Ph. Rosenthal/Selb. "Dancing putto with goatling". Around 1940.
Max Hermann Fritz 1873 Neuhausen – 1948 Dresden
H. 20 cm.
759 für Ph. Rosenthal/Selb. "Duckling". Around 1935.
Karl Himmelstoss 1878 Breslau – 1967 Obermerzing (München)
Porcelain, glazed and hand-painted. Signed to the plinth and stamped to the base.
Capillary crack on the back of the plinth.
H. 19,5 cm.
760 "Polar bear". Royal Copenhagen. 20th cent.
Porcelain, glazed. Marked in underglazed blue. Tiny fire points in the range of the head.
H. 9 cm.
761 "Dancer". Unknown factory. Around 1930.
Porcelain, glazed. Minimal fire crack on the back.
H. 21,5 cm.
762 für Staatl. Majolika Manufaktur Karlsruhe "Two deers" 2nd half 20th cent.
Else Bach 1899 Heidelberg – 1951 Pforzheim
Majolika, auburn body with fawn craquelé glaze. Signed and marked.
H. 35 cm.
763 für Staatl. Majolika Manufaktur Karlsruhe "Two foals". 2nd half 20th cent.
Else Bach 1899 Heidelberg – 1951 Pforzheim
Majolika, auburn body with fawn craquelé glaze. Signed and marked.
H. 40 cm.
764 (?) für Staatliche Majolika Manufaktur Karlsruhe "Two hounds". 2nd half 20th cent.
Else Bach 1899 Heidelberg – 1951 Pforzheim
Majolika, auburn body with fawn craquelé glaze. Marked to the base.
H. 20 cm.
765 Figurative table lamp. Constantin Holzer-Defanti für Ph. Rosenthal/Selb. Around 1920.
Constantin Holzer-Defanti 1881 Wien – 1951 Linz
Porcelain, glazed and hand-painted. Original lampshade. Green stamp and embossed form number 53a to the base. With electric fittings.
catalogue raisonné: Niecol, Bd. 2, S. 207.
H. 75 cm.
767 "Two mice in the basket" Eichwald. Around 1900.
Porcelain, glazed and hand-painted. Blue stamp to the base.
Ear of one mouse with a tiny chip.
H. 8 cm, B. 24 cm.
769 Bowl. Meissen. Around 1740/45.
Porcelain, glazed. Crossed Sword mark to the base, underglazed blue.
H. 9 cm, D. 16,8 cm.
770 Thimble. Meissen. After 1934.
Procelain, glazed, hand-painted and decorated in gold. Crossed Sword mark, underglazed blue.
Painting slightly abraded.
H. 2,3 cm.
771 Pair of capped vases. Helena Wolfsohn, Dresden. Around 1880.
Helena Wolfsohn 19. Jahrhundert
Porcelain, glazed and hand-painted. Stamped "AR" to the bases underglazed blue.
Fond with gilding slightly abraded. Tiny scratches and chips in the range of the roses.
H. 21 cm.
772 Cup and saucer with pictures. KPM Berlin. Around 1850.
Porcelain, glazed and hand-painted and decorated in gold. Stamped to the bases.
Gold decoration with minimal abrasions. Handle restored.
H. 13 cm, D. (Untertasse) 18 cm.
773 Candlestick. Meissen. 2000.
Böttger stoneware, polished. Numbered and stamped "AR" to the base. Certified. Model by Johann Jakob Irminger (1635-1724).
H. 14 cm.
774 Candlestick. Paul Börner für Meissen. Around 1920.
Emil Paul Börner 1888 Meißen – 1970 ebenda
Böttger stoneware. Embossed Crossed sword mark and scribed form number M 210 to the base.
H. 12,3 cm.
Porcelain, glazed. Part of the service "Neuer Ausschnitt". Crossed Sword mark, underglazed blue. Embossed form number.
Chips on the inside of the cap and on the flowers. Supplemented cap.
H. 22 cm.
776 Coffeepot. Meissen. Before 1739.
Porcelain, glazed and decorated in gold. Minimal chip to the muzzle.
H. 22 cm.
777 Cup and saucer. Meissen. Around 1965.
Porcelain, glazed and hand-painted. Crossed Sword mark, underglazed blue.
D. (Untertasse) 14 cm, H. (Tasse) 5 cm.
778 Pair of soup bowls with saucers. Meissen. 1953/1954.
Porcelain, glazed, hand-painted and decorated in gold. Crossed sword mark, underglazed blue, two slices across. Embossed form number.
H. (Tassen) 5 cm, D. (Tassen) 12,5 cm.
Porcelain, glazed. Part of the "Schwanenservice". Crossed Sword mark to the base, underglazed blue, four slices across. Embossed form number.
H. 25,5 cm.
781 3 cups with saucers and a bowl. Meissen. Around 1930.
Porcelain, glazed. Crossed Sword marks, underglazed blue, two slices across. Bowl around 1935.
Verschiedene Maße.
782 Teepot. Meissen. Around 1900.
Porcelain, glazed. Vine leaves pattern. Crossed Sword mark, underglazed blue, two slices across. Scribed form number R 5. Second cap added.
H. 14 cm.
Porcelain, glazed. Vine leaves pattern. Crossed Sword mark, underglazed blue, two slices across. Embossed form number.
H. 3 cm, D. 15,5 cm.
784 5 dishes. Meissen. 2nd half 20th cent.
Porcelain, glazed. Two of them soup plates. Part of the service "Neuer Ausschnitt". Crossed Sword mark, underglazed blue. (Soup plates with grinded mark), the others with four slices across.
