ONLINE-CATALOGUE
AUCTION 09 | 09. September 2006 |
Paintings 17th-20th cent.
Paintings 20th-21st ct.
Graphic 17th-20th ct. - Colour
Graphic works 17th-19th cent.
Graphic works, 20th-21st ct.
Photography
Volumes, Books
Graphic works 20th ct. - Colour
European Glass
Sculptures
European Porcelain
Silverware
Tin / Metals
Asian Art
Jewellery / Accessoires
Miscellanea
Lamps
Frames
Furniture / Fittings
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532 Miroslav Knap "Mutant I.". No year.
Miroslav Knap 1973 Trstená – lebt in Tvrdošín
Pen-drawing on buff coloured paper. Verso rests of an old mounting, slight visiual at the frontside.
Minimal traces of crinkles. Tidy tear (0,3cm) to the left edge.
29,7 x 21,1 cm.
533 Miroslav Knap "Mutant II.". No year.
Miroslav Knap 1973 Trstená – lebt in Tvrdošín
Pen-drawing. Rub out signature.
Minimal traces of crinkles and fingerprints. Small tear (1,5 cm) to the right edge. Verso rests of an old mounting.
29,1 x 21 cm.
534 Käthe Kollwitz "Half length portrait of a working woman with a blue scarf". 1903.
Käthe Kollwitz 1867 Königsberg – 1945 Moritzburg
Coloured lithograph on buff coloured cardboard. Not signed. Sheet out of the year folder of the community of art Wien, 1906.
Minimal traces of crinkles to the lower corners.
Catalogue raisonné Klipstein 68, Knesebeck 75 IIIb.
35,4 x 24,5 cm.
* Droit-de-suite of 2.00 % applies.
535 Käthe KollwitzKäthe Kollwitz "Prisoners, listening to music". 1925.
Käthe Kollwitz 1867 Königsberg – 1945 Moritzburg
Lithograph. With pencil signed bottom right. Set into a passepartout, framed behind glass.
Catalogue raisonné Knesebeck 223 IIIa, Catalogue raisonné Klipstein 203 IIa.
33,4 x 32, cm.
* Droit-de-suite of 2.00 % applies.
536 Johannes Kühl "flowers". 1960.
Johannes Kühl 1922 Dresden – 1994 Bautzen
Watercolour on very thin Japanese paper. Framed in mat with glass. Anthracite coloured clip-on picture frame.
Wavy sheet with creases. Some small defects on the paper to the edges.
Catalogue raisonné Leonhardi-Museum: "Malerei". Dresden, 1997, with illustrations.
26 x 34 cm.
537 Thilo Maatsch "Not titled". 1927.
Thilo Maatsch 1900 Braunschweig – 1983 Königslutter
Collage on buff coloured paper. Monogrammed in pencil. Verso signed and dated in pencil.
Slight dusty.
Darst. 31,5 x 36,5 cm, Bl. 37,8 x 50,2 cm.
538 Thilo Maatsch "Not titledl". 1954.
Thilo Maatsch 1900 Braunschweig – 1983 Königslutter
Watercolour. Monogrammed and dated in pencil. In the mat.
34,7 x 45 cm.
539 Thilo Maatsch "Gute Wünsche". 1981.
Thilo Maatsch 1900 Braunschweig – 1983 Königslutter
Pl. 14,3 x 9,7 cm, Bl. 20 x 20 cm.
540 Moritz Melzer "Women in landscape". Ca. 1920.
Moriz Melzer 1877 Albendorf/Schlesien – 1966 Berlin
Coloured monotype on Japanese paper. Signed. In the mat.
Slight frayed edges. Minimal traces of crinkles and small tears to the lower right conor. Three tears (1cm) to the lower edge. Minimal hole (0,5cm) to the left side of the illustration.
55,5 x 45 cm.
541 Moritz Melzer "Birth of Christi". Ca 1920.
Moriz Melzer 1877 Albendorf/Schlesien – 1966 Berlin
Coloured monotype on Japanese paper. In the mat.
Cut to the plate border. Some patches with flaking colours. Tidy hole (0,2cm) to the right edge.
Pl. 49 x 36,4 cm.
542 Harald Metzkes "Zirkus". 1987.
Harald Metzkes 1929 Bautzen – lebt in Altlandsberg
St. 55,5 x 40 cm, Bl. 70 x 50 cm.
* Droit-de-suite of 2.00 % applies.
543 Harald Metzkes "Am Strand". 1987.
Harald Metzkes 1929 Bautzen – lebt in Altlandsberg
St. 26,5 x 35,5 cm, Bl. 32 x 39,5 cm.
* Droit-de-suite of 2.00 % applies.
544 Harald Metzkes "Still live with jug and fruits". 1988.
Harald Metzkes 1929 Bautzen – lebt in Altlandsberg
46,5 x 60,5 cm.
* Droit-de-suite of 2.00 % applies.
545 Harald Metzkes "Not titled". 1980.
Harald Metzkes 1929 Bautzen – lebt in Altlandsberg
St. 37 x 49 cm, Bl. 50 x 61 cm.
* Droit-de-suite of 2.00 % applies.
546 Harald Metzkes "Porträt". 1977.
Harald Metzkes 1929 Bautzen – lebt in Altlandsberg
Pl. 18 x 17 cm, Bl. 36 x 26,5 cm.
* Droit-de-suite of 2.00 % applies.
547 Edith Meyer von Kamptz "Landscape on the Darß at sunset". No date.
Edith Meyer von Kamptz 1884 Minden – 1969 Uchte
36 x 47,5 cm.
548 Maurilio Minuzzi "Hommage à Magritte". 1976.
Maurilio Minuzzi 1939 Pramaggiore – 2017 ?
Farbradierung auf Bütten. Im Stein signiert, datiert und betitelt u.Mi., bezeichnet "Ceci n'est pas une pomme" o.Mi. In Blei signiert und datiert u.re., nummeriert 4/200 u.li. Hinter Glas gerahmt. Goldbronzierte, profilierte Holzleiste.
Mäßig stockfleckig.
Pl. 49,5 x 40 cm, BA. 64,5 x 49,8 cm.
549 Richard Müller "Well at the Dinglingerhouse". 1896.
Richard Müller 1874 Tschirnitz/Böhmen – 1954 Dresden-Loschwitz
Chalk-drawing on brown coloured paper. Signed and dated in pencil. Framed in mat with glass. Small, gold coloured, stucco-stillage.
Sheet with some larger water-spots inside the illustration.
The illustration was released to the magazine "PAN" 2/1896.
Ba: 56 x 33,5 cm.
* Droit-de-suite of 2.00 % applies.
550 Akkitham Narayanan "Not titled". 1972.
Akkitham Narayanan 1939 Kerala (Indien)
Gouache. Signed and dated in ink. In a black stillage.
Minimal tear (1cm) to upper and lower edge. Tidy flaking patches of the colour to upper right edge.
BA: 33 x 29 cm.
552 Hermann Naumann "Zu Oskar Panista: Der Kasettenfritz". 1991.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
St. 33 x 23,5 cm, Bl. 53,6 x 39,7 cm.
553 Hermann Naumann "Ohne Titel ". 1991.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
St. 39,5 x 27 cm, Bl. 53,6 x 39,7 cm.
554 Hermann Naumann "Verführung". 1987.
Hermann Naumann 1930 Kötzschenbroda (Radebeul) – lebt in Dittersbach
St. 34,5 x 25,5, Bl. 49 x 33,8 cm.
556 Hanns Oehme "Set of 6 watercolours". Ca. 1933.
Hanns Oehme 1899 Dresden – 1944 vermisst, wohl gefallen
Watercolours on hand-made paper with motives of ships, sea and fjords. Illustrations developed from a journey of the artist from Cuxhaven to the fjords of Norway. Signed.
Slight wavy and dusty edges. One sheet with minimal tears.
Verschiedene Maße.
558 Hermann Max Pechstein "Ausstellungskatalog Städtisches Museum Zwickau". 1947.
Hermann Max Pechstein 1881 Zwickau – 1955 Berlin
14,7 x 16,8 cm.
* Droit-de-suite of 2.00 % applies.
559 Kurt Pesl "Winterly quarry". 1978/2000.
Kurt Pesl 1925 Weida/Thüringen
Mixed media on paper. Signed and dated.
Tidy drawing pin holes to the corners. Minimal tears traces of crinkles to two corners. Verso rests of an old adhesive.
29,5 x 41,5 cm.
560 Max Pfeiffer-Watenpfuhl "Bouquet of flowers". 1966.
Max Peiffer-Watenphul 1896 Weferlingen – 1976 Rom
Coloured lithograph on hand-made paper. Signed and numbered 40/60. Framed in mat with glass. Ornamental, gold-bronzen stillage.
39,8 x 27,2 cm.
562 Georg Richter-Lößnitz "Meißen-Hohlweg". 1929.
Georg Richter-Lößnitz 1891 Leipzig – 1938 Großenhain
Mixed media (watercolour, coloured chalk). Signed and dated. In the mat.
All-side rests of an old mounting. Tidy drawing pin holes to the edges.
