ONLINE-CATALOGUE
| AUCTION 08 | 17. Juni 2006 |
Auction 08 Highlights CATEGORIES ARTISTS all lots aftersale only results onlyPaintings 17th-20th cent.
Paintings 20th-21st ct.
Graphic 17th-20th ct. - Colour
Graphic works 17th-19th cent.
Graphic works, 20th-21st ct.
Graphic works 20th ct. - Colour
Glass until 1900
Glass after 1930
European Porcelain
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051 Rudolph Weber "The mother of the artist" / "The father of the artist". 1929.
Rudolf Weber 1908 Wiesbaden – vor 1961 letzte Erwähnung
Oil on canvas. Signed and dated to the lower right. Canvas of one painting partially remounted.
91 x 72,5 cm.
052 Wilhelm Wilcke "By the river Weichsel (near Marienwerder)". No date.
Wilhelm Wilcke 1885 Templin – 1979 bei Köln
Oil on canvas. Signed to the lower left. Framed. Verso signed and inscribed on the frame.
60 x 70 cm.
053 Paul WilhelmPaul Wilhelm "Still life with delphinium and lilies". Ca. 1911.
Paul Wilhelm 1886 Greiz – 1965 Radebeul
Oil on canvas. Signed to the lower right. Framed.
73 x 92,5 cm.
054 Unknown artist "Seascape". No date.
Oil on paper. Illegibly signed with pencil to the lower middle. Framed.
32,5 x 42,5 cm.
055 Robert Hahn "Coastal landscape". Ca. 1920.
Robert Hahn 1883 Naumburg – 1940 Dresden
Oil on cardboard. Signed to the lower right. Framed.
29 x 23,3 cm.
061 Christian Gottlob Hammer "Vue occidentale de la forteresse de Königstein en Saxe". Ca. 1850.
Christian Gottlob Hammer 1779 Dresden – 1864 ebenda
Watercoloured etching. Titled.
Minor damages.
46,2 x 63,8 cm (Darstellung).
062 Ernst Hasse "View from the Bastei". Ca. 1830.
Ernst Hasse 1819 Erfurt – 1860 Dresden
Coloured lithograph. Inscribed. Passepartout.
Faded edges. Cut.
19,5 x 25,5 cm.
063 Theodor Heinrich Hosemann (attributed) "Father and son with a fish". Ca. 1840.
Theodor Hosemann 1807 Brandenburg – 1875 Berlin
Watercolour on fine cardboard. Framed.
14 x 12 cm.
064 Ernest Laddey "Angel heads". Ca. 1870.
Graphite drawing on blue-grey paper. Signed to the lower right. Passepartout.
Minor crinkles.
33,2 x 43 cm.
065 Monogramist GM "Italien landscape with antique ruins". Ca. 1800.
Watercolour. Monogramed to the lower right. Passepartout.
29,5 x 32 cm.
Johann Christoph Nabholz 1752 Regensburg – 1797 St. Petersburg
Coloured engraving, proscenium sheet. Inscribed. Passepartout. Crinkle in the middle, cut, edges remounted.
30,3 x 38,4 cm.
067 Giovanni Ottaviani "Pilaster VII: fruit festoon with grand tree and birds". 177276.
Giovanni Ottaviani um 1735 Rom – 1808 ebenda
Engraving with gouache. From the series "Loggie di Rafaele nel Vaticano" after G. Savorelli and P. Camporesi the Elder. Bright and fresh colour.
Printed with two plates, horizontal joint. Passepartout.
All-side borders, ca. 40 mm.
110 x 49 cm (Blattmaß), 109 x 42,4 cm (Plattenmaß).
068 William Nicholson "London Types". 1898.
William Newzam Prior Nicholson 1872 Newark-on-Trent – 1949 Blewbury
8 coloured woodcuts. Book edition. Sheets with perforation to the left border. Slightly darkened.
33,1 x 28,5 cm (Blatt).
069 Johann Carl August Richter "Dresden viewed from the quartier Neustadt". Ca. 1830.
Johann Carl August Richter 1785 Dresden – 1853 ebenda
Coloured etching. Inscribed. Framed in passepartout with glass.
18 x 25 cm.
Johann Anton Riedel 1736 Falkenau (Eger) – 1816 Dresden
Coloured engraving. Proscenium sheet. From: "Collection des Prospects". Passepartout. Cut, slightly darkened.
30 x 40 cm.
071 Honoré Charles Sardou "Portrait of a man". 1842.
Honoré Charles Sardou 1806 Aix – 1872
Pastel on ochre paper. Signed and dated to the lower right. Passepartout. Slightly foxed and darkened.
37 x 27,5 cm.
072 Louise Seidler "Portrait of a child". 1858.
Louise Seidler 1786 Jena – 1866 Weimar
Pastel and pencil drawing on brown paper. Signed with pencil and dated to the lower right. Illegibly inscribed to the lower middle.
Numerous crinkles, verso the lower corners restored. Completely mounted on fibrous web.