D. 24 cm (Suppenteller), 25 cm (Speiseteller).
786 Soup plate. Meissen. 1942.
Porcelain, glazed, hand-painted and decorated in gold. Crossed Sword mark, underglazed blue.
D. 24,5 cm.
787 Soup plate. Meissen. 1942.
Porcelain, glazed, hand-painted and decorated in gold. Crossed Sword mark, underglazed blue.
D. 24,5 cm.
788 Soup plate. Meissen. 1942.
Porcelain, glazed, hand-painted and decorated in gold. Crossed Sword mark, underglazed blue.
D. 24,5 cm.
789 Soup plate. Meissen. 1942.
Porcelain, glazed, hand-painted and decorated in gold. Crossed Sword mark, underglazed blue.
D. 24,5 cm.
790 Plate. Meissen. End of the 19th cent.
Porcelain, glazed, hand-painted and decorated in gold. Crossed Sword mark, underglazed blue, two slices across.
D. 21,5 cm.
791 Pair of plates. Meissen. Around 1850.
Porcelain, glazed, hand-painted. Crossed Sword mark, underglazed blue, one slice across. Tiny chip at the bottom side of one plate.
D. 25 cm.
792 Cake plate, round bowl, oval bowl. Meissen. 2nd half 20th cent.
Porcelain, glazed. From different services.
Verschiedene Maße.
793 Oval plate. Meissen. Around 1860.
Porcelain, glazed, hand-painted in underglazed blue and edges decorated in gold. Crossed Sword mark, underglazed blue.
L. 47 cm.
794 Lidded box. Meissen. 1957.
Porcelain, glazed, hand-painted in underglazed blue and decorated in gold. Crossed Sword mark, underglazed blue, two slices across. Form number 186.
H. 8,5 cm, D. 12,5 cm.
796 Cup with saucer and two plates. Heinz Werner für Meissen. 1968.
Heinz Werner 1928 Coswig – 2019 ebenda
Porcelain, glazed, hand-painted and decorated in gold. Crossed Sword mark, underglazed blue.
D. (Teller) 19 cm, H. (Tasse) 8 cm.
797 Pencil bowl. Meissen. End of the 19th cent.
Porcelain, glazed, hand-painted and edges decorated in gold. Crossed Sword mark to the base.
L. 23,7 cm.
798 Large Vase. Meissen. 1975.
Porcelain, glazed. Crossed Sword mark, underglazed blue, four slices across. Scribed form number V 264 x.
H. 36 cm.
Porcelain, glazed, hand-painted and edges decorated in gold. Crossed Sword mark, underglazed blue, embossed form number 262.
H. 34,5 cm.
800 Vase. Meissen. Around 1930.
Porcelain, glazed. Crossed Sword mark, underglazed blue, scribed form number 157/63.
Restored and added. Tiny chip to the bottom side.
H. 14,5 cm
801 Picture plate "Madonna della Seggiola". Meissen. Probably after 1934.
Porcelain, glazed, figuative hand-painted after Rafaels Tondo. Crossed Sword mark on the left hand side, underglazed blue.
Blue slightly abraded in the lower range.
15,5 x 15,5 cm.
806 Pair of Art-déco candlesticks. Karl Tutter für Lorenz Hutschenreuther/Selb. 20th cent.
Karl Tutter 1883 Neudeck – 1969 Selb
Porcelain, glazed. Fractional gilded. Green stamp and signature to the base.
Gilding with slight abrasions.
H. 15,5 cm.
807 Edition plate "L'ultimo die Generali". Enrico Baj für Ceramica Franco Pozzi. 1968.
Enrico Baj 1924 Mailand – 2003 Vergiate
Porcelain, glazed and collage. Hand-painted and decorated in gold. Marked, signed and delineated in detail to the base.
Gilding in the range of the edges with slight abrasions.
D. 30,5 cm.
809 Coffeepot, milk can and sugar box. Unknown factory. 2nd half 20th cent.
Porcelain, glazed.
Verschiedene Maße.
810 Coffeepot, milk can and sugar box. WMF, Geisslingen. 20th cent.
Porcelain, glazed.
Verschiedene Maße.
813 Art-déco capped box, Porzellanfabrik L. Hutschenreuther - art department. Around 1925.
Porcelain, glazed.
H. 12 cm.
814 Art-déco capped box. Fraureuth. Around 1925.
Porcelain, glazed. Fractional gilded. Green stamp to the base.
H. 21,5 cm, D. 18 cm.
817 Picture plate. Villeroy & Boch, Dresden. Around 1920.
Stoneware, glazed and hand-painted. Oval stamp "Saxony" to the base.
Small fire crack on the left hand side.
D. 36 cm.
818 Picture plate. Villeroy & Boch, Dresden. Around 1920.
Stoneware, glazed and hand-painted. Oval stamp "Saxony" to the base.
Tiny capillary crack on the right hand side.
D. 36 cm.
819 Part of the service "Pommern". Villeroy & Boch, Dresden. Around 1910.
Stoneware, glazed. 6 dessert plates, 4 small bowls, 2 oval plates, 1 round plate, 1 soup bowl. Brown mercure stamp to the base.
Cap of the soup bowl missing. Glaze slightly tanned on several pieces.
Verschiedene Maße.
820 Lidded box. Ernst Teichert für Meissen. Around 1920.
Stoneware, glazed and gilded. Embossed stamp on the inside of the cap.