Darst. 37 x 16 cm, Bl. 40,3 x 19,4 cm.
563 Georg Richert-Lößnitz "On the swing". 1930.
Georg Richter-Lößnitz 1891 Leipzig – 1938 Großenhain
Opaque colour. Signed and dated in pencil. Titled in pencil on the mat. Mounted on paper.
36,3 x 26,5 cm.
564 Georg Richter-Lößnitz "Contact by the bath". 1929.
Georg Richter-Lößnitz 1891 Leipzig – 1938 Großenhain
Opaque colour on brown paper. Signed and dated in pencil. Inscribed on the mat. Mounted on paper.
Rests of an old mounting to the upper area of the illustration. Minimal tear (1,5cm) to the upper corners. Two tidy tears (0,5cm) to the upper edge.
Darst. 22 x 29,7 cm, Bl. 27 x 34,3 cm.
565 Georg Richter-Lößnitz "Landschaft". No date.
Georg Richter-Lößnitz 1891 Leipzig – 1938 Großenhain
Pl. 24,5 x 35,5 cm, Bl. 31,8 x 41,7 cm.
566 Georg Richter-Lößnitz "Aus dem Erzgebirge". 1923.
Georg Richter-Lößnitz 1891 Leipzig – 1938 Großenhain
Pl. 20,1 x 24,8 cm, Bl. 29,6 x 42,3 cm.
567 Hubert Rüther "Lute playing moor ". Ca. 1930.
Cornelia Schleime 1953 Berlin
Watercolour. Signed in pencil. Framed in mat with glass. White stillage.
23,5 x 14 cm.
568 Ernemann Sander "Hafen von San Vigilio". No date.
Pl. 23,8 x 18 cm, Bl. 29,5 x 23 cm.
570 Hedwig Schröder "The last flowers of the paradise". 1905.
Linocut on Japanese paper. Signed, dated, titled and inscribed "Handdruck 30/50" in pencil. Framed in mat with glass. Gold coloured clip-on picture frame.
Minimal traces of crinkles.
Pl. 24 x 65,6 cm, BA. 26,7 x 68 cm.
571 Friedrich Schröder-Sonnenstern "Flight of the shrew". 1973.
Friedrich Schröder-Sonnenstern 1892 Kaukehmen bei Tilsit – 1982 Berlin
Coloured lithograph. Signed, dated, titled, monogrammed and numbered 59/100 in pencil. Framed in mat with glass. Dark stillage with gold plate.
St. 57,5 x 84,5 cm, BA. 60,2 x 87 cm.
* Droit-de-suite of 2.00 % applies.
572 Gertrud Schäfer "Wiesenthal/ Spessart". 1907.
Gertrud Schäfer 1880 Loth (bei Brüssel) – 1945 verm. Dresden
Coloured lithograph. Signed, dated and titled in pencil. Framed in mat with glass. Green stillage.
Minimal mildewed and traces of crinkles outside the illustration. Tidy drawing pin holes to the corners. Two minimal tears (0,8cm) to the upper edge.
St. 42,7 x 51,5 cm, Bl. 46,3 x 64 cm.
573 Gertrud Schäfer "Landscape of the river Elbe by Heidenau". Ca. 1910.
Gertrud Schäfer 1880 Loth (bei Brüssel) – 1945 verm. Dresden
Gouache on paper. Signed in pencil. Mounted on cardboard and mat.
Two minimal tears (0,4cm) to the lower edge.
44 x 39 cm.
574 Gertrud Schäfer "Crop". No year.
Gertrud Schäfer 1880 Loth (bei Brüssel) – 1945 verm. Dresden
Watercolour on buff coloured paper. Signed in pencil. Framed in mat with glass, Brown stillage.
Tidy traces of crinkles to the lower edge.
34 x 41,8 cm.
575 Gertrud Schäfer "Sparsely wood behind fields". 1904.
Gertrud Schäfer 1880 Loth (bei Brüssel) – 1945 verm. Dresden
Crayon-drawing. Signed and dated in pencil. Framed in mat with glass. Gold coloured, ornamental stillage.
BA: 45,2 x 61 cm.
576 Gertrud Schäfer "Landscape". No year.
Gertrud Schäfer 1880 Loth (bei Brüssel) – 1945 verm. Dresden
Chalk-drawing. Signed in pencil. Large stillage with gold plate.
Minimal wavy sheet. Tidy freckles lower right.
BA: 40 x 55 cm.
* Droit-de-suite of 2.00 % applies.
* Droit-de-suite of 2.00 % applies.
580 Max Schwimmer "At the exhibition". No year.
Max Schwimmer 1895 Leipzig – 1960 ebenda
Ink-drawing on light darkened paper. Signed.
Edges light wavy. Three tidy freckles (0,4cm) to the upper border.
Darst.16,8 x 19,5 cm, Bl. 20,5 x 28,5 cm.
* Droit-de-suite of 2.00 % applies.
581 Max Schwimmer "Der Jugend der Welt". No date.
Max Schwimmer 1895 Leipzig – 1960 ebenda
Pl. 16,3 x 12 cm, Bl. 25 x 19 cm.
* Droit-de-suite of 2.00 % applies.
582 Max Schwimmer "Vier Geburtsanzeigen". 1940/1948.
Max Schwimmer 1895 Leipzig – 1960 ebenda
Radierungen. Drei Blätter in derr Platte signiert und datiert. Ein Blatt in Blei signiert, bezeichnet "Für meine Ilke" u.Mi., nummeriert 0/50 und in der Platte datiert und monogrammiert u.re. Alle Blätter verschieden in der Platte mit der Geburtsanzeige bezeichnet.
Verschiedene Maße.
* Droit-de-suite of 2.00 % applies.
583 Max Schwimmer "Zwei Neujahrsgrafiken". 1948.
Max Schwimmer 1895 Leipzig – 1960 ebenda
Verschiedene Maße.
* Droit-de-suite of 2.00 % applies.
* Droit-de-suite of 2.00 % applies.
585 Werner Stötzer "Large nude". 1996.
Werner Stötzer 1931 Sonneberg – 2010 Alt-Langsow/Oderbruch
Etching, watercoloured. Signed and in pencil.
Minimal traces of crinkles.
Pl. 29,5 x 20,5 cm, Bl. 54 x 39,5 cm.
587 Francis Vannerum "Dancing ships". No year.
Francis Vannerum 1944 Hasselt/Belgien
Mixed media on strong hand-made paper. Signed.
57 x 38 cm.
Imre Vidék 1949 Stuttgart – lebt in Düsseldorf
Folder with four coloured serigraph with motives og eagles. Signed and numbered in pencil. Edit of the "Galerie das Lagerhaus".
Verschiedene Maße.
589 Maurice de Vlaminck "Le Hameau près Verneuil". Ca. 1950.
Maurice de Vlaminck 1876 Paris – 1958 Rueil-la-Gadeliére
Handcoloured lithograph after a painting on hand-made paper. Edit of Guy Spitzer, Paris. Signed in the print medium. Numbered 131/250 in pencil.
Minimal crinkle (2cm) to the lower edge.
St. 47,3 x 54,5 cm, Bl. 56,5 x 72,5 cm.
* Droit-de-suite of 2.00 % applies.
590 Frank Voigt "Not titled". 1991.
Frank Voigt 1946 Dresden – lebt ebenda
Collage. Monogrammed and dated. Inscribed "Für Ingrid" in pencil.
Small defects to the upper edge. Minimal traces of crinkles to the lower right corner. Verso rests of an old mounting.
46,8 x 29,8 cm.
* Droit-de-suite of 2.00 % applies.
591 Paul Wunderlich "Olympia". No date.
Paul Wunderlich 1927 Eberswalde/Berlin – 2010 Saint-Pierre- de-Vassols
BA: 64,5 x 49,5 cm.
592 Heinrich Zille "The chimney sweeper is coming!". 1924.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph von light darkened paper. Poem of the chimney sweeper with a illustration of young woman with her child. Framed in mat with glass. Stillage with gold plate. Mounted on paper.
Catalogue raisonné Rosenbach 183.
Darst. 21,5 x 16,3 cm, Bl. 28 x 25 cm.
593 Heinrich Zille "Mrs. Clara". 1919.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph on darkened paper. Lower half of the sheet with a long description.
Diagonally crease to the one-third upper half of the sheet (inside the text area). Corners with small traces of crinkles.
Catalogue raisonné Rosenbach 183.
St. 28,3 x 19,5 cm, Bl. 37,2 x 27 cm.
594 Heinrich Zille "Lene with glass eye - The wife of the director". 1919.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph on darkened paper. Monogrammed, titlled and large description on the print medium.
Minimal tear to the lower edge. Small traces of crinkles to the upper and lower edge.
Catalogue raisonné Rosenbach 85 c.
St. 27,8 x 20,5 cm, Bl. 37,5 x 27 cm.
595 Heinrich Zille "Berlin N.O.". 1919.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Lithograph on darkened paper. Signed and large description on the print medium to the lower edge. .
Minimal dirt and rests of an old integration to the left edge. Traces of crinkles to the upper and lower edge.
