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| AUCTION 81 | 08. März 2025 |
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| Auction 81 | 5 results | |
| Catalogue Archive | 2 results |
Hans Poelzig
1869 Berlin – 1936 ebenda
Architekt, Maler, Bühnenbildner. 1889–94 Hochbau-Studium an der Technischen Hochschule Charlottenburg. Ab 1899 Bauasseor im Ministerium der öffentlichen Arbeit Preußen. Ab 1903 Direktor der Königlichen Kunst- und Kunstgewerbeschule Berlin. Ab 1916 Stadtbaurat in Dresden. Ab 1919 Vorsitzender des Deutschen Werkbundes. Ab 1921 wieder in Berlin tätig, dort Leitung des Meisterateliers für Architektur an der Akademie der Künste. Ab 1923 Professor an der Technischen Hochschule Berlin. Ab 1926 Vorstandsmitglied im Bund Deutscher Architekten. 1933 für wenige Monate Direktor der Vereinigten Staatschulen für Freie und Angewandte Kunst, Berlin.
Hans Poelzig 1869 Berlin – 1936 ebenda
Notebooks, each with a wine-red leather cover. 140 and 66 pages respectively. Graphite and occasional coloured pencil drawings as well as handwritten notes on partly lined or squared paper. Unsigned. A book with a calendar of the year 1911. Includes, among other things:- Sketches of residential buildings (Loewenberg / Breslau area?)- Design sketches for the town hall extension in Loewenberg (Silesia)- Building sketches, cf. building cubes with corner rustication (surrounding bank building /
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16,5 x 11 cm / 14,1 x 9,9 cm.
Hans Poelzig 1869 Berlin – 1936 ebenda
Sketchbooks, each in black cardboard cover, staple binding. Each 40 pages with rounded corners, lined paper. Graphite, pencil and occasional coloured pencil drawings as well as handwritten notes. Unsigned.Includes, among other things:- Sketches of residential buildings (Breslau area?)- Sketches of monuments and towers- Design sketches for a monumental theatre / festival hall: see Königliche Oper, Berlin / Großes Schaupielhaus, BerlinLit:On the competition design for the Royal Opera House cf:
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Jeweils 19 x 12 cm.
518 Hans Poelzig Two sketchbooks: Royal Opera in Berlin. Around 1912.
Hans Poelzig 1869 Berlin – 1936 ebenda
Sketchbooks, each in a black cardboard cover, staple binding. Each 50 pages with rounded corners, chequered paper. Chalk, graphite and red chalk drawings as well as handwritten notes. A few unfixed charcoal drawings. Unsigned.Included among others:- Design sketches for the exterior view of the Royal Opera House, Berlin, see Hambrock, pp. 20–25, especially figs. 36 and 37- Sketches for church buildings- Architectural notesOn the competition design for the Royal Opera House in Berlin, cf: Heike
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20,4 x 12,6 cm / 20,7 x 12,6 cm.
Hans Poelzig 1869 Berlin – 1936 ebenda
Sketchbooks, each in a grey-blue cardboard cover, riveted. With 74 and 60 pages respectively. One side with perforation. Each with graphite and occasional coloured pencil drawings and handwritten notes. Unsigned.Includes, among other things:- Design sketches for gravestones and cemetery site plans- Design sketches for the interior design of the Großes Schauspielhaus, Berlin.On tomb and monument art cf: Heike Hambrock: Hans and Marlene Poelzig – Building in the Spirit: Architectural
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17,2 x 11,7 cm / 19,3 x 13 cm.
Hans Poelzig 1869 Berlin – 1936 ebenda
Sketchbook with a grey, typographically marked cardboard cover, the block stapled on two sides and perforated, 24 pages. Sketchbook with linen cover, thread binding, 36 pages. Graphite and pencil drawings and handwritten notes. Unsigned.Includes, among other things:- Idea sketches for the exterior of the Salzburg Festival Theatre- Tower sketches, cf. Messe Berlin project, 1st version with two radio towersOn the Festspielhaus Salzburg, cf: Heike Hambrock: Hans and Marlene Poelzig – Building in
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20 x 13 cm / 12 x 18 cm.
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