073 Franz Stadler "The entrance to the Plauenscher Grund near of Dresden". Ca. 1780.
Franz Stadler um 1762 Dresden – nach 1811 ebenda (?)
Coloured etching. Signed and inscribed on the print medium.
Darkened, with two minor tears. Small edges.
26,5 x 32,7 cm.
074 Hans Thoma "Spring on tarn". 1898.
Hans Thoma 1839 Bernau/Schwarzwald – 1924 Karlsruhe
Coloured algraph. Signed on the print medium. Passepartout.
38,5 x 25,2 cm.
075 Giovanni Volpato "Caritas and her children (Pilaster 11)". 177476.
Giovanni Volpato 1733 Bassano – 1803 Rom
Coloured engraving. From the series: "Loggie di Rafaele nel Vaticano" after G. Savorelli und P. Camporesi the Elder. Printed with two plates (horizontal joint). Lower base illustration is missing (edge old remounted). Bright and strong colour.
Verso all-side edges remounted (ca. 2 cm). Passepartout.
82 x 47 cm.
076 Giovanni Volpato "Ornament mit verschiedenen Figuren und Tieren (Pilaster 7)". 177476.
Giovanni Volpato 1733 Bassano – 1803 Rom
Coloured engraving. From the series: "Loggie di Rafaele nel Vaticano" after G. Savorelli und P. Camporesi the Elder. Printed with two plates (horizontal joint). Lower base illustration is missing. Bright and strong colour.
Old mounted. 5 wormholes to the upper right outside the illustration. Passepartout.
2 horizontal crinkles old restored and smoothed respectively (to the upper third and to the joint).
79 x 48 cm.
Johann Friedrich Wizani 1770 Dresden – 1835 ebenda
Coloured etching after a drawing of Philipp Veith. Signed and titeled to the lower rim: 'acheve par Wizani le jeune'.
Printed by Heinrich Rittner in Dresden.
Paper darkened, with several minor brown stains.
52,5 x 64,5 cm (Plattenmaß), 56 x 71,5 cm (Blattmaß).
078 Johann Gottlob Schumann "Der Amselstein" (Elbe Sandstone Mountains). Ca. 1800.
Johann Gottlob Schumann 1761 Dresden – 1810 ebenda
Coloured aquatint after a drawing of J.G. Jentzsch. Inscribed. Framed with glass.
32,6 x 38,8 cm.
079 "Dresa florentis simum misniae opp. illust: Saxoniae ducum sedes". Cologne. Ca. 1580.
Coloured engraving. From: Braun, Georg und Franz Hogenberg: "Civitates Orbis Terrarum." Cartridge with title to the upper right, escutcheon of the Wettins to the lower middle. Passepartout.
Crinkle to the middle. Lower border cut and new remounted.
The "Civitates Orbis Terrarum" – Cities of the world – was one of the most famous works of the late 16th cent. This monumental book was completed between 1572 and 1617. It was on of the first systematical atlases of cities. Numerous editions, mainly in Latin.
19,8 x 51,9 cm.
080 F. Riedel "Prospect of the Saxon castle Hubertusburg". Late 18th cent.
Gottlieb Friedrich Riedel 1724 Dresden – 1784 Augsburg
Coloured engraving after a drawing of Perignon. Signed and inscribed. Passepartout.
Minor damages.
Old restoration to the lower corners.
29,5 x 41,5 cm.
081 M.J. Mayer "Ducatus Wurtenbergici cum ... Circuli Suevici ... Marchionatu Badnsi et Sylva vulgo Nigra." 1710.
Two coloured copper cards. Printed by J.B. Homann. Two cartridges with views of german cities Tübingen and Stuttgart. Sidwise borders with 38 illustrations of escutcheons and another plan of the Rhine (from Lake Constance to Basel). Framed in passepartout with glass. Very good condition, not darkened, not cut.
Je 59 x 49 cm.
082 Matthäus Seutter "Carte De La Prevoste Et Vicomte De Paris ...". Ca. 1740.
Matthäus Seutter 1678 Augsburg – um 1757 ebenda
Coloured engraving. Figurative cartridge to the left border.
Crinkle to the middle. Minimal freckles.
49 x 57 cm.
083 "Ein Sächsischer Bürger, Ein Sächsischer Bauer vors Vater Land ...". 17th cent.
Coloured engraving. Passepartout.
Left border cut and with two tiny holes.
28,5 x 19,5 cm.
084 Unknown artist "The change of the great army over the river Elbe in Dresden". 1813.
Watercoloured pen drawing. Signed to the lower left and verso illegible once more.
21,5 x 26,5 cm.
085 Unknown artist "The Frauenkirche of Dresden and the Neumarkt". 2nd half of 18th cent.
Coloured engraving. Proscenium sheet. "Illuminated" per super-imposed bonds, 3-D-Effekt.
Slightly foxed and traces of crinkles.
26,5 x 37,5 cm.
086 Unknown artist "View of Switzerland". 2nd half of 19 cent.
Etching in brown, coloured. Framed in passepartout with glass.