Catalogue raisonné Rosenbach 73 c.
St. 25,8 x 19,5 cm, Bl. 37,5 x 28 cm.
596 Heinrich Zille "Pregnant mother with two childrens in her arms, by rain". 1919.
Heinrich Zille 1858 Radeburg b. Dresden – 1929 Berlin
Coloured chalk over lithograph on light darkened paper. Signed on the print medium. Framed in mat with glass. Black, gold coloured stillage.
Minimal mildewed.
Catalogue raisonné Rosenbach 59 c.
BA: 27 x 19,5 cm.
597 Unknown artist "Summer/ winter". 20th century.
Two pochoir-prints on buff coloured paper. Framed in mat with glass. Molded, coloured plastic rail.
37,3 x 23,3 cm.
598 Unbekannter Künstler "Pillnitz Weinbergsweg". No date.
20,8 x 29,8 cm.
599 Unknown artist (Kreller?) "In the rowboat". No year.
Coloured chalk drawing. Framed in mat with glass. Molded stillage.
Minimal traces of crinkles. Small tear (3,5cm) to the upper left corner.
BA: 46,8 x 36,5 cm.
600 Unknown artist (Kreller?) "Not tilted". No date.
Coloured chalk drawing. Framed in mat with glass. Molded stillage.
Tidy tear (0,3cm) to the upper edge. Slght dirty mat.
39,3 x 30 cm.
601 Wiener Werkstätten "Postcard N°. 1003". No date.
Lithograph. Unused postcard. Inscribed "Direktor Erich Kreitner" in ink. Verso inscribed "Wiener Werkstätte N°. 1003."
Tidy freckle (0,1cm) upper right.
14 x 9 cm.
602 Maria Likarz, Wiener Werkstätte "Postcard N°. 885". No date.
Coloured lithograph. Unused postcard. Verso inscribed "Wiener Werkstätte N°. 885".
14 x 9 cm.
603 Karl Schwetz, Wiener Werkstätte "Krems - Hotel Post". No year.
Coloured lithograph. Unused postcard. Signed and inscribed "Krems", "Hotel Post" on the print medium. Verso inscribed "Wiener Werkstätte N°. 718.".
Minimal dusty.
14,3 x 9 cm.
610 Saltcellar. Silber setting. Ca. 1900.
Cobalt blue glass inset. Open work silver setting. Not hallmark.
Cellar with breakage, a part of on ribbon quarried out.
B. 7,6 cm, H. 5,2 cm, T. 5,3 cm.
611 Lampe base. Legras & Cie., Verreries de Saint-Denis, France. Ca. 1910.
Rosé-coloured glass. Bulbous form with short neck and horicontal rim. Stained glass with flowering twigs, violet painted. The wall with signature. Founded metal base. Lampshade holder in brass. New electrified.
H. 86 cm.
612 Wine glass. Fratelli Fuga, Murano/ Italy. Ca. 1950.
Clear glass and red-coloured glass, violet iridescent. Wall illustrated with a dancer.
H. 19 cm.
613 Fratelli Fuga "La Banca Rella". No date.
Oil on wood. Not signed. Probably preliminary work for a window (?). Verso another oil study.
19,8 x 14,6 cm.
614 Tumbler. Fratelli Fuga, Murano/ Italy. Ca. 1950.
Lightly green-toned clear glass. The wall with underwater-landscape, engraved and with enamel in red, white and green. Planar base.
Minimal scratch to the rim.
H. 10,5 cm.
615 Vase. Fratelli Fuga, Murano/ Italy. Ca. 1950.
Uncoloured glass. Cylindrical corpus, slightly opening to the rim. The body painted with stylised dragons of red, white, green and dark grey enamel.
White painted enamel trademark to the bottom (flash of lightning with the letters F F to each side), original label: Made in Italy F F.
H. 20,5 cm.
616 Vase. Anzolo Fuga, A.v.e.M., Murano/ Italy. 1955.
Anzolo Fuga 1914 Murano – 1998 ?
Uncoloured and orange glass. Of cylindrical shape, wavy rim. The lower part of the body with three ribbons of smelted murrines of green and black coloured glass.
Probably part of the decoration of the Shah of Persia.
Two minor chips to the rim, minimal scratches to the rim.
H. 30,5 cm.
Peter Shire 1947 – lebt in L.A.
Uncoloured glass, multicoloured smeltings. Threepart body with conical base. Shank with "Looping", funnel-formed upper part. Signed and numbered to the base: Peter Shire Vistosi 1/4.
Shape to the lower part with chip.
H. 74 cm
618 Vase. Barovier & Toso, Murano/ Italy. 1936.
Uncoloured glass. Funnel-formed corpus, two-sided flattened with spiral relief wall. Round base. Sidwise handles in form of flowering twigs, calyxes with gold smeltings.
One flowering twig with stress crack, the other handle detached (probably previously remounted with glue).
H. 25 cm.
619 Vase object. David Palterer, Murano/ Italy. 1980es.
Rosé-toned clear glass with ruby coloured smelting. The wall with three small notches. Smelted rodes, intersected. Irregular, funnel-formed rim. Baluster shape, round base.
H. 27,5 cm.
620 Small bowl "Siderale". Flavio Poli, Seguso Vetri d'Arte, Murano/ Italy. Ca. 1952.
Emerald-green and ochre toned glass, concentrical form. Lenslike, platy throughed form.
Two slight stress cracks to the outer margin.
D. 14,2 cm.
621 Small bowl "siderale". Flavio Poli, Seguso Vetri d'Arte, Murano/ Italy. Ca. 1952.
Flavio Poli 1900 Choggia – 1984 Venedig
Olive green and beige brown coloured glass, smelted in concentrical rings. Of circular, lenslike shape. Original label.
With minor tension crack.
H. 3,2 cm, D. 15,3 cm.
622 Small bowl Sommerso. Flavio Poli for Seguso VetriArte, Murano/ Italy. 1954.
Flavio Poli 1900 Choggia – 1984 Venedig
Mauve toned, thick-walled glass. Oval shape. Funnel-formed corpus, two-sided flattened, with cobalt blue and violet smeltings. The wall with original adhesive label: SEGUSO MURANO MADE IN ITALY.
Minimal scratch mark.
H. 16,5 cm.
623 Lamp base Sommerso. Flavio Poli for Seguso VetriArte, Murano/ Italy. 1950es.
Sprucegreen toned glass with amber smelting. High, cylindrical corpus, base with circular aperture for the lamp installation. The wall with original adhesive label: SEGUSO MURANO MADE IN ITALY, handwritten numbered: 132 o. 2/ 47.
H. 47 cm.
624 Vase. Stefano Toso, Murano, Italy. Modern.
Stefano Toso 1958 Venedig
Blue smelting, gold adorned, covered by thick-walled clear glass corpus. Channelled, cylindrical form with twelvefold nipped rim. Planar base with scored signature "Toso Murano".
Slight scratch to the base.
H. 31,2 cm, D. 17,5 cm.
625 Vase. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Thick-walled clear glass with magenta-coloured smelting, golden adorned. Channelled, cylindrical form with twelvefold nipped rim. Planar base with scored signature "Toso Murano".
Slight chip to the rim.
H. 31 cm, D. 18,5 cm.
626 Vase. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Blue toned clear glass with fused-in polychromed bands and murines. Funnel-formed corpus, turquoise rim. Planar base.
Slight scratch to the base.
H. 20 cm.
627 Vase. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Thick-walled clear glass with blue smelting and irregular penetrated blebs. Tulip-formed, channelled corpus. Planar base.
H. 36 cm.
628 Glass object. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Oval, organic clear glass corpus with two small centrical notches, diamond-formed. Cobalt blue smelting, silver adorned, with any blebs. Round base, black toned, attached.
H. 67 cm.
629 Big fish. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Oval, heavy clear glass corpus. Different brown and cobalt blue smeltings in the part of the head and the part of the rear.
L. 54 cm.
630 Small bowl. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Thick-walled clear glass with golden smeltings. The wall sixfold hunched, sixfold nipped rim, spiry stand.
H. 14,5 cm, D. 18,5 cm.
631 Fish. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Uncoloured glass. Black glass band smelted in lance-form. Blue glass band spiry smelted to the front part of the body.
H. 10 cm, L. 54 cm.
632 Small bowl. Stefano Toso, Murano/ Italy. Modern.
Stefano Toso 1958 Venedig
Thick-walled clear glass with blue-coloured smelting, golden adored. The wall sixfold hunched, sixfold nipped rim, spiry stand.
H. 14,5 cm, D. 17 cm.
633 Vase. Stefano Toso, Murano/ Italy. 1980es.
Stefano Toso 1958 Venedig
Thick-walled clear glass with yellow-coloured smelting and irregular blebs. Cylindrical, channelled corpus with extended rim. Sidewise moulded band overlays, golden adored. Planar base with scored signature "Toso Murano".
H. 33,5 cm.
634 Ceiling lamp "cattedrale". Pollio Perelda for Fratelli Toso, Murano/ Italy. 1957/60.
Pollio Perelda 1915 ? – 1984 ?
