HIGHLIGHTS
AUCTION 33 | 15. September 2012 |
009 Johann Anton Castell, View on Dresden at sunset. 1848.
Johann Anton Castell 1810 Dresden – 1867 ebenda
Oil on canvas, additionally clad on plywood. Ligated signature "A. Castell" bottom left, dated. Broad, moulded gilded frame with decor band.
Finish slightly yellowish. Paint layer with inpaintings in the sky and in the section of the right bank.
Firnis unscheinbar gegilbt. Malschicht mit Retuschen in der Himmelpartie und am rechten Ufer.
32,2 x 48,4 cm, Ra. 43,5 x 59 cm.
012 Christian Friedrich Gille, Tree study. 1855.
Christian Friedrich Gille 1805 Ballenstedt/Harz – 1899 Dresden
Oil on paper completely mounted on thin paperboard. Unsigned. Numbered in ink "N.6" bottom right. Framed in a 19th century Berliner Leiste. Metal label with the designation "Christian Friedrich Gille 1805-1899".
Paint layer with partially with smaller paint loss. On the margins minimal traces of lacquer. Inpaintings in the corners as well as alongside the upper tree trunks. Each corner with minimal drawing-pin hole. Margins with smaller lesions and four major cracks, fixed with the
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26 x 18,6 cm, Ra. 33 x 26,2 cm.
021 Mihály von Munkácsy, Side-face portrait of an elderly peasant woman. 1870's.
Mihály von Munkácsy 1844 Munkács – 1909 Endenich
Oil on canvas. Signed "Munkácsy" bottom left. In an opulent, gilded stucco frame. Paint layer with minimal loss of paint top right, the varnish partially with blemishes. Canvas especially on the margins partially with slight distortions and dents.
Mihály Munkácsy zählt heute zu den bedeutendsten Malern in der ungarischen Kunstgeschichte des 19. Jahrhundert. Bereits zu Lebzeiten erlangte er mit seinen dramatisch patriotischen Genreszenen aus dem ungarischen Volksleben, religiösen
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68,5 x 55 cm, Ra. 100 x 87 cm.
031 Rudolf Ausleger, Composition with heads. 1929.
Rudolf Ausleger 1897 Weißenfels – 1974 Berlin
Tempera on cardboard. atop graphite. Signed "Ausleger" bottom right, dated. Framed behind glas in a broad wooden frame. Cardboard slightly rippled.
Malträger leicht wellig.
47,4 x 34,5 cm, Ra. 59 x 46 cm.
* Droit-de-suite of 2.00 % applies.
035 Ernst Burmester, Portrait of a sheperd. 1900.
Ernst Burmester 1877 Ratzeburg – seit 1917 im Felde vermißt
Oil on canvas. Signed "E. Burmester" bottom right. Stretcher verso, bottom right and bottom left designated "Burmester" in pencil. Furthermore designated "EB 121" in black centre right and "München" centre left. With two bonded paper labels designated "Stadt Ratzeburg" and "Grossen Berliner Kunstausstellung" with the numbering "1708". In addition verso labelled "Münchner Sezession" top right and centre left with remains of the 1913 Munich Glaspalast-exhibition label. In a gilded, moulded
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102 x 151 cm, Ra. 168 x 117,5 cm.
049 Hermann Glöckner, Triple-broken wedge on black. 1952.
Hermann Glöckner 1889 Cotta/ Dresden – 1987 Berlin (West)
Tempera. Black grounded cardboard. Tempera and silver colour atop pencil. The upper margin red-brown. Verso red-brown coloured, the bottom margin black. The bottom and lateral edges black, the upper edge red-brown. Verso the monogram "G" in various shades of grey. Dated and designated in pencil by Frieda Glöckner (?) "WÜNSCHEN VIEL GUTES" (With best wishes"). Framed in the artist's frame behind glas. Board-like piece of work, compare catalogue raisonné WVZ Dittrich 85 A and nearly identical
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14 x 25,5 cm, Ra. 15,2 x 26,5 cm.
* Droit-de-suite of 2.00 % applies.
057 Josef Hegenbarth, In front of the carousel. 1948.
Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz
Distemper. Paste colour and water colour on firm vellum. Signed "Josef Hegenbarth" bottom right. Verso a scene from "Knüppel aus dem Sack" (Cudgel in the Sack) in the same technique. Mounted in mat and framed between two glas panels in a wooden frame. Catalogue raisonné WVZ Zesch B III 790.