39 x 53 cm.
087 Unknown English artist "Astronomy". 2nd half of the 18 cent.
Etching and crayon manner. Inscribed on the print medium to the lower rim: "Printed for R. Sayer in Fleetstreet. & H. Overton without Neargate, Price ". Framed in passepartout with glass.
BA: 24,5 x 35 cm.
088 Unknown English artist "Sculpture". 2nd half of the 18 cent.
Coloured etching and crayon manner. Inscribed on the print medium "Printed for R. Sayer in Fleetstreet. & H. Overton without Neargate, Price ". Framed in passepartout with glass.
BA: 25 x 35 cm.
089 Carl Wilhelm Arldt "Railway station of the railway Leipzig-Dresden in Leipzig". Ca. 1830.
Carl Wilhelm Arldt 1809 Nieder-Ruppersdorf – 1868 Löbtau b. Dresden
Lithograph. Inscribed. Passepartout.
13,5 x 19,7 cm.
090 Carl Wilhelm Arldt "Railway station of the railway Leipzig-Dresden in Dresden". Ca. 1830.
Carl Wilhelm Arldt 1809 Nieder-Ruppersdorf – 1868 Löbtau b. Dresden
Lithograph. Inscribed. Passepartout.
13,5 x 19,7 cm.
091 Benoit Audran "Hoc est Corpus meum quod pro vobis datur ". 1st quarter of the 18th cent.
Benoit Audran II 1698 Paris – 1772 ebenda
Engraving after a painting of N. Poussin. Inscribed on the print medium. Passepartout.
Cut to the platemark.
27,5 x 35 cm.
092 Benoit Audran "Remittuntur ei peccata multa, quia dilexit multum". 1st quarter of the 18th cent.
Benoit Audran II 1698 Paris – 1772 ebenda
Engraving after a painting of N. Poussin. Inscribed on the print medium. Passepartout.
Cut to the platemark.
28,5 x 35 cm.
093 Gabriel Bodenehr "Prospect of the city Freyberg in Meißen". Ca. 1743.
Gabriel Bodenehr d.Ä. 1673 Augsburg – 1765 ebenda
Engraving. Passepartout.
Slight crinkles.
16,7 x 25,5 cm.
094 Hugo Bürkner "Calm hours". 1861.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. Monogrammed and dated on the print medium.
16,3 x 17,2 cm.
095 Hugo Bürkner "Dance melody". 1854.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. Monogrammed and dated on the print medium.
15 x 18 cm.
096 Hugo Bürkner "Playing children in the garden". 1866.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. Monogrammed and dated on the print medium.
10,6 x 14,5 cm.
097 Hugo Bürkner "Drawing child". 1864.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. Monogrammed and dated on the print medium.
10,5 x 14 cm.
098 Hugo Bürkner "The brave Hans". 1859.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. Monogrammed and dated on the print medium.
11,5 x 7,7 cm.
099 Hugo Bürkner "Mariechen". 1858.
Hugo Bürkner 1818 Dessau – 1897 Dresden
Etching. Monogrammed and dated on the print medium.
11,8 x 8,3 cm.
100 R. Burger "Scharfenberg". Um 1860.
Rainer Burger 2.H. 20.Jh.
Lithograph after a drawing from C.W. Arldt. Passepartout.
Slightly darkened.
16,5 x 24 cm.
101 I. Clark Meißen on the Elbe from the West. 19th cent.
Coloured lithograph. Inscribed. Passepartout.
10 x 16,6 cm.
102 J.A. Darnstedt "Ansicht der Granitfelsen nach der Brück zu, von der Buschmühle". Ca. 1830.
Johann Adolph Darnstedt 1769 Auma – 1844 Dresden
Etching after a drawing of J.Chr. Klengel.
Slightly foxed.
15,2 x 20,5 cm.
103 Albrecht Dürer "The horsemen of the Apocalypse". Ca. 149698.
Albrecht Dürer 1471 Nürnberg – 1528 ebenda
Woodcut. Monogrammed on the print medium to the lower middle. Printed in the "Reichsdruckerei", ca. 1900. Passepartout.
39 x 27,7 cm.
104 Albrecht Dürer "St. Hubertus, also named Eustachius". Ca. 1501.
Albrecht Dürer 1471 Nürnberg – 1528 ebenda
Woodcut. Monogrammed on the print medium to the lower middle. Printed in the "Reichsdruckerei", ca. 1900. Passepartout.
37,6 x 27,8 cm.
105 Otto Eckmann "Spring time". 1895.
Otto Eckmann 1865 Hamburg – 1902 Badenweiler
Lithograph. From the "PAN"-Magazine. Inscribed. Passepartout.
Faded edges.
25,5 x 11,2 cm.
106 Bernard Fiedler "Egyptian landscape". Ca. 1868.
Bernhard H. Fiedler 1816 Berlin – 1904 Triest
Watercoloured pencil drawing on brown paper. Signed with pencil to the lower right, illegible inscribed to the lower left.
Faded edges.