Coloured glass. Cylindrical corpus. Smelted murrines and plates of violet, orange, turquoise and cobalt blue glass.
H. 42 cm (o. Aufhängung), D. 36 cm.
635 Vase. Francesco Badioli, Murano/ Italy. Modern.
Francesco Badioli 1969 Venedig
Clear glass corpus, irregular melted with polycrome glass. Cylindrical relief wall, threefold nipped rim. Base with scored signature "Badioli".
H. 30,5 cm.
636 Vase. Vetreria Vistosi, Murano/ Italy. 1980es.
Clear glass corpus with brown smelting. Cylindrical form with large, horicontal rim.
H. 20 cm.
637 Vase Pulegoso. Seguso Vetri DArte. 1945.
Heavy, uncoloured glass with white smelting and blister smelting. Bulbous corpus with cylindrical neck. The wall with original adhesive label: SEGUSO MURANO, handwritten numbered H 15.
H. 21 cm.
638 Vase Pulegoso. Seguso Vetri DArte. 1945.
Heavy, uncoloured glass with green smelting and blister smelting. Funnel-formed corpus. The wall with original adhesive label: SEGUSO MURANO MADE IN ITALY. Scored number 133 and original adhesive label with number 133.
H. 19 cm.
639 Wine glass "Mezza filigrana". Seguso Vetri d'Arte, Murano/ Italy. 1980es.
Clear glass. Spiry melted, ment-coloured glass fibres. Grand shaft, red toned with golden geegaw. Original adhesive label: "seguso vetri d'arte, Made in Italy".
H. 26 cm.
640 Wine glass "Avantusti(?)". Murano/ Italy. 1980es.
Clear glass. Shaft in form of a curved stalk with white glass fibres and polychrome applications in form of blossoms and leafs. Original adhesive label: "seguso vetri d'arte, Made in Italy".
H. 23,2 cm.
641 Centrepiece. Seguso Vetri d'Arte, Murano/ Italy. 1980es.
Three-storey construction with uncoloured glass. Over the bell-shaped base a bulbous shape with blue toned applications of blossoms, above moulded bowl with large rim. Applications melted. Original adhesive label: "seguso vetri d'arte, Made in Italy".
H. 17,2 cm, D. 23,5 cm.
642 Small bowl "Mezza filigrana". Seguso Vetri d'Arte, Murano/ Italy. 1980es.
Hemispherical clear glass corpus with three wide glass bands, melted with circular glass fibre in pink, yellow and orange. The wall with original adhesive label "seguso vetri d'arte, Made in Italy.".
H. 13 cm, D. 22,5 cm.
643 Vase. Seguso Vetri DArte, Murano/ Italy. Ca. 1960.
Heavy, lightly azure toned glass. Baluster-formed corpus with horicontal rim. The wall with reticulate, irregular oxide smeltings.
H. 34,5 cm.
644 Vase "Al scavo". Vetreria Gino Cenedese, Murano, Italy. 1960es.
Pink toned clear glass corpus, opaque etched, with cylindrical, trumpet neck and horicontal rim. Partially brown-black oxide smeltings. Base with scored signature "Cenedese".
H. 42,8 cm.
645 Vase "Al scavo". Vetreria Gino Cenedese, Murano/ Italy. 1960es.
Violet toned glass with bulbous corpus, opaque etched. Narrow neck and horicontal rim. Base with scored signature "Cenedese".
H. 25 cm.
646 Vase "Al scavo". Vetreria Gino Cenedese, Murano/ Italy. 1960es.
Opaque etched clear glass corpus. Cylindrical form with trumpet neck and horiconatel rim. Base with scored signature "Cenedese".
Minimal scratches.
H. 42,8 cm.
647 Small bowl "Al scavo". Vetreria Gino Cenedese, Murano/ Italy. 1960es.
Oval, black toned glass corpus, with light oxide smeltings. Base with scored signature "Cenedese".
H. 4,5 cm, B. 35,5 cm.
648 Swan "Al scavo". Vetreria Gino Cenedese, Murano/ Italy. 1960es.
Opaque etched clear glass corpus in form of a swan. Chapped, partially brown spotted oxide smeltings. Base with signature "Cenedese".
Small scratches to the neck.
H. 21,6 cm.
649 Owl "Al scavo". Vetreria Gino Cenedese, Murano/ Italy. 1960es.
Uncoloured glass with red smelting. The wall with brown-black oxide smeltings.
H. 17,2 cm.
650 Vase "Al scavo". Vetreria Gino Cenedese, Murano, Italy. 1960es.
Blue toned, opaque etched glass corpus with brown-black oxide smeltings partially. Ball form with short, small rim. Planar base.
H. 21 cm.
651 Vase "Al scavo". Vetreria Gino Cenedese, Murano/ Italy. 1960es.
Black toned clear glass corpus, opaque etched, in trumpet form with horicontal rim. Planar base.
H. 22,8 cm.
652 Lamp base "Al scavo". Seguso Vetri d'Arte, Murano/ Italy. 1960/70es.
Uncoloured glass with oxide smeltings in white and green. Cylindrical stand with arched round base, upper side also arched. Electrified.
H. mit Fassung 48,5 cm.
653 Vase. Murano, Italy. 19th cent.
Uncoloured glass. Round base, above the head of a fish and afterwards the rolling corpus of the fish. Channelled, S-shaped corpus with blue and magenta-coloured smeltings. The rim in form of a flipper. Decorated handle with golden geegaw.
H. 17 cm.
654 Tumbler. Murano/ Italy. 1980es.
Clear glass corpus, polychrome smeltings, Millefiori-canes and golden geegaw.
H. 10,5 cm, D. 8,3 cm.
655 Flacon. Murano/ Italy. 1980es.
Conical clear glass corpus, polychrome smeltings, murrins and golden geegaw. Clear glass nyliner in form of a leaf, golden adored.
H. 13,4 cm.
656 Vase "Fazoletto". Murano/ Italy. 1980es.
Clear glass corpus with glass bands in red, blue and silver flitter.
H. 11,4 cm, D. 12,6 cm.
657 Vase "Fazoletto". Murano/ Italy. 1980es.
Clear glass corpus with millefiori-canes and gild flitter.
H. 11,4 cm. D. 13,2 cm.
658 Vase. Murano, Italy. 1970/80es.
Clear glass corpus with coloured murrins. Cylindrical form.
H. 25 cm.
659 Small clown. Murano/ Italy. 1980es.
Clear glass corpus with coloured smelting. With original adhesive label.
H. 22,6 cm.
661 Seated clown. Murano/ Italy. 1980es.
Clear glass corpus with coloures smelting. Clown on black glass bowl with bubbles.
Tidy chip to right hand.
H. 28,7 cm.
662 Fish. V. Nason & C., Murano/ Italy. 1980es.
Coloured glass in form of a fish. With original adhesive label.
H. 19,7 cm.
663 Paperweight. A.Ve.M. Murano, Italy. 1950-80.
H. 4,5 cm, D. 7 cm.
664 Millefiori-Paperweight. A.Ve.M. Murano, Italy. 1950-80.
H. 4,5 cm, D. 7,5 cm.
665 Millefiori-Paperweight. A.Ve.M. Murano, Italy. 1950-80.
H. 4,5 cm, D. 7,5 cm.
666 Millefiori-Paperweight. A.Ve.M. Murano, Italy. 1950-80.
H. 4,5 cm, D. 7 cm.
667 Paperweight. Vittorio Ferro, Murano/ Italy. 1990ies.
H. 3 cm, D. 5,3 cm.
668 Paperweight. Vittorio Ferro, Murano/ Italy. 1990es.
H. 2 cm, D. 4,7 cm.
669 Paperweight. Vittorio Ferro, Murano/ Italy. 1990es.
H. 4,1 cm, D. 8 cm.
671 Paperweight. Vittorio Ferro, Murano/ Italy. 1990es.
H. 2,8 cm, D. 6,8 cm.
673 Glass-object. Malta (?). Modern.
Uncoloured glass with spiry melted, coloured glass fibres in red and yellow.
H. 16 cm.
680 Georg Büttner "Standing nude with upraised hands". No year.
Limewood, graven. Monogrammed to the ground of the plinth.
H. 16 cm.
681 Sieghard Dittner "Uncle Bräsig". No year.
Red clay, white glazed. With label of the artist with description "Für Kurt! Das ist Onkel Bräsig.".
H. 20,6 cm.
682 Sieghard Dittner "Boy on ram". No year.
Sieghard Dittner 1924 – lebt in Malchin
Clay, turquoise glazed.
H. 11 cm.
683 Sieghard Dittner "Small devill". No year.
Sieghard Dittner 1924 – lebt in Malchin
Clay, turquoise glazed.
H. 9,5 cm.
684 Sieghard Dittner "Mermaid". No year.
Sieghard Dittner 1924 – lebt in Malchin
Clay, turquoise glazed.
H. 12 cm.
685 Sieghard Dittner "Madonna with Christus". No year.
Sieghard Dittner 1924 – lebt in Malchin
Clay, glazed. Coloured overglaze. Signed to the ground. Two unglazed patches to the backside.
