016   G. Signni (?) "View of Naples from the tomb of Vergil". No date.

Opaque colours on paper. Signed. Verso old inscribed in sepia: "Napoli dalle Tomba de Virgilio. Nr.1". Framed in mat with glass. Moulded silver-coloured frame. Mounted on original passepartout. Slight moldered to the right border.

12,8 x 33 cm.

033   Josef HegenbarthJosef Hegenbarth "Lieing dog". Ca. 1949.

Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz

Mixed media. With ink signed upper right. Verso with pencil titeled and inscribed "inalienably". Verso: "Market scene". Mixed media. Set into a passepartout, framed behind glass.
Verso remains of an old mounting.
Catalogue raisonné Zesch B V 703.

33,4 x 39,2 cm.

* Droit-de-suite of 2.00 % applies.

035   Gussy Hippold-AhnertGussy Hippold-Ahnert "Lieing nude". 1931.

Gussy Hippold-Ahnert 1910 Berlin – 2003 Dresden

Oil and tempera on wood. Signed and dated bottom left. Verso signed and inscribed by the artist on a paper label. Framed.
Two minor paint defects.
Catalogue raisonné Krella 12.
Gussy Hippold-Ahnert. Menschenbild. Ausstellungskatalog. Coswig, 1997. p. 18.

45 x 67,5 cm.

050   Karl KunzKarl Kunz "Siesta". 1935.

Karl Kunz 1905 Augsburg – 1971 Frankfurt a.M.

Oil on canvas. Signed and dated bottom right. Framed.
Catalogue raisonné Denk/ Krügl 39, not registered in the catalogue raisonné Schmidt.

This painting is one of the 32 paintings which were not destroyed in the Second World War during bombing of Augsburg.

118 x 85 cm.

* Droit-de-suite of 2.00 % applies.

083   Grigorij Anikjeitsch Katschaloff "Vue des bords de la Neva en descendant la riviere entre le Palais". 18./ First half 19. century.

Grigorij Anikjeitsch Katschaloff 1711 Russland – 1761 ?

Coloured enraving. Inscribed in russian, titled and inscribed "d' hyver de sa Majesté Imperiale & les batimens de l' Academie des Sciences". Framed in mat with glass. Expanded stillage with golden band.

Restored tear to the left edge (outside the illustration). Humidity damage to the left edge of illustration (see detailed photo), edges of the sheet with minor traces of dust. Verso bottom edge of paper with damage due to an old mounting. Mat renewed.

Pl: 51 x 69 cm, Bl. 55,5 x 77 cm.

084   Grigorij Anikjeitsch Katschaloff "Vue de l' Amiranté et les Environs". 18./ First half 19. century.

Grigorij Anikjeitsch Katschaloff 1711 Russland – 1761 ?

Coloured enraving after a painting of M. I. Machajeffs. Inscribed in russian. Next to an emblem is the russian title and the french one. Framed in mat with glass. Expanded stillage with golden band.

Restored tear to the right edge (out of the illustration). Bottom right corner with crinkle (outside the illustration). Edges of the sheet with minor traces of dust. Verso bottom edge of paper with damage due to an old mounting. Mat renewed.

Pl: 50,6 x 70,4 cm, Bl. 55,9 x 75,7 cm.

333   Hans Körnig "Die Graphikausstellung". 1955.

Hans Körnig 1905 Flöha – 1989 Niederwinkling

Pl. 32,7 x 24 cm, Bl. 53 x 39,5 cm.

344   Otto Paul LangeOtto Lange "The lost son". 1916.

Otto Lange 1879 Dresden – 1944 ebenda

Expressive wood cut. Signed and inscribed "Hand-Selbstdruck" in pencil. Framed in mat with glass. Golden molded stillage.
Minimal traces of crinkles.

32 x 22,5 cm (Stock).

452   Unbekannter Künstler "Zeichenklasse Richard Müller- Kunstakademie Dresden". 1927/28.

Signed in pencil

17,4 x 19,9 cm.

477   Horst Antes "Head". 1970's.

Horst Antes 1936 Heppenheim

Pl. 62,5 x 55,5 cm, BA. 70,3 x 61 cm.

* Droit-de-suite of 2.00 % applies.

511   Josef Hegenbarth "Scene of a Karl May illustration". Ca. 1935.

Josef Hegenbarth 1884 Böhmisch Kamnitz – 1962 Dresden-Loschwitz

Brush-drawing. Signed in pencil. Verso another illustration "attack". Out of the 28 illustrations to the "Schatz im Silbersee" of Karl May, capitell 4. In original mat of the artist. There handwritten titled by the artist.
Slight minor damages, tidy tear to lower right conor.
Catalogue raisonné Zesch D VII 678.110, Catalogue Klingspor Museum Offenbach; Galerie Zwang Hamburg: "Josef Hegenbarth zum 25. Todestag". 1987. p. 192.

20,8 x 30,8 cm.

* Droit-de-suite of 2.00 % applies.

694   Otto PilzOtto Pilz "Monkey with Mercedes-Star". Not dated.

Otto Pilz 1876 Sonneberg/Thüringen – 1934 Dresden

Bronze with brown patina. Signed to the plinth. Set on a black marble base.
Probably individual edition for the first managing director of the Daimler-Motor-Company in Dresden - Mr. Wilhelm Herzing.

H. 16,5 cm (o. Sockel).

695   Otto Pilz "Radiator mascot - monkey with mercedes-star". No year.

Otto Pilz 1876 Sonneberg/Thüringen – 1934 Dresden

Bronze, black patina. Signed and with dedication "Seinen lieben Herzing" to the plinth. Mounted on original radiator top. This one with small cracks.

H. 13 cm (o. Verschluß).

697   Erich Schmidt-Kestner "Amazon with a horse". No year.

Erich Schmidt-Kestner 1877 Berlin – um 1940 Kassel

Bronze, black-brown patina. Signed on the plinth with the caster-stamp "Aktien-Gesellschaft Gladenbeck-Friedrichshagen".

H. 16,5 cm (mit Plinthe).

701   Gerhard Schliepstein "Seated female nude with scarf". Meißner Ofen- u. Porzellanfabrik vorm. C. Teichert. Ca. 1920.

Gerhard Schliepstein 1886 Braunschweig – 1963 Berlin

Porcelain, white glazed. Manufactory-mark Nr.2 in underglaze-blue to the ground.
Restored left finger.
Teichert-Werke Meißen. Keramik & Porzellan 1863 - 1945. Dresden, 2003. Kat.-Nr. 64, with picture.

H. 16 cm.

822   A Southgerman or Austrian classical chest of drawers. Ca. 1790.

Walnut on softwood. Inlays of maple, rosewood and ebonised maple.
Veneer with minor missings. Back feet with old restoration. Upper left corner of the upper drawer broken.

H. 81,5 cm, B. 78 cm, T. 51 cm.

823   Small German baroque cabinet. 18./19. cent.

Walnut and plume wood on soft wood. Inlays in bone, rosewood and others.
Originally probably set on four ballfeet. Key of the small door lock missing, lock of the base drawer missing. Knob added later.

H. 46 cm, B. 43 cm, H. 29 cm.