14,8 x 21,3 cm.
107 Bernard Fiedler "Cairo". 1868.
Bernhard H. Fiedler 1816 Berlin – 1904 Triest
Pencil drawing. Signed to the lower right, inscribed and dated to the lower left.
19,3 x 27 cm.
108 Bernard Fiedler "Cairo". 1868.
Bernhard H. Fiedler 1816 Berlin – 1904 Triest
Pencil drawing. Signed to the lower left, inscribed and dated to the lower right.
27 x 19,3 cm.
109 J. Fleischmann "Institut of Blockmanns in Dresden". Ca. 1850.
Julius Fleischmann 1813 Meißen – ?
Steel engraving after a drawing of F. Oehme.
Slight darkened, slight traces of crinkles.
19 x 53 cm.
110 Monogramist I. F. "Les Free-Massons". Late 18th cent.
Engraving after L. F. D. B. Inscribed on the print medium.
Crinkle to the middle, foxed to the borders, slight water stain.
33,5 x 42 cm.
111 Christian August Günther (attributed) "Vue de Liebethal". Ca. 1800.
Christian August Günther getauft 1759 Pirna – 1824 Dresden
Coloured etching. Inscribed.
18,5 x 20,4 cm.
112 Hawkins "Perspective View of Dresden, the Capital City of Saxony". Ca. 1763.
Coloured engraving. Inscribed.
Slight flaw on the paper to the upper right.
25,7 x 30 cm.
113 Hubert von Herkomer "Portrait of a young lady in black dress". Ca. 1888.
Hubert Herkomer 1849 Waal – 1914 Budleigh Salterton
Etching. Signed in pencil to the lower right. Printed by Thomas Mc. Lean, London.
Slight darkened and traces of crinkles.
62,5 x 49 cm.
114 Huber "Farmhouse by Kieslingswalde" / G. Pommer "Jägerndorf". Ca. 1850.
Steel engravings. Inscribed. Passepartout.
10,3 x 16,5 cm; 10,5 x 16,3 cm.
115 Huber "Der Karpenstein by Landeck" / "Ruin Kaltenstein". Ca. 1830.
Steel engravings after drawings of Th. Blätterbauer. Inscribed. Passepartout.
10,7 x 16,2 cm; 10,5 x 15,6 cm.
116 I. H. Ketzschau "The city Lößnitz, his churches and his principal buildings". Ca. 1840.
I. H. Ketzschau Tätig Mitte 19.Jh.
Lithograph after a drawing of W. Wegener. Passepartout.
Several slight darkened, two slight crinkles.
27 x 34 cm.
117 Francis Legat "Shakespeare Hamlet, Act IV, Scene V". Ca. 1790.
Engraving after a painting of B. West. Inscribed.
Cut.
50 x 63 cm.
118 Emil Limmer "At home". No date.
Emil Limmer 1854 Borna – 1931 Dresden
Pen and pencil drawing. Monogrammed to the lower left. Passepartout. Two prints of the same artist added.
13,7 x 14,3 cm.
119 Emil Limmer "Friedrich the Great and contestant Linsenbarth". 1886.
Emil Limmer 1854 Borna – 1931 Dresden
Pen and pencil drawing. Monogrammed and dated to the lower right. Verso inscribed with pencil from foreign hand. Passepartout.
17 x 20 cm.
120 T. Conrad Lotter "Artesia cum finitimis locis velut Sedes Ac Theatrum Belli ...". Ca. 1730.
Coloured engraving after Guillaume de L'Isle. With decorative cartridge to the upper right with allegories of war and peace.
Crinkle to the middle.
49 x 58 cm.
121 Lütke "Nine views of the Elbe Sandstone Mountains". Ca. 1850.
Lithographs with illustrations of: Bastei, Lilienstein, Lochmühle, Prebischthor, Kuhstall, Hohnstein, Amselfall, Lohmen and Königstein. Printed by E.H. Schroeder, Berlin. Passepartouts.
16,7 x 23,8 cm.
122 Bernhard Mannfeld "Castle Weesenstein". Ca. 1870.
Bernhard Mannfeld 1848 Dresden – 1925 Frankfurt a. Main
Etching in black-brown. Signed and inscribed on the print medium.
Restored.
26,5 x 22,3 cm.
123 Johann Georg Mentzel "Procpect of the city Zittau southbound". 1714.
Johann Georg Mentzel 1677 Leipzig – 1743 ebenda
Engraving. From: Grosser, S.: "Lausitzische Merckwürdigkeiten". Passepartout.
Slight darkened and mouldy, crinkle to the middle.
29,5 x 35,5 cm.
124 Matthäus Merian "The city Görllitz". Ca. 1650.
Matthäus I Merian 1593 Basel – 1650 Schwalbach
Engraving. From "Topographie Obersachsen". Passepartout.
Slight crinkle to the middle.
28 x 35,3 cm.
125 Matthäus Merian "Prospect Deß Paßes Damgarten". Ca. 1652.
Matthäus I Merian 1593 Basel – 1650 Schwalbach
Engraving. Passepartout.
