HIGHLIGHTS
AUCTION 11 | 24. März 2007 |
022 Hans Hartmann"Minster square in Albenga (Riviera)". 1899.
Hans Hartmann 1845 Berlin – ?
Oil on canvas. Signed "Hans Hartmann" and dated to the lower right. Framed in an extraordinarily gilded stucco frame.
Minimal defects to the surface.
72 x 54 cm, Ra. 110,5 x 92 cm.
023 Emanuel Hegenbarth"Horses in the watering place". Ca. 1905.
Emanuel Hegenbarth 1868 Böhmisch-Kamnitz – 1923 Dresden
Oil on canvas. Signed "E. Hegenbarth" to the upper left. Titeled by a different hand (?) on a paper label. Framed.
Not in the cataloque raisonné of E. Feilen, but similar paintings: no. 417, 419, 420.
Tiny hole and small dent to the canvas.
40 x 60 cm, Ra. 52,5 x 72 cm.
027 Erhard HippoldErhard Hippold "Garden with moon (View on the garden of the villa "Sorgenfrei"). 1947.
Erhard Hippold 1909 Wilkau – 1972 Bad Gottleuba
Oil on hessian. Signed "Hippold" and dated to the bottom center in the arch of the wall. Verso on the canvas monogrammed "EH", on a paperlabel (from Artist?) titled and inscribed, on once more numbred "5". Original artist's frame.
70,5 x 95,5 cm.
041 Karl KunzKarl Kunz "Chant of Orpheus". 1944.
Karl Kunz 1905 Augsburg – 1971 Frankfurt a.M.
Oil on plywood. Dated "Aug. 44" and signed "K. Kunz" to the lower right. Framed.
Catalogue raisonné Denk/Krügl no. 77; Schmidt 33.
Exhibitions: Städtische Galerie im Lenbachhaus, Munich 1947, Kat-Nr. 194 (titeled "Engrossed hour"). Große Schwäbische Kunstausstellung, Augsburg 1949, Kat.-Nr. 169 mit Abb.
The painting arised during the Secound World War only six month after the bombing of Augsburg. From the stilistic point of view the painting belongs to the early work of the artist.
85 x 112 cm.
* Droit-de-suite of 2.00 % applies.
069 Otto Westphal"Coast near Amalfi". Ca. 1925.
Otto Westphal 1878 Leipzig – 1975 Dresden
Oil on canvas. Oil on canvas. Signed "Otto Westphal" to the lower right. Titeled to the reverse on the frame.
Tiny retouche to the canvas, minimal scratch mark to the beach.
75,5 x 86,5 cm.
082 Emanuel Hegenbarth"Sittig female nude". 1904.
Emanuel Hegenbarth 1868 Böhmisch-Kamnitz – 1923 Dresden
Oil on canvas. Monogrammed. Framed. Small chips in the backround of the painting. Pressure mark in the canvas.
Not in the catalogue raissonné Feilen, but compare with a nearly identical painting no. 238.
60 x 70 cm, Ra. 76 x 87 cm.
104 Robert ErbeRobert Erbe "Poultry in the forest". 1881.
Robert Erbe 1844 Gera – 1903 Oberlößnitz b. Dresden
Watercolour. Watercolour and Gouache on paper. Dated and signed "R. Erbe". Fresh and beautyfull colours. Minimal fox marks to the reverse, remnants of an old mounting.
20 x 27,5 cm.
Maria Sybilla Merian 1647 Frankfurt/M. – 1717 Amsterdam
Coloured engraving. Oldcoloured copper engraving. From: Metamorphosis insectorum Surinamensium. Catalogue raisonné Nissen 1341.
Beautyfull colours. Minimal fox marks.
Pl. 37,5 x 27,5 cm, Bl. 50,2 x 36 cm.
164 Jacques Callot"The big hunt". 1619.
Jacques Callot 1592 Nancy – 1635 ebenda
Etching. Inscribed in the medium. Framed in mat with glass.
Catalogue raisonné: Lieure, IV 353.
Cut to the mediums edges, mounted on cardboard. Wonderful, effectual print.
19,9 x 46 cm.
390 Josef HegenbarthJosef Hegenbarth "Goats". Not dated. 1950.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
Pen and brush drawing in ink on paper. Signed with pencil "Jos. Hegenbarth" to the lower right. Set in a mat.
Remnants of an old mounting to the reverse. Tiny tear to the lower edge. Minimal yellowed.
