ONLINE-CATALOGUE
AUCTION 73 | 17. September 2022 |
Paintings 16th-19th ct.
Paintings, Modern
Paintings, Post War/Contemp
Graphic works, 16th-19th ct.
Martin Pietzsch Estate
Graphic works, Modern
Graphic works, Post War/Contemp
Photography
The Heinemann collection
Sculptures
European Porcelain
European Glass
Jewellery / Accessoires
Silverware
Japanese Art
Asian Porcellain & Ceramics
Asian Miscellanea
Miscellanea
Frames
Furniture / Fittings
Rugs, Carpets
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881 Seladon bowl. Korea. Probably Goryeo dynasty, 12th - early 14th cent.
Stoneware. Stoneware, reddish grey body, transparent, glossy celadon glaze over white and black slip inlays in sanggam technique. Wide, flat, slightly non-circular form. The interior with four floral bands under a narrow band with line decoration, in the mirror three central chrysanthemum blossoms surrounded by a band of ruyi sceptre heads. The exterior with four chrysanthemum medallions in a wide band of floral arabesques between an upper band of line decoration and a lower band of lotus
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D. 20,3 / 19,8 cm, H. 7 cm.
883 Qingbai (?) vessel. China. Probably Yuan dynasty, 1261– 1368.
Stoneware. Stoneware, reddish-brown body, with a matt-glossy greenish-grey glaze. Depressed spherical form with indented neck and plate-shaped flared rim. Body unglazed at the stand and base. On the base a paper label of the Chinese Trade Association Cultural Property of the early 1950s with details of the object.
Provenance: Family property since 1954, gift of a diplomat from the Chinese state government.
Glaze with isolated air bubbles and material adhesions due to the manufacturing process. Glaze cracks (2 cm, 6 cm, 6 cm and 2 cm) below the flared mouth rim, partially running into the neck and shoulder. Mouth rim on the inside with superficial rubbing (max. 1.3 x 0.4 cm).
H. 12 cm.
885 Baluster-Vase. China. Qing-Dynastie, wohl Kangxi-Periode, 1662– 1722.
Porcelain, leicht gräulicher Scherben, die Außenwandung glänzend schwarz glasiert, die Innenwandung sowie der Boden mit bläulich-weißer Glasur. Die Außenwandung mit Prunus-Blütenzweigen und Chrysanthemenblüten in Gold dekoriert. Am Boden die Sechs-Zeichen-Marke im Doppelring in Unterglasurblau.
Provenienz: Familie Nocht, Tropeninstitut Nocht, Hamburg.
Mündungsrand mit Chip (ca. 8 mm). Malerei deutlich berieben. Ausgeprägte Bossierfuge. Schwarze Glasur mit vereinzelten Kratzspuren, am Hals ein offener Lunker, Standring mit Schleifspuren. Kleine Glasurunebenheit am Hals innen, einzelne Eisenflecke und Nadelstiche.
H. 19,8 cm.