Slight crinkle to the middle.
22,5 x 31 cm.
126 Matthäus Merian "The castle of Pirna". Ca. 1650.
Matthäus I Merian 1593 Basel – 1650 Schwalbach
Engraving. From: "Topographia Obersachsen". Passepartout.
Slight crinkle to the middle.
19,6 x 32 cm.
127 Matthäus Merian "The city Freyberg in Meissen in state of siege anno 1643".
Matthäus I Merian 1593 Basel – 1650 Schwalbach
Engraving. From: "Theatrum Europaeum". 1647. Passepartout.
Restored.
29 x 37,3 cm.
128 Matthäus Merian "Döblen" (Döbeln). Ca. 1650.
Matthäus I Merian 1593 Basel – 1650 Schwalbach
Engraving. From: "Topographia Obersachsen". Passepartout.
Slight crinkle to the middle. Sidwise borders cut.
14 x 37,3 cm.
129 Matthäus Merian "Colditz". Ca. 1650.
Matthäus I Merian 1593 Basel – 1650 Schwalbach
Engraving. From: "Topographia Obersachsen". Passepartout.
Slight crinkle to the middle. Upper border cut.
14 x 37,5 cm.
130 Monogrammist F. v. M. "Mountainscape". 1823.
Washed sepia drawing. Monogrammed and dated to the lower right. Passepartout.
30 x 43,5 cm.
131 Giovanni Battista Piranesi "Veduta della Basilica di S. Giovanni Laterano". 1749.
Giovanni Battista Piranesi 1720 wohl Mogliano – 1778 Rom
Etching. From: "Vedute die Roma".
WVZ Hind 8 III (from VI), Focillon 790. Inscribed. Bright and forceful print. Passepartout.
52,5 x 68,5 cm (Blattmaß), 39,2 x 55,2 cm (Plattenmaß), 37,2 x 54,8 cm (Darstellung).
132 Giovanni Battista Piranesi "Veduta del Sepolcro di Cajo Cestio". 1755.
Giovanni Battista Piranesi 1720 wohl Mogliano – 1778 Rom
Etching. WVZ Hind 35 III (from VI). Inscribed. Bright and forceful print. Passepartout.
47,7 x 62 cm (Blattmaß), 40,7 x 55 cm (Plattenmaß), 38,5 x 54,5 cm (Darstellung).
133 Otto F. Probst "The guildhall of Augsburg". No date.
Etching in black-green. Signed on the print medium to the lower right. Signed with pencil to the lower right, inscribed and numbered: II, 6 to the lower left.
Borders with traces of crinkles.
46 x 35,2 cm.
134 Samuel Prout "Part of the castle of Heidelberg" / "At Ratisbonne". Ca. 1830.
Samuel Prout 1783 Plymouth – 1852 Camberwell/London
Lithographs. Inscribed and monogrammed on stone.
With slight darkened borders, one work with slight crack to the left border.
42,5 x 28,5 cm; 30 x 43 cm.
135 Augustin Hirschvogel "Landscape with village on a river". 1549.
Etching. Monogrammed and dated on the print medium. Facsimile-print from the Reichsdruckerei, 1st half of the 20th cent.
16,3 x 18,6 cm.
137 Maximilian Rakette "The old bridge over the river Main". 1914.
Maximilian Rakette 1887 – ?
Coloured lithograph. Signed on stone and dated to the lower left. Signed in pencil and dated to the lower right, inscribed to the lower left. Numbered: No. 21.
37 x 44,5 cm.
138 Maximilian Rakette "Twighlight". 1914.
Maximilian Rakette 1887 – ?
Coloured lithograph. Signed and dated on the print medium, below inscribed, signed, dated and numbered with pencil: No. 43.
Minor mouldy, small tear to the right rim.
42,5 x 55 cm.
139 Johann Christian Reinhart "A Subiaco". 1792.
Johann Christian Reinhart 1761 Hof / Bayern – 1847 Rom
Etching. Inscribed, signed and dated on the print medium to the lower left. Passepartout.
Slight traces of use.
38 x 28,2 cm.
140 Rembrandt Harmensz van Rijn "Christ and woman at font". 1634.
Rembrandt Harmenszoon van Rijn 1606 Leiden – 1669 Amsterdam
Etching. Amslerdruck um 1900.
Catalogue raissoné Bartsch-White Boon, II, 71.
12 x 16 cm.
141 Rembrandt Harmensz van Rijn "Selfportrait, drawing". 1648.
Rembrandt Harmenszoon van Rijn 1606 Leiden – 1669 Amsterdam
Etching. Signed on the print medium and dated to the upper left. Amslerdruck um 1900.
Catalogue raissoné Bartsch 22.
16,3 x 13,3 cm.
142 Renner & Ketzschau "Nossen and his principal buildings". Ca. 1840.
Lithograph after a drawing of W. Wegener. Passepartout.
Several yellowly spots, vertical crinkle to the right side.