Small chip on the inside of the box. Imperfection of the glaze in the range of the arm.
H. 24,5 cm.
821 Picture tile "Leipziger Pfeffermühle". 1984.
Stoneware, greybrown body, coloured glaze.
H. 22,5 cm, B. 14 cm.
822 Picture plate. Villeroy & Boch, Dresden. Around 1910.
Stoneware, glazed.
Glaze slightly discoloured.
D. 24,2 cm.
823 Picture plate "Bautzen". Villeroy & Boch, Dresden. 1st half 20th cent.
Stoneware, glazed.
D. 25 cm.
824 Pair of picture tiles. Probably German. 20th cent.
Ceramic, glazed. Not stamped. One tile with a small capillary crack and tiny chips.
13 x 13 cm.
825 Picture tile. Meißner Ofen- & Porzellanfabrik. Around 1910.
Broken and glued, small chip on the edges.
14,4 x 7,3 cm.
826 Ashtray with model of a chimney. Saxonia, Meissen. Around 1920.
Stoneware, green glazed.
Catalogue raisonné: Katalog Teichert-Werke Meißen. Keramik & Porzellan 1863-1945. Kat.-Nr. 102 mit Abb.
Several fire cracks on the inside. Small chipon the edge of one case.
23 x 15,5 cm.
827 Vase. Paul Millet für Sèvres. Around 1925.
Stoneware. Monogrammed within a stamp to the base.
Several tiny chips on the base and one little chip at the seam.
H. 26,5 cm.
828 Planter. Probably Emmy von Egidy für Gebr. Meinhold, Schweinsburg. Around 1905.
Emmy von Egidy 1872 Pirna – 1946 Weimar
Stoneware, light-coloured body, glazed. Embossed stamp.
Three fire cracks on the inside.
H. 23,5 cm, D. 31 cm.
829 Lidded bowl. M.C. Kysnezova, Riga o. Russia. 19th/ 20th cent.
Stoneware, glazed. Cyrillic stamp "M. C. Kysnezova" to the base. Embossed numbers 104 and 1.
Several chips.
H. 14,5 cm, D. 19 cm.
830 Character jug. Probably Delft. Around 1790.
Faience, light-coloured, auburn body, white glazed. Figurative jug, personating Napoleon. Blue brush mark "AR" to the base.
Minimal imperfections of he glaze caused by old age. Unimpressive Restoration on the back of the seam.
H. 26 cm.
831 Lidded Tankard. Carl Gottlob Zimmer, Dresden. Around 1796.
Faience, yellowish body, white glazed. Monogrammed, stamped and dated on the cap.
Sveral chips on the bottom, handle broken and missing. Hinge of the tin mounting damaged.
H. 23,5 cm.
832 Lidded Beaker. Westerwald. 18th cent.
Stoneware, grey body. Salt-glaze. Monogrammed and stamped to the lid. Tin mounting with small imperfections.
H. 22 cm.
833 Large pitcher. Bunzlau style. 2nd half 19th cent.
Stoneware, auburn body with dark brown clay glaze. Mounted tin lid, slightly pressed.
H. 43 cm.
834 Small can. Richard Riemerschmid für R. Merkelbach, Höhr Grenzhausen. Around 1905.
Richard Riemerschmid 1868 München – 1957 ebenda
Stoneware, hand-painted. Model 1784. Embossed form number to the base.
H. 11,5 cm.
835 Mustard potty. Richard Riemerschmid für R. Merkelbach, Höhr-Grenzhausen. Around 1905.
Richard Riemerschmid 1868 München – 1957 ebenda
Stoneware, hand-painted. Model 1730. Tin hinge.
Catalogue raisonné:"Jugendstil in Dresden. Aufbruch in die Moderne". Ausstellungskatalog Staatliche Kunstsammlungen Dresden/ Kunstgewerbemuseum. S. 294f Nr. 319 mit Abb.
H. 9 cm.
836 Bottle. Albin Müller für Steinzeugfabrik R. Hanke, Höhr/ Westerwald. Around 1910.
Albin Müller 1871 Dittersbach/ Erzgebirge – 1941 Darmstadt
Grey Stoneware, salt-glaze, decorated in cobalt blue. Embossed stamp "CARL MAMPE BERLIN / EIGEN-KRUG" to the base.
Catalogue raisonné: Ulmer, R.: "Kat. Museum Künstlerkolonie Darmstadt".Darmstadt, 1990. S. 164, Nr. 235.
H. 23 cm.
837 Lidded box. R. Merkelbach, Grenzhausen. Around 1920.
Stoneware, grey body, hand-painted in cobalt blue. Embossed form number 1538.
Small glaze imperfections of the stud, chips on the inside of the lid, bottom with glaze cracks.
H. 9,5 cm, D. 11 cm.
838 Pitcher. Muskau. Around 1830.
Stoneware, grey body, glazed in brown. Tin lid mounting missing, small chip at the seam.
Catalogue raisonné: Horschik, J.: Steinzeug. 15. bis 19. Jh. Dresden, 1990. Nr. 255 mit Abb.
H. 15,5 cm.
839 Center piece. Hedwig Bollhagen. Probably around 1960.
Hedwig Bollhagen 1907 Hannover – 2001 Marwitz bei Berlin
H. 14 cm.
845 Kawabata Gyokusho "Hotei, reposing". Around 1898.
Kawabata Gyokusho 1842 Kyoto – 1913 ?
Wood cut in colours. Signed in the medium. Central fold.