H. 22,7 cm.
686 Sieghard Dittner "Scraping wild pig ". No year.
Sieghard Dittner 1924 – lebt in Malchin
Clay, turquoise glazed. Scratched monogramme to the ground.
Tidy burn holes. Verso small restored patch in the glaze to the ground.
H. 17 cm.
687 Sieghard Dittner "Rabbit". No year.
Sieghard Dittner 1924 – lebt in Malchin
Red clay. Not glazed.
H. 22,6 cm.
688 Wilfried Fitzenreiter "Decision of Paris". No year.
Wilfried Fitzenreiter 1932 Salza – 2008 Berlin
Copper, bronze patina. Verso lined with tin. Monogramme "F". Verso inscription "Estro 14 20".
D. 6,2 cm.
* Droit-de-suite of 2.00 % applies.
689 Antonio Garella "Poetry". Ca. 1900.
Antonio Garella 1864 Bologna – 1919 Florenz
Marble. Head with brass-laurel wreath. On marble-base. Verso signed and inscribed "K.W." to the right shoulder.
H. 27,3 cm (mit Sockel), B. 27,5 cm.
690 Walter Howard "Standing female nude". No year.
Walter Howard 1910 Jena – 2005 Moritzburg/ Friedewald
Bronze, brown patined. Monogrammed on the plinth.
H. 16,8 cm.
691 Walter Howard "Female torso". No year.
Walter Howard 1910 Jena – 2005 Moritzburg/ Friedewald
Bronze. Monogrammed to the ground.
H. 5,5 cm.
692 Walter Howard "Love". No year.
Walter Howard 1910 Jena – 2005 Moritzburg/ Friedewald
Ceramic, green glazed. With a central bore.
H. 4 cm.
693 Rudolf Kaesbach "Girl, who glean corn". Ca. 1910.
Rudolf Kaesbach 1873 Gladbach – 1955 Berlin
Alabaster. Signed to the base.
H. 35,5 cm (mit Sockel), B. 15,2 cm.
694 Otto PilzOtto Pilz "Monkey with Mercedes-Star". Not dated.
Otto Pilz 1876 Sonneberg/Thüringen – 1934 Dresden
Bronze with brown patina. Signed to the plinth. Set on a black marble base.
Probably individual edition for the first managing director of the Daimler-Motor-Company in Dresden - Mr. Wilhelm Herzing.
H. 16,5 cm (o. Sockel).
695 Otto Pilz "Radiator mascot - monkey with mercedes-star". No year.
Otto Pilz 1876 Sonneberg/Thüringen – 1934 Dresden
Bronze, black patina. Signed and with dedication "Seinen lieben Herzing" to the plinth. Mounted on original radiator top. This one with small cracks.
H. 13 cm (o. Verschluß).
696 Otto Rost "Pomona". No year.
Otto Rost 1887 Keuern b. Döbeln – 1970 Dresden
Metal, bronzed. Signed to the plinth.
H. 19,1 cm.
697 Erich Schmidt-Kestner "Amazon with a horse". No year.
Erich Schmidt-Kestner 1877 Berlin – um 1940 Kassel
Bronze, black-brown patina. Signed on the plinth with the caster-stamp "Aktien-Gesellschaft Gladenbeck-Friedrichshagen".
H. 16,5 cm (mit Plinthe).
698 Charles Vital-Cornu "Standingg countryboy". France. Ca. 1900.
Charles Vital-Cornu 1851 Paris – 1927 ebenda
Bronze, darkbrown patina. Standing boy before a gallow. This one in form of a lamp. Signed to the base. Caster-stamp: E. Blot Paris.
Original electricity, but faulty. Stick of the gallow with slight defects.
H. 67,5 cm, H. 36 cm (Figur).
699 Unknown artist "Head of a child". No year.
Bronze, dark brown patina. Monogrammed A.F.W. to the plinth. Mounted on grey granite base.
H. 21,5 cm.
700 "Golden oriole". Meissen. Ca. 1880.
Porcelain, glazed. Coloured overglaze. Crossed swords in underglaze-blue , scratched number 820X, 3 to the ground.
Professional restoration to the pecker and to one leaf.
H. 26 cm.
Gerhard Schliepstein 1886 Braunschweig – 1963 Berlin
Porcelain, white glazed. Manufactory-mark Nr.2 in underglaze-blue to the ground.
Restored left finger.
Teichert-Werke Meißen. Keramik & Porzellan 1863 - 1945. Dresden, 2003. Kat.-Nr. 64, with picture.
H. 16 cm.
702 Ernst Barlach "Russian lovers". Schwarzburger Werkstätten für Porzellankunst. After 2003.
Ernst Barlach 1870 Wedel – 1938 Güstrow/Mecklenburg
Porcelain, glazed. Design year 1908. First molding 1909. Verso fox-mark, firm-mark, monogramme "AH" and number "U 9" to the base.
Catalogue raisonné Schult 89.
H. 20 cm.
703 "Billy goat". Porzellanfabrik Karl Ens, Volkstedt. 20. century.
Porcelain, glazed. Painted and gold decoration. Firm-mark in underglaze-blue and scratched number 6706.
Small defect (0,2cm) on the glaze (by the tail).
H. 32 cm.
704 "Bologneser dog (so called lion-dog)". Meissen. Ca. 1940.
Porcelain, glazed. Painted in auburn, brown and black. Crossed swords in underglaze-blue, number 45 in overglaze-brown, scratched number 264L and 78685 to the ground.
H. 22 cm.
705 Etha Richter "Two leopards". Schwarzburger Werkstätten für Porzellankunst. 1914.
Etha Richter 1883 Dresden – 1977 ebenda
Porcelain, glazed. Coloured overglazed animals on a base. Scratched signature, date and "Dresden". Fox-mark, scratched number "U 1065" to the ground.
H. 22 cm, B. 43 cm.
706 "Carnival". Royal Dux Bohemia. 2nd half 20th century.
Porcelain, glazed. Coloured over- and underglaze with gold decoration. Stamp in overglaze-green, pink triangle-mark, number 41 in overglaze-red, number A" in overglaze-blue to the ground.
Small crack inside the skirt. Left hand of the woman with one failed and two restored fingers. Failed one finger of the man.
H. 48,7 cm.
707 Peter Strang "Equestrian statue". No year.
Peter Strang 1936 Dresden – 2022 ebenda
Ceramic, coloured glazed. Monogrammed to the backside of the base.
Restored arm and head.
H. 14,8 cm (mit Sockel), B. 7,7 cm.
* Droit-de-suite of 2.00 % applies.
708 Ashtray with a tiger. SOMAG, Meissen. Ca. 1920.
Porcelain, gelb-orange glaze. Firm-mark Nr. 20d.
Minimal crack (5cm) in the glaze.
Similar ashtray in Teichert-Werke Meißen. Keramik & Porzellan 1863 - 1945. Dresden, 2003. Kat.-Nr. 94, with picture.
D. 18 cm.
709 Unknown artist "Dormant guinea fowl". Syco, Sweden. 20th centruy.
Ceramic. Partly overglaze in black, blue and white. Scratched "Syco Sweden" to the ground. Monogramme A.M. in black.
H. 14,6 cm.
710 Serving dish. Meissen. Ca. 1760.
Porcelain, glazed. Decoration "Neubrandenstein" and "Deutsche Blume" in coloured overglaze. Crossed swords in underglaze-blue, number 72.
Hairline crack (19 cm).
D. 23 cm.
711 Ovale plate. Meissen. 1958.
Porcelain, glazed. Crossed swords in underglaze-blue, year sign, numbers 62 and 114.
H. 4 cm, B. 26 cm.
712 Two bowls. Rauenstein. 19th century.
Porcelain, glazed. Octagonal bowl with "broken stick" and "strawflower" in underglaze-blue. Both bowls with mark in underglaze-blue. Large bowl with number in underglaze-blue and scratched sign. Small bowl with number 4.
Small chip and wears to the large bowl.
D. 18,2 cm, D. 14,4 cm.
713 Small tea pot. Rauenstein. Late 19th century.
Porcelain, glazed. Decoration with "broken stick" and "strawflower" in underglaze-blue.
Marked in underglaze-blue and number 5.
Failed lid.
H. 8 cm.
714 Cutlery for 6 persons. Probably E. Teichert, Meißen. Ca. 1900.
Twelve pieces, composed of 6 forks and 6 knives. Handles of glazed porcelain with Saxon design in underglaze-blue.
1 knife supplemented. Not marked.
One knife with hairline crack (ca. 2,5 cm), the supplemented knife with two hairline cracks (ca. 5 cm).
L. der Griffe: 10 cm.
715 Inkstand. KPM Berlin. Ca. 1900.
Porcelain, glazed. Composed of a octagonal tray, ink pot, sand shaker in overglaze-purple and gold. Scepter-mark in overglaze-purple to the ground of the tray.
Lid of the ink pot not replaced.
L. 19,5 cm, B. 12,5 cm, H. 7,5 cm.
716 Set of 6 pieces of laboratory porcelain. Meissen. First half of the 20th century.
Porcelain, partly glazed. Crossed swords to the ground in underglaze-blue. Some with numbers.