23,7 x 37 cm.
143 Renner & Ketzschau "Camenz and his churches". Ca. 1840.
Lithograph after a drawing of J. Möckel. Passepartout.
Crinkle to the middle.
28 x 23 cm.
144 Renner & Ketzschau "Waldheim, his churches and principal buildings". Ca. 1840.
Lithograph after a drawing of W. Wegener. Passepartout.
Vertical crinkle to the right border, left border with minor tear (ca. 3,5 cm), restored.
25 x 36 cm.
145 Renner & Ketzschau "Stolpen and his principal buildings". Ca. 1840.
Lithograph after a drawing of Wegener. Passepartout.
Vertical crinkle, left border with minor tears and crinkles.
23,5 x 35 cm.
146 Renner & Ketzschau "Radeberg and his principal buildings". Ca. 1840.
Lithograph after a drawing of Wegener. Passepartout.
Vertical crinkle to the right side, lower left corner cut.
23,5 x 31 cm.
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
19 etchings on 7 plates, verso stamped. With views of Lilienstein, Bastei, Basteifelsen bei Rathen, Pirna and Sonnenstein, tavern of Bastei, Hohenstein, Kuhstall, Schandau and Lilienstein, Prebischthor, the waterfall by Langhennersdorf, Stolpen, Lohmen, the Thor im Ottowalder Grunde, the Bielgrund, the Brand bei Hohenstein, the Thor auf dem Neu Rathen.
Modified version of "Sächsische Schweiz" of 1934 (Catalogue raissoné Hoff-Budde 222–240).
Catalogue raissoné Hoff/Budde S. 87. Original linen-folder, minor damages to the edges.
15 x 40 cm (Blatt).
Adrian Ludwig Richter 1803 Dresden – 1884 ebenda
Etching. Inscribed. Framed with glass in passepartout. Catalogue raisonné Hoff/Budde 264 VI.
31,5 x 17,9 cm.
149 Unknown artist "Shipwreck at the Norman coastline". 1848.
Engraving. Monogrammed and dated on the print medium to the lower left. After a painting of Rudolf Jordan, Staatliche Kunstsammlungen Dresden, Gemäldegalerie Neue Meister.
40 x 48 cm.
150 E.I. Roberts "Cologne". 1830 (?).
Colour print after a painting of B. Foster. Inscribed and dated. Framed with glass in passepartout.
10,5 x 15 cm.
151 Thomas Ryder "Shakespeare Othello, Act II, Scene I". Um 1790.
Etching. Inscribed on the print medium.
Cut. Mounted on paper.
50 x 63 cm.
152 Friedrich Gustav Schlick "Westerly porch of the cathedral of Meissen".
Friedrich Gustav Schlick 1804 Leipzig – 1869 Dresden
Lithograph after a drawing of Carl Sprosse. Printed by Hanfstaengl. Framed with glass.
Slight darkened.
29,5 x 23 cm.
153 E. C. Schmidt "Environment of Eisenach" / Unknown artist "Wartburg". 2nd half of the 19th cent.
Engraving / Etching. The etching illegible signed in pencil to the lower right, inscribed to the lower left.
The souvenir picture with slight tears.
22,5 x 28 cm; 9,5 x 13,5 cm.
154 Adolf Schroedter "Walking musicians". 1837.
Adolph Schrödter 1805 Schwedt – 1875 Karlsruhe
Coloured etching. Dated and inscribed on the print medium.
Tear to the lower rim, restored. Cut, slightly darkened.
23 x 30,5 cm.
155 Matthäus Seutter "Gallia Concinnata ad magnum numerum mapparum ....". Ca. 1740.
Coloured engraving.
Crinkle to the middle. Slightly darkened spots to the lower right corner.
49 x 58 cm.
156 Moritz Steinla "Nude of a man, leaning against a wall". Ca. 1820.
Moritz Steinla 1791 Steinlah – 1858 Dresden
Pencil drawing. Passepartout.
Two water spots to the lower right.
58 x 39 cm.
157 Robert Thew "Shakespeare Hamlet, Act I, Scene IV". Ca. 1790.
Etching. Inscribed on the print medium.
Cut, mounted on paper.
50 x 63 cm.
158 Philipp Veith "Partie bey der Friedrichs Brücke in Friedrichstadt Dresden". Ca. 1830.
Carl Moritz Veith 1818 – 1866
Engraving after a drawing of Oehme. Signed on the print medium.
The borders with slight crinkles.
22,2 x 27,8 cm.
160 Charles Welsch (attributed) "Sketch of Egypt". No date.
Charles Feodor Welsch 1828 Wesel – 1904 Dresden
Graphite drawing on grey paper. Passepartout.
The borders shop-soiled.
32 x 22,5 cm.
161 Charles Welsch The mounteneer. No date.
Charles Feodor Welsch 1828 Wesel – 1904 Dresden
Washed graphite drawing on olivegreen paper. Verso stamp of the artist. Passepartout.
17 x 10,5 cm.