Bl. 24,8 x 28 cm.
846 Kawabata Gyokusho "The fox ghost Kitsune". Around 1898.
Kawabata Gyokusho 1842 Kyoto – 1913 ?
Wood cut in colours. Signed in the medium. Central fold.
Bl. 25 x 28 cm.
847 Kanon Keinen "Bird beneath red lilies". 2nd half 19th cent.
Wood cut in colours. Numbered in the medium and signed on the edge of the sheet.
Tiny holes on the edges of the sheet.
Bl. 36,8 x 25,6 cm.
848 Kanon Keinen "Two cranes on the shore". 2nd half 19th cent.
Wood cut in colours. Signed and numbered in the medium. Tiny holes on the edge of the sheet.
Bl. 36,8 x 25,6 cm.
849 Kobayashi Kiyoshika "Street scene". Around 1880.
Kobayashi Kiyoshika 1847 Edo – 1915 Tokio
Wood cut in colours. Signed in the medium and on the edge of the sheet. Fractional restored central fold, slight water damage.
Bl. 23,7 x 34,4 cm.
850 Ohara Koson "Buzzard, sitting on a snowy knob". 2nd half 19th cent.
Ohara Koson 1877 Kanazawa – 1945
Wood cut in colours. Signed in the medium.
Cut to the mediums edges on the right hand side an on the bottom. Slight grease spots.
Bl. 29 x 19 cm.
851 Utagawa Kunisada II. "Five Samurai-warriors in a landscape". Around 1865.
Utagawa Kunisada II. 1823 ? – 1880 Edo (Tokio)
Wood cut in colours. Signed.
Tiny tear (4 mm) on the upper edge of the sheet. Right hand side of the sheet with small reinforcement.
Stk. 33 x 23,5 cm, Bl. 35,5 x 25 cm.
852 Unknown artist "Master and handmaid in front of a gate". Around 1900.
Wood cut in colours. Signed to the medium.
Bl. 36,5 x 25 cm.
853 Unknown Tibetan artist "Nirvana". 20th cent.
Opaque colour, partially decorated with gold colour. Golden inscriptions on the bottom side of he sheet.
Darst. 83,5 x 58 cm, Bl. 85 x 60 cm.
854 Rolled picture. China. Probably 19th cent.
Wood cut. on very thin china-paper. Cut to the mediums edges on the bottom and the left hand side. Edges partly with imperfections.
145 x 68 cm.
855 Vaisharavana (God of wealthiness). Sinotibetan. 18th / 19th cent.
Bronze cast. Remainings of an old gilding.
Botton with minimal verdigris.
H. 9,3 cm.
856 Buddha. Thailand. 19th cent.
Bronze cast. Gilding over red laquer.
Gilding slightly abraded. Cover missing.
H. 12,5 cm.
858 Buddha. India. Around 1900.
Ivory, carved. Right hand of the buddha with tiny damage.
H. 10,5 cm.
859 Sitting buddha. Thailand. 2nd half 19th cent.
Wood, carved. Partly decorated in reddish laquer and gilded. Several glas stone inlayings.
Gilding partially abraded.
H. 51 cm.
860 Padmasambhava. Tibet. 19th cent.
Bronze, cast and fire gilded. Coloured stone inlayings. Very fine cast.
H. 22 cm.
861 Head of a buddha. Khmer. 20th cent.
Replication of an original from the Louvre. Grey stone, mounted on a black plinth of wood.
H. 44 cm.
862 Rat and their cubs. Japan. 19th cent.
Bronze cast with brown patina. Plinth in form of a coin knoll. In Japan a rat is the symbol for luck and wealthiness.
H. 6 cm.
863 Scholar and servant. China. Around 1900.
Ivory, carved. Mounted on a dark stained wood plinth.
H. 17, 3cm/ 17 cm.
865 Lidded jar in the form of a goose. Probably China. 18. / 19th cent.
Bronze with dark brown patina.
H. 32 cm.
866 Pott. China. 18th / 19th cent.
Tin, partly gilded. Richly engraved to the body. Marked to the base.
Provenance: From an old East-German private collection.
H. 33 cm.
867 Swatow - bowl. China, Ming. 16th / 17th cent.
Thick-walled porcelain, glazed light blue. Underglazed blue floral pattern.
Smal chip at the seam, using traces caused by old age.
H. 7 cm, D. 14 cm.
868 Pair of cups with saucers. China. 18th cent.
Porcelain, glazed, hand-painted and decorated in gold. Not stamped.
Cups with tiny capillary cracks. One saucer with minimal chip to the seam.
H. 4,5 cm, D. Untertasse 11,5 cm.
871 Large potpourri vase. Probably Japan. Around 1920.
Stoneware, glazed. Figurative and floral pattern.
Restored crack on the reverse of the seam. Small imperfections of the glaze.
H. 71 cm.
873 Saucer. Japan, Meji. Ca. 1900.
Porcelain, glazed. Elaborate handpainting to the center. Base with two ironred brush marks.
D. 14 cm.
874 Large lidded vase. China. 19th cent.
Porcelain, glazed. Underglazed blue. Not stamped.
Tiny chip on the inside of the standing.
H. 43 cm.
876 Home godhead. China. 19th cent.
Wood, carved and hand-painted.
Imperfections to the paint and the gilding. Plinth with reduction cracks.
H. 16 cm.
Small knife. Shaduko, gold and silver on copper.
Blade missing.
L. 9,6 cm.
878 Pipe set. Japan, Meji. 2nd half 19th cent.
Three pieced: original pipe, leather bag and laquered pipe mount (kiseruzutsu).