One piece with a minimal chip.
Verschiedene Maße.
717 Small bowl. Meissen. Ca. 1930.
Esser 1885 Barth – 1945 Berlin
Porcelain, glazed. Orange-red overglaze with gold. Design of Max Esser. Crossed swords to the ground in underglaze-blue, two numbers in orange-red overglaze, numbers 11 and "M 265".
Slash belows the crossed swords.
D. 11,7 cm.
718 Punchbowl. Albin Müller, Merkelbach & Wick, Grenzhausen. Ca. 1912.
Albin Müller 1871 Dittersbach/ Erzgebirge – 1941 Darmstadt
Grey fine pottery, glazed. Blue overglaze. On the ground model-number 1645 S and firm-mark.
Supplemented lid. Small chipts the upper edge of the bowl. Two small defects to the glaze.
Erlebach, J.: Schimanski, J.: Westerwälder Steinzeug. Die Neue Ära 1900-1930. Düsseldorf, 1987. Nr. 269 with picture.
H. 25 cm.
719 Punchbowl. Paul Wynand, Paulus & Thewalt. Beginning 20th century.
Pottery, grey glazed. Blue overglaze. Model-number 1645, "5L" and another mark.
Erlebach, J.: Schimanski, J.: Westerwälder Steinzeug. Die Neue Ära 1900-1930. Düsseldorf, 1987. Nr. 286 with picture.
H. 23,5 cm.
720 Punchbowl. Paul Wynand, R. Merkelbach, Grenzhausen. Ca. 1911.
Pottery, brown glazed. On the ground model-number 2287, firm-mark and another mark.
Tidy defects in the glaze on the lid.
Erlebach, J.: Schimanski, J.: Westerwälder Steinzeug. Die Neue Ära 1900-1930. Düsseldorf, 1987. Nr. 247 with picture.
H. 29 cm.
721 Punchbowl. Paul Wynand, R. Merkelbach, Grenzhausen. Ca. 1911.
Pottery, brown glazed. On the ground model-number 2260, firm-mark and description "Paul Wynand".
Erlebach, J.: Schimanski, J.: Westerwälder Steinzeug. Die Neue Ära 1900-1930. Düsseldorf, 1987. Nr. 244 with picture.
H. 28 cm.
722 Punchbowl. Paul Wynand, R. Merkelbach, Grenzhausen. Ca. 1910.
Pottery, brown glazed. Model-number 3121. Marked on the ground.
Small defects on one bowl-feet.
Erlebach, J.: Schimanski, J.: Westerwälder Steinzeug. Die Neue Ära 1900-1930. Düsseldorf, 1987. Nr. 254 with picture.
H. 23 cm.
723 Punchbowl with suacer. Villeroy & Boch Mettlach. Ca. 1920.
Porcelain, glazed. Coloured overglaze. Surface with illustrations of the cities Ehrenfels and Bacharach at the Rhine. Lid with floral handle. To the ground firm-mrak in underglaze-green, "1226 geschützt" in underglaze-black, numbers "3037 II", 02, 07.
Glaze with small brown freckles inside the bowl. Minimal chip to the saucer.
H. 28 cm (Bowle), D. 33 cm (Teller).
724 Mugl. Paul Wynand, R. Merkelbach, Grenzhausen. Ca. 1936.
Pottery, brown glazed. Mounted with a tin lid. Surface with decoration. On the ground marked 2219, firm-mark, "Wynand" and "M".
Erlebach, J.: Schimanski, J.: Westerwälder Steinzeug. Die Neue Ära 1900-1930. Düsseldorf, 1987. Nr. 233 with picture.
H. 13 cm.
725 Mug. Paul Wynand, R. Merkelbach, Grenzhausen. Ca. 1936.
Pottery, brown glazed. Mounted with a tin lid. Surface with decoration. On the ground marked 2218, firm-mark, "Wynand" and "K".
Erlebach, J.: Schimanski, J.: Westerwälder Steinzeug. Die Neue Ära 1900-1930. Düsseldorf, 1987. Nr. 232 with picture.
H. 12,3 cm.
726 Tankard. Unknown manufakture. Ca. 1910.
Pottery, glazed. Blue and darkgreen overglaze.
Scratched "662 B" and "Ges. Geschützt" to the ground.
H. 26,8 cm.
727 Butter dish Richard Riemerschmid, R. Merkelbach, Grenzhausen. 1905.
Richard Riemerschmid 1868 München – 1957 ebenda
Fine pottery, glazed. Scratched "1730" to the ground.
W. Nerdinger: R. Riemerschmid - Vom Jugendstil zum Werkbund, München 1982, Nr. 404 with picture.
H. 9 cm, D. 12 cm.
* Droit-de-suite of 2.00 % applies.
728 Eggcup. Richard Riemerschmid, R. Merkelbach, Grenzhausen. 1905.
Richard Riemerschmid 1868 München – 1957 ebenda
Fine pottery, glazed. Scratched "I" to the ground.
W. Nerdinger: R. Riemerschmid - Vom Jugendstil zum Werkbund, München 1982, Nr. 404 with picture.
H. 5,4 cm.
* Droit-de-suite of 2.00 % applies.
729 Vase with lid and lamp top. Peter Ipsen, Kopenhagen, Dänemark. Ca. 1900.
Peter Erasmus Ipsen ? – ?
Light brown pottery, green glazed. Three particles. You can use the vase as a box with lid and as table lamp. To the ground mark "P. Ipsen Kjobenhavn Eneret", number 542.
Lamp top filled with lead balls. Old electrify.
H. Deckelvase 36 cm, H. Lampenfuß 70 cm.
730 Art-Decó centre piece. Eichwald, Bohemia. Ca. 1930.
Pottery, coloured glazed (green, pink, yellow). With rosettes decoration and three handles. On the ground mark and number 2005.
H. 49 cm. D. 39 cm.
731 Jug. De Porceleyne Fles, Delft. 1915.
Faience, glazed. With regular crakelee. Surface with mill- and blossom decoration in underglaze-blue. To the ground firm-mark, year code and numbers in underglaze-blue.
Fine hairline crack to the stopper, this one supplemented.
H. 26 cm.
732 Cane. De Porceleyne Fles, Delft. After 1903.
Faience, glazed. With regular crakelee. Surface with architecture- and blossom decoration in underglaze-blue. To the ground firm-mark and numbers in underglaze-blue. Scratched description "XUA".
H. 20 cm.
733 Art Deco floorvase. Unknown manufacture. 1920/30s.
Ceramic, black glazed. Baluster-form corpus with two handles. Wall with flower-decoration. To the ground number 693.
H. 56 cm.
734 Picture tile. Villeroy & Boch, Dresden. Ca. 1900.
Stoneware, polychromic glazed. Surface with putti illustration in gold and coloured overglaze.
Small chip to the upper right edge.
18 x 27 cm.
735 Picture tile. Villeroy & Boch, Dresden. Ca. 1900.
Stoneware, polychromic glazed. Surface with putti illustration in gold and coloured overglaze. With firm-mark, embossed number 16 and marc "WC", number 15 in auburn overglaze.
Small chip to the lower left edge.
18,7 x 53 cm.
736 Coffee/Teaset. Villeroy & Boch, Dresden. 1st half. 20th century.
Stoneware, glazed. Decoration "Bückeburg" in coloured overglaze. Composed of 5 cups with saucer, 5 plates, tea pot, coffee pot, 2 sugar bowl, 2 creamers, small bowl (failed lid) and a small serving dish. All with firm label and description "Bückeburg handgemalt".
Minimal chip to the creamer and the lid of the tea pot.
Verschiedene Maße.
740 Set of 12 teaspoons and a sugar tong. Netherlands. 19th century.
Sterling silver. Molded handle. Four-marked.
Alltogether 180g.
L. 12,7 cm (Löffel).
741 Part of cutlery. Netherlands. 19th century.
Sterling-silver. Composed of: 14 soup spoons, 9 small soup spoons, 9 medium forks (4 with defects), 5 large forks (some with defects), 8 small forks, 1 serving fork, 1 serving spoon (silver plated), 1 soup ladle. All four-marked.
Alltogether 2500g.
Verschiedene Maße.
742 Centrepiece. Sy & Wagner, Berlin. 1913.
Sterling-silver. Quadrinomial, composed of tray, coffee pot with hinged lid, sugar bowl, and creamer. With hammer blow decoration. Monogramme JJR (?) and date (1888-1913). Inscription "Ihrem lieben Herrn Rubach zur freundlichen Erinnerung an das 25jährige Jubiläum Th. Kettembeil & Co". All marked with "Sy & Wagner Mond Krone 800".
One feet of the tray is failing.
Altogether 1040 g.
H. gesamt 17 cm.
743 Goblet. Carl Weishaupt, Munich. 2nd quarter 20th cent.
Sterling silver, inside with gilding. Inscription "Zum 50. Geburtstag Landesinnungsverband des Bayr. Bäckereihandwerks". Marked "C. WEISHAUPT MÜNCHEN Handarbeit Mond Krone 935" and another foreman-mark.