162 Charles Welsch At he waterfall. No date.
Charles Feodor Welsch 1828 Wesel – 1904 Dresden
Graphite drawing on grey paper. Verso with stamp of the artist. Passepartout.
14 x 8,7 cm.
163 Charles Welsch "Italien". 1870es.
Charles Feodor Welsch 1828 Wesel – 1904 Dresden
Pencil drawing. Passepartout. Verso estate stamp.
44 x 25,5 cm.
164 Charles Welsch (attributed) "Sketches on Egypt". No date.
Charles Feodor Welsch 1828 Wesel – 1904 Dresden
Graphit drawing on grey paper. Illegible signed to the lower middle. Passepartout.
Slight crinkles and shop-soiled.
31 x 27 cm.
165 J.J. Winckler "Corpus Juris ecclesiastici Saxonici, Oder Churfl. Sächs. Kirchen-Schulen- wie auch andere darzu eehörige Ordnungen, nebst unterschiedlichen Ausschreiben in Consistorial- und Kirchen-Sachen. Dresden, 1708.
Title engraved. Folded genealogical tree. 518 pages. Vellum-bounded.
Minimal traces of use.
19,5 x 17 cm.
166 Carlo Zucchi "Veduta del Palazzo di Cá Grimani in S. Luca Sopra il Canal Grande". Ca. 1750.
Coloured engraving after a drawing of Gioseppe Valeriani. Inscribed on the print medium. Framed with glass.
Slightly darkened.
22 x 29 cm.
167 Unknown artist "Altstadt Dresden". Ca. 1820.
Engraving. From: "Der Sächsische Trompeter". Passepartout.
Slightly mouldy.
12 x 16 cm.
168 Unknown artist "Teplitz-Schloßberg". Ca. 1850.
Coloured lithograph. Printed by Ed. Müller, Dresden. Framed in passepartout with glass.
BA: 10,5 x 16,8 cm.
169 Unknown artist "Teplitz-Sternbad and Lindengasse". Ca. 1850.
Coloured lithograph. Printed by Ed. Müller, Dresden. Framed in passepartout with glass.
BA: 11 x 16,5 cm.
170 Unknown artist "The fire of the Kreuzkirche in Dresden, the 16th february 1897". Ca. 1900.
Coloured lithograph. Printed by G.A. Wehner, Dresden. Inscribed.
34,2 x 25,2 cm.
171 Unknown artist "View of Dresden". 1809.
Pencil drawing on hand-made paper. Inscribed and dated to the upper right. Verso another view of Dresden in pencil. Slightly mouldy. Mounted.
12 x 34,7 cm.
172 Unknown artist "Bundle of 7 vegetable illustrations". 1st half of the 19th cent.
Indian ink and pencil drawings. Partially dated and inscribed.
Verschiedene Formate.
173 Unknown artist "Castle Hohnstein". Ca. 1830.
Coloured etching. Printed by Begersche Buch- u. Kunsthandlung Dresden.
Slightly darkened and restored.
17,2 x 22,8 cm.
174 Unknown English (?) artist "Landscape with sea and castle" / "Seascape". 19th cent.
Aquatints in brown. Framed in passepartout with glass.
D. 31 cm.
175 Unknown artist "Priesnitz sur l'Elbe pres de Dresde". Ca. 1830.
Coloured etching. Passepartout.
Cut.
8,7 x 13,7 cm.
176 Unknown artist "Priesnitz near Meißen". 1851.
Pencil drawing. Inscribed and dated to the lower right. Borders slightly shop-soiled, darkened to the lower left.
30,3 x 42 cm.
177 Unknown artist "Neustadt Dresden". Ca. 1820.
Engraving. From: "Der Sächsische Trompeter". Passepartout.
12 x 16 cm.
178 Unknown artist "Landscapes with rocks and walkers". Ca. 1730.
Washed pencil drawing. Numbered in pencil to the upper right: 10b4. Mounted on paper.
16,2 x 21 cm.
181 Unknown artist "Assumption Day" / "The holy family". 1st half of the 19th cent.
Mezzotint engraving. Inscribed in pencil with foreign hand.
Slightly mouldy.
25,8 x 19,5 cm.
183 "A view of Moretsburg in Saxony one of y Hunting Seats of y King of Poland". 1752.
Engraving after a drawing of Meaurer. Printed by H. Overton, London. Passepartout. Cut, the upper border with slight spots.
26 x 40 cm.
184 "Duces Saxoniae Electo, Res. Ex Marchionibus Misniae". 17th cent.
Engraving. Genealogy of the dynasty of princes of Wettin with view of Dresden. Fol. XXXI.
Slight crinkles to the edges.
53,5 x 38,5 cm.
185 Kaspar Merian "Prospect of the river Elbe by Dresden, from Loschwitz".
Caspar Merian 1627 Frankfurt/M. – 1686 Holland
Engraving. Signed to the lower right "Casp. Merian fec". Brilliant print.
Cut, miner mouldy, slight crinkles. Old tear in the middle, restored.
24,5 x 102 cm.