Leather with traces of use.
L. (Tasche) 12 cm, L. (Pfeifenhalter) 21,5 cm.
879 Kris. Indonesia/Java. 18th / 19th cent.
Handle from horn, graven.
Blade with traces of corrosion.
L. 48,5 cm.
881 Paper knife. Japan. 2nd half 19th cent.
Metal, brass-plated, partially copper-plated. Blade with floral pattern.
L. 27 cm.
885 Shell cameo. Probably German. 19th cent.
Silver with remainings of gilding.
Small crack on the right ad side of the cameo.
4,5 x 3,5 cm (Oval).
888 Brooch. Probably German. Ca. 1900.
Tortoise shell, mounted in sterling silver. With four little boreholes to the back.
D. 3,5 cm.
889 Necklace. Theodor Fahrner, Pforzheim. Around 1930.
Theodor Fahrner 1859 Pforzheim – 1919 ebenda
Sterling silver with one central emerald. Stamped "Original Fahrner".
L. 43 cm.
891 Rare serpentine drinking vessel. Probably Southgerman. 19th cent. 19th cent.
Alpine serpentine, gilded sterling silver.
Tiny chip to the serpentine.
H. 15 cm, D. Mündungsrand 10,5 cm.
892 Carafe. Dresden. Around 1900.
Colourless glass. Hinge lid. Stamped "MARPÉ Halbmond Krone DRESDEN".
H. 27 cm.
893 Small salt dish. Dresden. ca. 1900.
Sterling silver. Marked: " MARPÉ Halbmond Krone DRESDEN". 130g.
H. 6 cm, L. 10,5 cm.
894 Small salt dish. Probably German. Ca. 1870.
Sterling silver. Marked. 64g.
Base with minimal dents.
H. 3,5 cm, L. 11,5 cm.
895 Large silver plate. Heinrich Mau, Dresden. Around 1904.
Heinrich Jakob Wilhelm Mau 1843 Dresden – 1906 ebenda
Sterling silver. Serveral monogramms and emblems. Dated to the bottom.
Ca. 960 g.
D. 37,5 cm.
898 Miniature flacon. Probably Russia. 19th cent.
Gold, not marked. Body showing a muse with lyra and a saint in grisaille technique. Polychrome enamel decor. Monogramme H.L. to the base.
Verso retouches to the background and the upper part of the saint.
H. 3, cm.
899 Punnet. Russia. 20th cent.
Sterling silver. Niello technique. Partly gilded. Marked. Glass inserts.
Ca. 220g.
H. 15 cm.
900 Set of two glasses. Russia. 20th cent.
Sterling silver. Niello technique. Partly gilded. Marked. Glass inserts.
H. 12 cm.
901 Set of 4 glasses. Russia. 20th cent.
Sterling silver. Niello technique. Partly gilded. Marked. Glass inserts.
H. 12 cm.
902 Three-piece coffee service. German. Ca. 1920.
Brass, silver-plated. The coffee pot marked: FMN (?) Bavaria.
Verschiedene Maße
905 Set of 6 soup spoons. German. Ca. 1834.
Sterling silver. Two spoons monogrammed. Marked: BAHLSEN and 13.
292g.
L. 22 cm.
906 Set of fish knives and folks for 6 persons. 19th cent.
Sterling silver. Marked: A P & Co, Lilie, Adler (knives) bzw. A P & Co, EPNS (folks)
Ca. 480g.
L. 18 cm.
907 Set of 12 fish folks. WMF, Geislingen. 20th cent.
Nickel silver, silver-plated. Marked.
L. 18,5 cm.
908 Set of 2 tea strainers. Russia. 2nd half 20th cent.
Sterling silber, gilded and enameled. Marked.
L. je 11,5 cm.
909 Lidded beaker. German. Ca. 1748.
Tin. Engraved body with freemason symbols. Marked to the inner lid. Patina and traces of use. Hinge a bit loose.
H. 22,5 cm.
911 Lidded beaker. Master C.G.R., Altenburg. Ca. 1850.
Tin. Engraved body with "M. Pilling 1850". Marked to the inner lid.
H. 28 cm.
918 Centre piece. Probably German. Ca. 1925.
Nickel silver. Marked to the base.
H. 12,5 cm, D. 28,5 cm.
920 Vase. WMF, Geislingen. Ca. 1925.
Brass, with a green fire patina. Marked to the base.
Body with 3 smaller and 2 larger dents (with damage of the patina). Two dents to the rim.
H. 27,5 cm.
923 Bronze relief. Probably German. 19th cent.
with three little boreholes to the rim.
28 x 23,5 cm (Oval).
926 Small goblet. German. Ca. 1820.
Uncoloured glass, minimal bullous.
Stem inside minimal steamy.
H. 11,9 cm.
928 Small liqueur glass. German. Ca. 1820.
Uncoloured, minimal bullous glass.
Tiny chips to the base and the rim.
H. 9,8 cm.
929 Souvenier jug. Bohemia. Ca. 1860.
Uncoloured bullous glas, partly red stained. Body cut with the medaillons.
Tiny scratches.
H. 18.5 cm.
930 Souvenier glass. Bohemia. Ca. 1860.
Uncoloured glass, partly red stained. Body cut with the perspective of the Dresden Victoria hotel.
Tiny scatches to the stain.
H. 11,4 cm.
931 Souvenier glass. Bohemia. Ca. 1860.
Blue alabaster glass. Cut body showing architectural scenes of Teplitz. Gilded rim.