Paint layer in the top left section of the carousel with minimal reticulation.
Das bunte Treiben der jährlich belebten Volksfeste auf der Vogelwiese in Dresden mit ihren allzeit beliebten
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BA 38,5 x 33,8 cm, Ra. 52 x 46,3 cm.
* Droit-de-suite of 2.00 % applies.
066 Herbert Kitzel, Sitting harlequin resting his head on his right hand. 1957.
Herbert Kitzel 1928 Halle (Saale) – 1978 Karlsruhe
Oil on fibreboard. Unsigned. In a black shadow gap frame. Catalogue raisonné WVZ Franzke 380.
Paint layer bottom right with brownish traces of fluid. A subtle, diagonal scratch mark in the upper section of the picture. Corners inconspicuously knocked.
Bis Anfang der 1960er Jahre bilden Gaukler- und Artistenmotive das werkbestimmende Thema in Kitzels Gemälden. Sie geben dem Künstler die Möglichkeit, sich mit kritischem und ironischem Blick der Wirklichkeit zu stellen und verbergen
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119 x 80 cm, Ra. 123 x 83,7 cm.
072 Wilhelm LachnitStill life with camellia and sculpture of Christ. Around 1947.
Wilhelm Lachnit 1899 Gittersee/Dresden – 1962 Dresden
Oil on canvas. Signed bottom left "W. Lachnit", dated indistinctly. Moulded and gilded wooden frame with slender ornamental Decor band.
Paint layer in the bottom right section of the drapery with minimal colour loss. Partially inconspicuous crackles. Finish partially with minimal voids.
In altmeisterlicher Klarheit wendet sich Lachnit der sparsamen Gruppierung einiger weniger Gegenstände zu, die in ihrer zurückhaltenden und doch meisterhaft ausbalancierten Anordnung und in ihrer
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46 x 64 cm, Ra. 90 x 76,5 cm.
073 Wilhelm Lachnit, Portrait of a gentleman. Around 1945.
Wilhelm Lachnit 1899 Gittersee/Dresden – 1962 Dresden
Oil on plywood. Signed "Lachnit" bottom right. In red-brown coloured, moulded wooden frame.
Paint layer with three inpaintings in the section of the right hand's fingers. Smaller, threefold crackles in the right section of the backround, ibid. slightly b
Malschicht mit drei Retuschen im Bereich der Finger der rechten Hand. Kleines, dreistrahliges Krakelee im Bereich des Hintergrunds rechts, dort die Malschicht etwas brüchig.
90 x 60 cm, Ra. 107,5 x 77,3 cm.
090 Theodor Rosenhauer"House with angular tower near 'Weißes Roß' in Radebeul in winter. 1958.
Theodor Rosenhauer 1901 Dresden – 1996 Berlin
Oil painting. Oil on rough-textured canvas. Signed "Th. Rosenhauer" bottom left, dated. In a moulded wooden frame. Catalogue raisonné WVZ Werner, addendum.
Paint layer in the upper and lower right section partially slightly brittle. Top right corner with a curved crazing line, bottom right a smaller, slightly frail paint clod.
Malschicht im oberen und unteren rechten Eckbereich partiell mit feinen Brüchen. Ecke o.re. mit einer bogenförmigen Bruchlinie, u.re. eine kleine gelockerte Farbscholle.
40 x 60,5 cm, Ra. 51 x 70 cm.
* Droit-de-suite of 2.00 % applies.
108 Paul Wilhelm "Skating rink". 1930's.
Paul Wilhelm 1886 Greiz – 1965 Radebeul
Oil on canvas. Signed "P. Wilhelm" to the lower right. To the reverse signed once more, titled and numbered "8" to the stretchers frame, with different notations, remainings of a paper label to the lower left.
Painting with slight craquelé. Small retouch over paint damage to the water of the right hand river bend, there a canvas restoration to the reverse.
Malschicht mit leichter Krakeleebildung. Kleine Retusche über einem Farbverlust unterhalb der rechten Flußbiegung im Wasser, verso punktuell hinterlegt. In der Ecke u.li. ein Nagel.
56 x 101,5 cm.
162 Carl Gustav Carus, A swan amidst reed at moonlight, beating its wings. 1852.