186 Bundle of 11 papers "Dresden". 19th cent.
Different methods. One sheet coloured.
Verschiedene Formate.
187 Bundle of 8 "Illustrations of religious customs of the Judaism". 1723/25.
Engravings. From: Bernard Picard: "Ceremonies et costumes religieuses de tous les peubles du monde. Amsterdam". 1723ff.
The borders partially cut.
34 x 22 cm.
188 Bundle of 25 "Play bills of the Royal Opera of Dresden". 190215.
Differents performances.
All sheets doubly folded.
39 x 22 cm.
189 Bundle of 46 "Illustrations of the religious customs of the Christian Religion". 1723/25.
Engravings. From: Bernard Picard: "Ceremonies et costumes religieuses de tous les peubles du monde. Amsterdam". 1723ff.
The borders partially cut and darkened. Some sheets with water spots.
34 x 22 cm.
195 Elisabeth Ahnert "Tegernsee". 1927.
Elisabeth Ahnert 1885 Chemnitz – 1966 Ehrenfriedersdorf
Etching. Signed and dated with pencil to the lower right, inscribed and numbered to the lower left: III. proof.
Slight crinkle to the upper right edge.
13 x 17,5 cm.
196 Elisabeth Ahnert "Repose on the flight". 1923.
Elisabeth Ahnert 1885 Chemnitz – 1966 Ehrenfriedersdorf
Etching. Signed and dated with pencil to the lower right, inscribed to the lower left. Numbered to the lower left: 3. proof.
14,3 x 19,5 cm.
197 Wilhelm Altheim "Three men". No date.
Wilhelm Altheim 1871 Groß-Gerau – 1914 Frankfurt/M.
Etching. With stamp of the artist. Verso estate stamp and collection stamp.
39 x 29,5 cm.
198 Juri Balcar "The auditor". 1966.
Etching in green-black. Signed and dated with pencil to the lower right, numbered to the lower left: 6/10.
33 x 21,5 cm.
* Droit-de-suite of 2.00 % applies.
199 Carl Barnas "Vast landscape with fields". No date.
Etching in brown. Signed with pencil to the lower right. Framed in passepartout with glass.
16 x 21 cm.
200 Carl Barnas "harvest landscape". No date.
Etching in brown. Signed with pencil to the lower right. Framed in passepartout with glass.
13,5 x 20 cm.
201 Georg BaselitzGeorg Baselitz "Untitled". 1972.
Georg Baselitz 1938 Deutschbaselitz – lebt in Derneburg
Etching. Monogrammed to the plate. Signed and dated with pencil to the lower right, titled and dedicated: trial proof for Ralf (A.R. Penck) to the lower left.
Lower rim uneven and with a tiny crinkle.
36,5 x 48,9 cm.
202 Georg BaselitzGeorg Baselitz "Untiteled". 1972/73.
Georg Baselitz 1938 Deutschbaselitz – lebt in Derneburg
Etching. Signed and dated with pencil to the lower right, titled and dedicated: trial proof for Ralf (A.R. Penck) to the lower left.
Rims with minimal traces of dust, tiny tear to the left rim of the paper (1cm).
36 x 48,9 cm.
Franz von Bayros 1866 Agram – 1924 Wien
Folder with 30 heliogravures. Partly with signatures to the plates, partly titled by hand. Private print, subscription print, numbered: 153/300. In the original folder.
Very good condition.
20 x 17,5 cm (Darstellung), 42,5 x 32 cm (Mappe).
204 Edmund Behrend "Landscape with windmill". No date.
Etching. Signed with pencil to the lower right.
13,7 x 13,2 cm.
205 Günther Behrens "Two views of Venice". No date.
Watercolour. Signed with pencil to the lower right. Inscribed to the lower left. Framed in passepartout with glass.
BA: 21 x 24,5 cm.
206 Wolfgang Beier "Grange in winter". 1983 / "Harbour landscape". 1979.
Wolfgang Beier 1925 Dresden – lebt in Dresden
Etching / lithograph. Etching signed with pencil and dated to the lower right, inscribed to the lower left. Lithograph signed in stone and dated to the lower right.
17,5 x 24,5 cm; 17 x 26,3 cm.
207 Kurt Benning "Promenader". No date.
Offset printing. Numbered with pencil to the lower left: 22/150, signed to the lower right.
28,5 x 49 cm.
208 Johannes Beutner Pillnitzer Landstraße. 1930es.
Johannes Beutner 1890 Cunnersdorf/Sächs. Schweiz – 1960 Dresden
Graphite drawing. Verso with authentication of the artists wife Hilda Beutner. Passepartout.
10,6 x 14,7 cm.
209 Richard Birnstengel "Nebulous evening". 1920.
Richard Birnstengel 1881 Dresden – 1968 ebenda
Etching in black-brown. Signed with pencil and dated to the lower right, titled and inscribed to the lower left: self-print(ed).
14,8 x 23 cm.
210 Peter August Böckstiegel "Silesian refugee". 1950.
ZURÜCK