Minimal abrasion to the gilding.
H. 13.5 cm.
932 Lidded beaker. German. Ca. 1895.
Uncolored glass, cut. Mounted tin lid. With a dedication to the lid.
H. 20,5 cm.
933 Lidded glass. North Bohemia. Ca. 1850.
Uncoloured glass. Body cut with galloping horses.
Scratches inside of the glass.
H. 19 m.
935 Goblet. Probably Bohemian. Ca. 1850.
Uncoloured glass, with ruby smelting. Cut landscape decor.
Tiny scratches to the body.
H. 11 cm.
Uncoloured, red stained glass. Cut and gilded.
Gilding with minimal abrasion.
H. 12,4 cm.
Uncoloured glass with tin enamel melting. With a landscape in transparente enamel painting. Gilding with minimal abrasion.
H. 10,8 cm.
938 Large lidded electors beaker. German or Northbohemian. Late 19th cent. Late 19th cent.
Uncoloured glass. Cylindrical body painted with the enthroned emperor and seven electors with coat of armes and date "1616" in polychrome enamel coloures.
Lit.: Spiegl, W.: Glas des Historismus. Braunschweig, 1980. S. 252, Abb. 302.
H. 42 cm.
939 A pair of lidded beakers. Bohemia, probably Neuwelt. Ca. 1875.
Amber coloured glass. Bodies with excellent handpainting in opaque enamel coloures, showing a knight and a noblewoman. Gilded rims.
H. 38 cm.
940 Lidded beaker. Probably German. Ca. 1894.
Yellow coloured glass. Mounted tin lid. With engraved dedication.
H. 21 cm.
941 Pitcher. Bohemia. 2nd half 19th cent.
Uncoloured, bullous glass.
With tiny scratches to the base and handle.
H. 15,5 cm.
942 Schnapps dog. Probably German. Ca. 1900 or younger. 1900.
Cobalt blue coloured glass.
H. 10,5 cm, L. 14,5 cm.
943 Goblet. Bohemia. Ca. 1853.
Uncoloured glass, red stained, cut and gilded.
Gilding with minimal abrasion.
H. 13 cm.
945 Vase. Joseph Rindskopf' s Söhne, Teplitz. Ca. 1900.
Dark magenta coloured glass.
Minimal chip to the rim.
H. 23,5 cm.
946 Bisquit box. Pallme, König & Habel, Steinschönau. Ca. 1900.
Turquoise coloured bullous glass.
H. 15 cm, D. 13 cm.
947 Art Nouveau vase. Désiré Christian, Meisenthal/ France. Ca. 1905.
Désiré Jean Baptiste Christian 1846 Lemberg (Moselle) – 1907 Meisenthal
Uncoloured glass, melted on with turquoise blue, olive green, amber coloured and ochre glass. The body etched and cut with a blooming bearbind sprig, partly polished. Signed to the base "D. Christian Meisenthal / Loth".
Tiny scratches to the reverse surface.
H. 33 cm.
948 Vase. Probably Beckmann & Weis, Dresden. Ca. 1900.
Uncoloured glass, orange and red glass melted on. Body with etched and cut poppy decor.
H. 20,3 cm.
949 Set of 3 stemware glasses. Probably Bohemia. Ca. 1930.
Uncoloured and blue and yellow coloured crystal glass. Cut decor.
H.19,4/ 18,6 cm.
950 Set of 3 stemware glasses. Probably Bohemia. Ca. 1930.
Uncoloured and red and magenta coloured crystal glass. Cut decor. One glass with original label.
H. 21,5 / 22,7 cm.
951 Set of 3 stemware glasses. Probably Bohemia. Ca. 1930.
Uncoloured and blue, orange and amber coloured crystal glass. Cut decor.
H. je 20,8 cm.
952 Set of 3 stemware glasses. Probably Bohemia. Ca. 1930.
Uncoloured and magenta coloured crystal glass.
One glass with tiny chip to the rim.
H. je ca. 18 cm.
954 Set of 6 wine glasses. Probably North Bohemia. Ca. 1930.
Uncoloured and green glass.
H. 17,2 cm.
955 Art Déco liqueur set for 6 persons. Probably Haida, Bohemia. Ca.
Uncoloured glass with black painting decor.
Flasche mit Stopfen: H. 17,5 cm, Glas: 5,2 cm.
958 Table lamp. WMF, Geislingen. Ca. 1930.
With the original lampshade.
Fuß: 33 cm, mit Schirm: 80 cm.
960 Tea service for 7 persons. Ilse Decho for Jenaer Glaswerke. Ca. 1960.
Ilse Decho 1919 Leipzig – 1978 ebenda
Uncoloured glass.
Verschiedene Maße.
961 Set of 3 glass. Anzolo Fuga for A.v.e.M. Murano/Italy. Ca. 1950.
Anzolo Fuga 1914 Murano – 1998 ?
Teal coloured glass. The bodies with enamel painting.
H. 10,7 cm.
962 Baluster vase. Probably Murano/ Italy. Ca. 1935.
Black coloured glass. Body with enamel painting and gild.
Body minimal abraded.
H. 19,5 cm.
963 Vase. Seguso Vetri d'Arte. Murano/Italy. Ca. 1935.
Dark violett coloured glass. Body with enamel painting and gild.
H. 25,5 cm.
964 Lidded vase. Seguso Vetri d'Arte. Murano/Italy. Ca. 1935.
Uncoloured glass with with melting. Body with red enamel painting.