350 g.
H. 16 cm.
744 Gravy boat. France (?). Probably 1st quarter of 20th century.
Sterling silver. Gravy boat with saucer. Floral decorated edges. Monogramme MH. Three-marked to the ground (not known), "STERLING" and "9147".
460 g.
B. 23 cm (Untersatz), H. gesamt 14 cm.
745 Small ornamental bowl. Ca. 1900.
Silver, beated. With lattice and floral decoration and Small portraits and putti. Three-marked (imaginationed marks).
340 g.
22 x 22 cm.
746 Basket with a handle. Ca. 1900.
Sterling silver. Decorated with scenes of putti. Marked "800", "GM" in a triangle.
260 g .
L. 20 cm, B. 16 cm, H. 16 cm.
747 Pair of candelabras. A. E. & Co. (?). Ca. 1900.
Brass, silver plated. Five arms with floral ornamentic. Shaft on four feets. Marked "A.E.& Co." and "NS".
H. 44,5 cm,
748 Tabatière (anatomical snuffbox). Iserlohn. Ca. 1800.
Brass. Rectangular form with lid. Many decorations. Inscription: "Man Sucht nach Frommen Leuten Wo Sind Sie? / Und hofft auf bessere Zeiten Wann komt die?".
H. 3,5 cm, B. 16,3 cm, T. 5,3 cm.
749 Can with bolt. Probably German. 19th century.
Tin. Conical form with a bolt and handle.
Handle restored. Wall slight denty and scratchy. Small hole in the lid. Not marked.
H. 28,4 cm.
750 Cannikin with lid. Friedrich Moritz Seybold, Dresden. 1841.
Tin. Cylindrical corpus. Handle coated with wicker. Graved with date and monogramme A.M.Z. Three-marked.
H. 16 cm.
752 Tankard. German. 19th/ 20th century.
Faience, light grey glazed. Mounted tin lid with marks to the inner side. Handpainted with a large blossom and leaves.
Glaze with slight cracelee.
H. 25,4 cm.
753 Tankard. Johann Friedrich Roesler, Zittau. Ca. 1846.
Ernst Wilhelm Weber 1790 Weimar – 1850 Bremen
Tin. Cylindrical form. Hinged lid, swinged handle. Graved with symbols of the carpenter and dedication "Ernst Wilh.Weber aus Oybin". Inscribed "Oster-Quartal 1846". Three-marked inside the cab.
Minimal age-related wears. Two small dents to the cab.
H. 22,2 cm.
754 Plate. Johann Carl Gottlob Reichel, Marienberg. 1824.
Tin. Emblem of Saxony. Numbered No.11 and dated. Three-marked ground.
Minimal age-related wears.
D. 23 cm.
755 Plate. Johann Carl Gottlob Reichel, Marienberg. Ca. 1830.
Tin. Three-marked on the ground.
Minimal age-related wears.
D. 22,7 cm.
756 Oil lamp of the Art Nouveau. German. Ca. 1900.
Tin, so called "Kaiserzinn". Stand with decoration of the Art Nouveau. Swinged handle. Floral decorated oil tank. With nyliner. On the ground marked "Kaiserzinn 4499". Adhesive label of a collection.
H. 26 cm.
758 Small rain-drum. Africa. 20th century.
Sheet copper, beaten, black aeruginous.
Rubbed.
H. 13 cm, D. 15 cm.
759 Fan. Probably China. 19th century.
Rod of ivory, fine graven with many figurative scenes and floral elements. Pearly brass pin. Ivory coloured silk-sheet with fine embroidery of lanscape- and birds-motives. Original varnished casket with the motive of a temple and floral gilden decoration. Inside with tissue.
Inside of the casket and fan with sligh age-related wears. Edges of the casket minimal to chamfer.
L. 33 cm (Fächer), L. 41 cm (Kästchen).
760 Asiatc god. Tibet/ China. Ca. 1900.
Bronze, aeruginous. Figure dance on a bull. Integrated base.
Slight traces of oxidation.
H. 16,5 cm.
761 Seated buddha. Tibet. 19th century.
Bronze, aeruginous. Figure on a base.
Slight traces of oxidation.
H. 11 cm.
762 Consecrating buddha. Eastasia. Ca. 1940.
Carving of ivory on dark stained wood base.
H. 10,5 cm.
763 Seated Ganesha. India. 20th century.
Bronze. Hindu-god with four armes as a thick man with an elephant head. With one tusk, blossom of a lotos and a prayer-chain.
H. 19 cm.
764 Krishna-illustration. Eastasia. 20th century.
Bronze. Standing buddha with a flute (?).
H. 9 cm.
765 Dagger. Probably Tibet/China. End 18th century.
Slight curved metall-blide. Silver palted and gilden sheath with fine gravure, semi-precious stones and golden animals. Handle to coat with skin of a ray and floral metall-decorations with gilding.
Gilding with slight traces of oxidation. Skin coat with small defects.
L. 27 cm (Klinge ), L. 41 cm (gesamt).
766 Seated Amitayus on a pedestal. Tibet or China. Qianlong-period, ca. 1770.
Bronze, fire-gilded. Very fine work with many details. Buddha with decorated crown. Square pedestal with decorated corner pillars. Inside the pedestal Qianlong-mark and date.
Minimal traces of oxidation. Aureole is missing. Back side of the base with crack.
H. 18 cm.
767 Seated Amitayus. Tibet. End 18th/ first 19th cent.
Bronze, fire-gilded. Very fine work with many details. Seated god of the immeasurable life. He holds a vase with the holy blossom.
Minimal traces of oxidation.
H. 12,8 cm.
768 Seated Tara. Tibet. 20th cent
Bronze, aeruginous. Goddess of the active sympathy. Seated on a decorated base. Her right leg lies on a leaf of lotus as a position of activity. Her left leg lies in a meditation position.
H. 14,5 cm.
769 Standing Tara. India. Probably end of 18th century.
Bronze, aeruginous. Tara is the most important buddha. Her name means "saviour" and "star".
Integrated base with small tear (4cm).
H. 26,5 cm.
770 Foo-dog (lion of temple). Eastasia. Early 20th century.
Bronze. Foo-dog seated on a base.
H. 10 cm.
771 Bracelet. Probably India. Ca. 1900.
Bronze. Big bracelet or circlet for the leg with semi-circular attachments. Decorated with many ornaments and two figures.
Age-related patina.
D. 7,5 cm.
772 Carving of soapstone of a immortal. China. 18./19. century.
Figure of soapstone. Mounted on wood base.
Small chip to the shoulder. Base and mounting maybe later.
H. 21 cm.
773 Set of 6 carvings of soapstone. China. 19./20. century.
1 vase with floral motives, 1 seated buddha, 1 temple dancer with snake, 2 fishermen and 1 pelican. Different colours. With integrated base.
Verschiedene Maße, 8,3 - 21 cm.
Porcelain, glazed. Square corpus, bellied. Two handles in form of heads of elephants. Dragon-decoration in underglaze-blue with symbols of clouds and fire.
Not marked.
H. 16 cm.
775 Teaset for 2 persons. China. Ca. 1920.
Porcelain, glazed. Ninepart, composed of 2 plates, 2 cups with saucers, 1 milk jug, 1 sugar bowl with cab, 1 teapot with handle, cab and tea-inset. Decoration: "Green dragon with clouds and symbol of fire" in coloured, golden overglaze. Ground with stamp in overglaze-red. Stamp not known.
Verschiedene Maße.
776 Seated Buddha. Eastasia. 20th cent.
Porcelain, glazed. In Satsuma-stye with enamel. Marked, but not known.
Slight rubbed.
H. 16 cm.
777 Pair of plates. China. Probably first half 20th century.
Porcelain, glazed. With coloured under- and overglaze. Ground decorated with blue underglaze. Not marked.
D. 22 cm.
778 Kyosai Kawanabe (attributive) "Not titled". Ca. 1870.
Kyosai Kawanabe 1831 Shimotsuke (Japan) – 1889
Coloured wood cut, out of a scetch book. Signed and titled on the print medium.
Four tidy holes (0,1cm) of the old stich. Minimal mildewed.
Stk. 9,7 x 15,5 cm, Bl. 12,1 x 18,2 cm.
779 Unknown artist "Japanese man in his habit". 19./20. century.
Mixed media (pen drawing. watercolour) on thin buff coloured paper. Inscribed "Japanese man in his habit".
Tidy tear (0,2cm) to the left edges.
86,8 x 56,3 cm.
780 Unknown artist "Japanese woman". 19./20. century.
Mixed media (pen drawing. watercolour) on thin buff coloured paper.
Three tears (3-4cm) to the lower and right edges inside the illustration. Tidy tears (0,3cm) to the left and right edges. Minimal mildewed.
86,8 x 56,3 cm.
782 Clam-cameo. Wedgwood. 19th cent.
Blue and white Biscuit pottery with group of figures. In a cartouche of metal.
One studded head is missing.
4,8 x 3,2 cm (mit Fassung), 3,4 x 2,5 cm (ohne Fassung).