Catalogue raisonné Zesch D V 582.
25 x 32,2 cm.
* Droit-de-suite of 2.00 % applies.
495 Emil NoldeEmil Nolde "Grete". 1922.
Emil Nolde 1867 Nolde – 1956 Seebüll i. Nordfriesland
Etching on paper. Signed "Emil Nolde" with pencil to the lower right. Numbered (?) III/3 to the lower left. Edition: 19. Catalogue raisonné Schiefler 219 III.
Horizontal bend. Right and left edge of the sheet with minimal restoration.
Pl. 25 x 22 cm, Bl. 45,2 x 31,2 cm.
* Droit-de-suite of 2.00 % applies.
672 Georg KolbeGeorg Kolbe "Kneeling female nude". Ca. 1920.
Georg Kolbe 1877 Waldheim (Sa.) – 1947 Berlin
Pencil drawing. Pencil drawing, washed in sepia. Monogrammed with pencil to the lower right. Framed in mat behind glass.
Several tiny fox marks, unprofessional restored to the lower right corner. Remnants of an old mounting to the reverse.
Bl. 49,5 x 34,4 cm.
* Droit-de-suite of 2.00 % applies.
682 Ewald MataréEwald Mataré "Horses on the willow". 1935.
Ewald Mataré 1887 Aachen – 1965 Büderich
Wood cut in colours. Woodcut in redbrown and black on paper. Signed with pencil "Ewald Mataré" to the lower right, numbered 226/250 to the lower left. Annual donation of the Kestner-Gesellschaft Hannover 1953. Framed in mat behind glass. Catalogue raisonné Peters 239, mataré 328.
Beautyfull print with wide edges. Inconspicuous wrinkles to the etches.
Stk. 12,6 x 33,3 cm, Bl. 29,8 x 49,2 cm.
* Droit-de-suite of 2.00 % applies.
741 Peter Makolies"Standing female nude". 1992.
Peter Makolies 1936 Königsberg / Ostpreußen
Bronze, black and fractional with green patina. Verso monogrammed, dated, numbered and stamped "PM".
H. 24,3 cm.
742 Hans Alexander Müller(attrib.) "Voltaire". Around 1900.
Hans Alexander Müller 1888 Nordhausen – 1963 New Milford (Connecticut)
Cast - bronze with black patina. Signed "H. Müller" to the back. Mounted to a marble base.
H. 29 cm, 36 cm (mit Sockel).
* Droit-de-suite of 2.00 % applies.
891 Rare serpentine drinking vessel. Probably Southgerman. 19th cent. 19th cent.
Alpine serpentine, gilded sterling silver.
Tiny chip to the serpentine.
H. 15 cm, D. Mündungsrand 10,5 cm.
938 Large lidded electors beaker. German or Northbohemian. Late 19th cent. Late 19th cent.
Uncoloured glass. Cylindrical body painted with the enthroned emperor and seven electors with coat of armes and date "1616" in polychrome enamel coloures.
Lit.: Spiegl, W.: Glas des Historismus. Braunschweig, 1980. S. 252, Abb. 302.
H. 42 cm.
947 Art Nouveau vase. Désiré Christian, Meisenthal/ France. Ca. 1905.
Désiré Jean Baptiste Christian 1846 Lemberg (Moselle) – 1907 Meisenthal
Uncoloured glass, melted on with turquoise blue, olive green, amber coloured and ochre glass. The body etched and cut with a blooming bearbind sprig, partly polished. Signed to the base "D. Christian Meisenthal / Loth".
Tiny scratches to the reverse surface.
H. 33 cm.
1014 Baroque splendour frame. Southgerman. Ca. 1760.
Basewood, carved and gilded. With floral, volute and styilised shell decor.
Falzmaß: 55,2 x 70,5 cm, Ra. ca. 73 x 88 cm.
1021 Chair. Studio of F.G. Hoffmann, Lipsia (attrib.). Ca. 1820.
Cherrywood. The back with carved acorn-leaf-decor. Trapezoid seat. Tapered square feet.
H. 86 cm, Sitzhöhe 46 cm.
1029 Small neobaroque chest of drawers. Ca. 1870.
Walnut and wolnut burt wood veneer on soft wood. Gilded bronze handles and fittings, original locks and key.
Small chip to the front of the slab.
H. 82 cm, B. 57 cm, T. 42 cm.