Gilding with minimal abrasion.
H. 29 cm.
965 Baluster vase. Stefano Toso, Murano/Italy. Modern.
Stefano Toso 1958 Venedig
Uncoloured glass, turquoise and winered melting.
H. 27,5 cm.
967 Glass object "siderale". Flavio Poli for Seguso Vetri d'Arte. Murano/Italy. Ca. 1952.
Flavio Poli 1900 Choggia – 1984 Venedig
Emerald green and ocher coloured glass in concentric rings. Of oval shape with planar surface.
16,5 x 19,5 cm, H. 2,7 cm.
968 Ashtray "siderale". Flavio Poli for Seguso Vetri d'Arte. Murano/ Italy. Ca. 1950.
Flavio Poli 1900 Choggia – 1984 Venedig
Greyish green and rose coloured glass of concentric rings. Partly etched.
H. 1,6 cm, D. 15,7 cm.
969 Vase. Stefano Toso. Murano/ Italy. 2000.
Stefano Toso 1958 Venedig
Uncoloured glass with wine red melting and melted polychrome glass threads.
H. 24,5 cm.
970 Vase. Stefano Toso, Murano/Italy. Modern.
Stefano Toso 1958 Venedig
Uncoloured glass with blue and red meltings.
H. 41 cm.
971 Large Vase. Stefano Toso, Murano/Italy. Modern.
Stefano Toso 1958 Venedig
Uncoloured glass with red melting and melted polychrome glass threads.
H. 33,5 cm.
972 Vase. Murano/ Italy. Probably 1980.
Uncoloured glass with white and netted violett melting. Blue coloured feet.
H. 39 cm.
973 Vase "sommerso". Seguso Vetri d'Arte. Murano/Italy. Ca. 1955.
Flavio Poli 1900 Choggia – 1984 Venedig
Lilac coloured glass with magenta coloured melting.
H. 13 cm.
974 Vase. Seguso Vetri d'Arte, Murano/Italy. Ca. 1965.
Uncoloured glass with blue melting.
H. 23,5 cm.
975 Cylindrical vase. Seguso Vetri d'Arte. Murano/ Italy. Ca. 1980.
Uncoloured glass. Melted white glass pieces and gold foil. Original label.
H. 22,7 cm.
976 Large cylindrical vase. Vittorio Rigattieri for Seguso Vetri d'Arte, Murano/ Italy. 1972.
Uncoloured glass with meltings in white, blue and orange.
Original label.
H. 26 cm.
977 Plate. Seguso Vetri d'Arte. Murano/Italy. Modern.
Uncoloured glass. Polychrome paintings.
D. ca. 27 cm.
978 Vase "al scavo". Vetreria Gino Genedese. Murano/ Italy. Ca. 1965.
Orange coloured glass, etched body.
H. 12 cm.
979 Large Vase Stefano Toso. Murano/ Italy. Modern.
Uncoloured glass. Dark violett and turquoise melting with gold foil.
H. 29 cm.
980 Vase "sommerso". etreria Gino Cenedese. Murano/Italy. Ca. 1960.
Gino Cenedese 1907 Murano – 1973 ebenda
Uncoloured glass with smoke topaz coloured melting.
H. 16,5 cm.
981 Vase. Murano/ Italy. Ca. 1980.
Uncoloured glass with orange coloured and white melting, melted polychrome glass pieces.
H. ca. 38,5 cm.
982 Vase. Probably German. 2nd half 20th cent.
Orange coloured glass with melted glass threads. Monogramm to the base.
H. 38 cm.
983 Bowl. Bayel, France. Ca. 1960.
Blue coloured glass. Etched mark to the base.
Small chip to the base.
H. ca. 13.5 cm, D. Boden 5cm.
984 Goblet. Seguso Vetri d'Arte, Murano/ Italy. 1980.
Bullous uncoloured glass. Polychrome glass threads and gold foil. Original label.
H. 22,4 cm.
985 Goblet. Seguso Vetri d'Arte, Murano/ Italy. 1980.
Uncoloured bullous glass with orange and grey meltings and gold foil.
H. 23,5 cm.
986 Goblet. Seguso Vetri d'Arte, Murano/ Italy. Ca. 1980.
Uncoloured glass with orange meltings.
H. 23 cm.
988 Wall mirror. Salier, Murano/ Italy. Ca. 1935.
Hochrechteckige Form mit breitem Zierrahmen. Bekrönendes Oval-Medaillon mit flankierenden trompetenähnlichen Blüten. Rahmen und Teil der Bekrönung dunkel hinterlegt mit floraler Bandmotivik. Bekrönung mit mattgeschnittener Blütenornamentik. Über Eck gesetzte Rauten. Holzträger.
H. cm, B. cm.
989 Wall mirror. Murano/ Italy. Ca. 1935.
H. 105 cm, B. 65 cm.
990 Crane. Murano/ Italy. Ca. 1985.
Uncoloured glass with red meltings.
Tiny scratches to the body.
H. ca. 33 cm.
992 Fish. Mario Pinzoni or Flavio Poli for Seguso Vetri d'Arte, Murano/ Italy. 1960.
Smoke topaz coloured glass. Original label.
H. ca. 45 cm.
993 Pigeon. Seguso Vetri d'Arte. Murano/ Italy. Probably 1960.
Glass, gilded. Original label. Gildings with minimal abrasions.