Oval medallion with a male portrait.
Minimal chip to the edge.
H. 4,5 cm, B. 3,8 cm.
788 Set of 4 cameos. 19th. cent.
Three clam-cameos with a profile portrait. One lava-cameo with a dancer and flower decoration.
Lava-cameo with a minimal chip.
Verschiedene Maße, H. 1,5 - 3,8 cm.
790 Badge "Friedrich List". After 1952.
Bronze. Verso transcription "Für Verdienste um die Hochschule für Verkehrswesen "F.L." Dresden". In original case.
D. 7 cm.
791 Badge "K. F. Schinkel". Meissen. 2nd half 20th cent.
Biscuit pottery. With portrait of Karl Friedrich Schinkels, which shaped David d'Angers 1834. Verso crossed swords mark in underglazed-blue and transcription "Staatliche Museen zu Berlin, Hauptstadt der DDR."
Slight dirty.
D. 10 cm.
792 Badge "Gotha". Meissen. 2nd half 20. cent.
Brown Böttger-pottery. Verso transcription "Zur Erinnerungan Gotha" with emblem. Crossed swords mark. In a case.
D. 6,5 cm.
793 Badge "Dresden". Meissen. 2nd half 20th cent.
Brown Böttger-pottery. Verso transcription "Zur Erinnerung, der Rat der Stadt Dresden" with emblem. Crossed swords mark. In original case.
D. 6,3 cm.
794 Badge "Gazebo at the Zwinger". Meissen. 1995.
Biscuit pottery. Verso crossed swords mark in underglazed-blue, transcription "Dem Freundeskreis der Porzellansammlung im Zwinger e.V." with emblem.
D. 10 cm.
795 Reliefmedaillon "Gottfried Christoph Beireis". Fürstenberg. Ca. 1910.
Biscuit pottery, green and golden decoration. Verso crossed swords mark in underglazed-blue. Stamp-number 79, stamp-description "G.C. Beireis".
H. 8,5. B. 7 cm.
796 Ludwig Zeppner "test-crystal-glaze". Meissen. Ca. 1980/90.
Ludwig Zepner 1931 Malkwitz/Schlesien – 2010 Meißen
Porcelain, coloured crystal glaze. Verso crossed swords mark.
D. 7,7 cm.
797 Ludwig Zeppner "Test-crystal-glaze". Meissen. 1995.
Ludwig Zepner 1931 Malkwitz/Schlesien – 2010 Meißen
Porcelain, glazed in blue and yellow. Verso handwritten description and dated (Christmas 1995).
8 x 8 cm.
798 Knocker of the Art Nouveau. German. Ca. 1900.
Bronze. Verso model-number 820. Inscribed "ges. gesch." and monogrammed.
H. 17 cm, B. 9 cm.
799 Inkstand. WMF Geislingen. Ca. 1890.
Metall, silvered. Ornamental decoration. On the ground stamp "W.M.F." and stamping number 516.
Hinged lid and glass port of the inkpot with small defects.
H. 11,5 cm, B. 20 cm, T. 7,5 cm.
800 Teakettles with hot plate. 1. half 20. century..
Brass. Cambered, bellied corpus with cap.
Stand of the kettles and the burner with slight dents.
H. 42 cm, 20 cm (Kanne).
801 Form of copper. German. 1. half 20. century.
Form of copper, inside tinned. With fruit- and leaf decoration.
H. 30 cm, B 34 cm, T. 8 cm.
Brass. Hammer blow decoration. Composed of candlestick, table mat and ashtray. Candlestick with stamp "ALBERT REISS".
Similar designs in Arnold, K.-P.: Vom Sofakissen zum Städtebau. Dresden, 1993. p. 379f.
Verschiedene Maße.
803 Napkin holder. Marianne Brandt, Ruppelwerk, Metallwarenfabrik Gotha. Ca. 1931.
Marianne Brandt 1893 Chemnitz – 1983 Kirchberg
Tinplate, nickel-plated, soldered. Pastel green spraying varnish with japanese tree motives. On the ground stamp. In good order and condition
H. 11,5 cm, B. 19,5 cm, T. 2,5 cm.
* Droit-de-suite of 2.00 % applies.
804 Lorgnon. France or Belgium. Ca. 1900.
14K gold. Cambered handle with leaf-motives and blue enamel. Hatch-mechanism fully functional. Temple with stamp.
L. 13,5 cm.
805 H.G. Feuten (?) "Flowers" / "Work with a sponge". No year.
Installation with different materials. One work with a unclear signature. Titled. In the frame.
Verschiedene Maße.
806 Daniel Nicolaus Chodowiecki "Scene of a duel". 2. half of 18. century.
Daniel Nicolaus Chodowiecki 1726 Danzig – 1801 Berlin
Copperplate. Inscribed "Clarison(?) VIII T. S 611", "XXIV" (mirror-inverted). Signed.
17 x 10,7 cm.
807 Casket. Probably late 19. century.
Rosewood (?) on softwood. Inlay with floral- and bird motives.
Edges of the cap are chamfer. No key. Lining with small defects.
H. 10 cm, B. 22,3, T. 15 cm.
810 Ceiling lamp. Southgerman. Ca. 1820.
Primed wood, tin, composed in redgold and grey-black.
H. 80 cm, D. 70 cm.
811 Ceiling lamp. German. Ca. 1870.
Bronze. Five floral decorated, cambered arms. No electrify.
Arms twisted.
H. 75 cm.
812 Ceiling lamp and pair of wall applications. Potschappel, Dresden. Ca. 1910.
Porcelain, varnished, gold decoration. Six cambered arms, decorated with colured overglazed flowers. Marked in underglazed blue. Electrify.
Small defects.
Krone H. 43 cm, D. 46 cm, Applik mit Tülle H. 34 cm.
814 Chandelier lamp. Sweden. 1920/30s.
Brass, crystal glass, blue toned glass. Electrify.
Canopy supplemented.
H. 83 cm, D. 43 cm.
815 Ceiling lamp. France. Late 19. century.
Magenta coloured pressed glass, brass. Electrify.
H. 91 cm.
818 Oval frame. Probably France. First half 19. century.
Molded frame with acanthus decoration. Grey-green composed.
A little bit chamfer, need to be restoration.
H. 75 cm, B. 58,5 cm, Falzmaß: 64 x 47 cm.
819 Classical frame. Probably France. First half 19. century.
Large, gilden stillage with lot's of acanthus- and festoon- decoration, grey and golden composed.
A little bit chamfer and worm-eaten, need to be restoration.
H. 82 cm, B. 71 cm, Falzmaß: 70,5 x 58,7 cm.
820 Classical frame. France. Ca. 1810.
Large, gilden stillage with lot's of rocaille-, acanthus-, coving ans arabesque decoration.
Age-related using traces.
H. 80 x B. 69 cm, Falzmaß: 64 x 52,5 cm.
821 Large splendor-frame. Probably german. Ca. 1910/20.
Stucco-frame based on chalk with arabesque- and lattice decoration.
Some small defects.
H. 94 cm, B. 114 cm, Falzmaß: 73,3 x 93,4 cm.
822 A Southgerman or Austrian classical chest of drawers. Ca. 1790.
Walnut on softwood. Inlays of maple, rosewood and ebonised maple.
Veneer with minor missings. Back feet with old restoration. Upper left corner of the upper drawer broken.
H. 81,5 cm, B. 78 cm, T. 51 cm.
823 Small German baroque cabinet. 18./19. cent.
Walnut and plume wood on soft wood. Inlays in bone, rosewood and others.
Originally probably set on four ballfeet. Key of the small door lock missing, lock of the base drawer missing. Knob added later.
H. 46 cm, B. 43 cm, H. 29 cm.
824 Glass cabinet. Southgerman. Ca. 1860.
Cherry tree, veneered on softwood.
Two mirrors of the backside probably supplemented. Three mirrors of the vitrine supplemented.
H. 175,5 cm, B. 97 cm, T. 47 cm.
825 Small psyche (table-mirror). German. Ca. 1860.
Mahogany, veneered on softwood.
Minimal fissured to the backside.
H. 62 cm, B. 39,5 cm, T. 18 cm.
827 Pair of palor chairs. England. 19. century.
Mahogany (?).
Graven decoration to one patch with a small defect.
H. 87,5 cm, Sitzhöhe 51 cm.
828 Armchair. German. Ca. 1880.
Oak. dark brown stained.
Minimal need of restauration. Small tear to upper wickerword.
H. 89 cm, Sitzhöhe 38 cm.
829 Rocking chair. Jacob & Josef Kohn, Wien. Ca. 1904.
Beech, medium brown stained.
Seat minimal rubbed.
H. 90 cm, 43 cm Sitzhöhe.
833 Armoire. Probably German Workshop Hellerau. Ca. 1910/20.
Veneered oak, medium brown stained. High rectangular, two-door-composition with rounded cornors. These with leaf-cavings-decoration. Original fittings. Inner door with a mirror. Inside a pocket, hool strip and a strip for hangers.
H. 190 cm, B. 117 cm, T. 50 cm.