H. 17 cm, L. ca. 21 cm.
995 Paperweight. Murano/ Italy. Ca. 1980.
H. 4,7 cm, D. 7 cm.
1000 Majolica oil lamp. Budapest. 2nd half 19th cent.
Stoneware. Brass. Etched uncoloured glass. Mark underglazeblue.
H. 70 cm.
1003 Cortege lantern. France. Early 19th cent.
Brass, polished and metal, silver-plated. Uncoloured glass. Signed "Josef Lazart".
Restored condition.
H. 65 cm.
1013 Ceiling lamp. Seguso Vetri d'Arte, Murano/ Italy. Ca. 1935.
Glass and iron.
H. 20 cm, D. 40 cm.
1014 Baroque splendour frame. Southgerman. Ca. 1760.
Basewood, carved and gilded. With floral, volute and styilised shell decor.
Falzmaß: 55,2 x 70,5 cm, Ra. ca. 73 x 88 cm.
1015 Early 19th cent. splendour frame. German. Ca. 1815.
Falzmaß 21,1 x 22, cm, Ra. 45 x 56 cm.
1017 Pair of frames. German. Ca. 1900.
In classizism style.
Falzmaße 28,5 x 33,5 cm und 27,5 x 34,8 cm, Ra. 32,5 x 37,5 cm und 31,5 x 38,5 cm.
60 x 51,5 cm.
Falzmaß 70,2 x 53,4 cm, Ra. 84 x 65,5 cm.
1021 Chair. Studio of F.G. Hoffmann, Lipsia (attrib.). Ca. 1820.
Cherrywood. The back with carved acorn-leaf-decor. Trapezoid seat. Tapered square feet.
H. 86 cm, Sitzhöhe 46 cm.
1022 Soft wood back stool. German. 19th cent.
H. 96 cm, Sitzhöhe 50 cm.
1024 Pair of chairs. German. Ca. 1900.
Walnut, carved. Upholstered (renewed).
H. 93 cm, Sitzhöhe 45 cm.
1026 Carved oak cabinet on stand. Ca. 1890.
Eiche, rotbraun gebeizt. Eintüriger, hochrechteckiger Korpus mit figürlich geschnitzter Füllung, Lisenen und Zarge. Verkröpftes Kranzgesims. Reich gegliederte Balusterbeine auf gedrückten Kugelfüßen, über ein Querbrett miteinander verbunden. Geschnitzte Rückwand. Beschlag, Schloß und Schlüssel original.
H. 184 cm, B. 95 cm, T. 48 cm.
1028 Upper part of a buffet. Probably Southgerman. Ca. 1830.
Walnut on softwood.
H. 101 cm, B. 100,5 cm, T. 30 cm.
1029 Small neobaroque chest of drawers. Ca. 1870.
Walnut and wolnut burt wood veneer on soft wood. Gilded bronze handles and fittings, original locks and key.
Small chip to the front of the slab.
H. 82 cm, B. 57 cm, T. 42 cm.
1030 Lady's writing table. German. Ca. 1870.
Walnut on oak and softwood. Gilded bronze handles and fittings, original locks and key.
H. 81 cm, B. 100 cm, T. 63 cm.
1032 Altar cabinet. South German. Late 19th cent.
Walnut.
Glass renewed, restored condition.
H. 70 cm, B. 48 cm, T. 31 cm.
1033 "Ideal"- bookcase. Soennecken, Bonn. Ca. 1900.
Oak wood, dark stained.
H. 146 cm, B. 88 cm, T. 37 cm.
1034 Side table. Czech Republic. Ca. 1930.
Bottom board with water stain.
H. 70 cm, B. 70 cm, T. 46 cm.
1035 Armchair "Wink". Toshiyuki Kita for Cassina. 1980.
Toshiyuki Kita 1942 Osaka – ?
103,2 x 83,8 x 80,3 cm.
1037 A model chest of drawers. German. Ca. 1840.
Mahogany and maple wood on soft wood. Bolts added later. Restored.
H. 21 cm, B. 33 cm, T. 16 cm.
1039 Brass fender. Probably German. 19th cent.
B. 66 cm bis 120 cm, H. 33 cm, T. 12 cm.
1049 Ashtray. German. Ca. 1920.
Serpentine (Zöblitz). In the manner of Albin Müller.
H. 5,5 cm, D. 18 cm.
1050 Paperweigth. Venice. Ca. 1920.
Black granite and divers materials.
Two corners with chips.
9 x 6 cm.
1052 Queen Mary tray - "tôle peinte". Probably Braunschweig. Ca. 1850.
Metal, varnished. To the centre crowned monogramm "RM" (Royal Mary).
Gilding abraded.
Provenance: Königliches Haus zu Hannover, Schloss Marienburg.
46 x 34,5 cm.
1056 Violin. Probably German. Ca. 1880.
With two bows, original box. Bows with defects.
1057 Hermann Joachim Pagels "Otto von Bismarck". Ca. 1900.
Wood, carved. Monogrammed bottom left.
53 x 47,5 cm.
1058 Hermann Joachim Pagels "Frederik II.". Ca. 1900.
Wood, carved. Monogrammed bottom right.
53 x 47,5 cm.
1059 Unknown artis "Kochelfall, Riesengebirge". 1900.
Watercolours and amorphus materials. Framed. Verso titeled.
Ra. 52 x 64 cm.
1061 "Bussy's Captive Golf Ball". 1930.
A "Captive Golf Ball" practice device, in the original box. With a Mesh ball at the end of the teather. Spikes added later .
Box 35,5 x 11 x 7cm.
