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AUCTION 64 20. Juni 2020
  Auction 64
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Paintings 16th-19th ct.

000 - 024


Paintings, Modern

030 - 040

041 - 060

061 - 085


Paintings, Post War/Contemp

090 - 100

101 - 120

121 - 140

141 - 153


Graphic works, 16th-18th ct.

161 - 183


Graphic works, 19th ct.

191 - 200

201 - 222


Graphic works, Modern

231 - 240

241 - 260

261 - 280

281 - 300

301 - 320

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341 - 360

361 - 366


Graphic works, Post War/Contemp

381 - 401

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541 - 560

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Photography

631 - 645


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655 - 669


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KatNr. 1 Ioannis Permeniates (workshop), John the Baptist. 1520s.
KatNr. 1 Ioannis Permeniates (workshop), John the Baptist. 1520s.
KatNr. 1 Ioannis Permeniates (workshop), John the Baptist. 1520s.
KatNr. 1 Ioannis Permeniates (workshop), John the Baptist. 1520s.

001   Ioannis Permeniates (workshop), John the Baptist. 1520s.

Ioannis Permeniates  XVI Jh.
Franz von Lenbach 1836 Schrobenhausen – 1904 München

Oil painting on wood. With a vertical burr on the verso. Unsigned. Inscribed "Ecce Agnus Dei" on the scroll. Fragment of a larger painting.

Provenance: Estate of the painter Franz von Lenbach.

We would like to thank Mrs. Marisa Bianco Fiorin, Trieste, for her kind advice. Mrs. Fiorin will soon be publishing the painting offered here in "Archeografo triestino".

Ioannis Permeniates was a Byzantine painter of the Cretan School, which trained on the island of Crete between 1200 and 1650 under the rule of the Serenissima. Thanks to the cultural exchange with Venice a special style of painting was formed, which was influenced by the Byzantine tradition as well as by Italian painting and especially by the Venetian school. The most famous artist of this school was El Greco. After his first painterly beginnings, he soon left the island of Crete for Venice, slowly abandoned his early artistic influence and became one of the most famous artists of Mannerism.Only a few documents have been preserved on the icon painter Ioanni Permeniates. Literary records (Fiorin 81) show that he paid a fee to the Greek brotherhood "I Greci" in Venice in 1523, 1527 and 1528 and ran an influential workshop. Permeniates mainly painted depictions of Madonnas, surrounded by saints, which is why he was also called "Madonnari".The panel offered here shows parallels with the icon in the Correr Museum "The Madonna between St. John the Baptist and St. Augustine": the Baptist is painted with a calligraphic border and, in both works, holds a scroll/cartouche with the inscription in Latin letters "ECCE AGNUS DEI" in his hand. The fine landscape depiction in the background reminds of Venetian traditions of Alvise Vivarini and Giovanni Bellini, but is reinterpreted in the Byzantine style. Probably in the middle of the composition there was also a Madonna, of which only the fragment of her red cloak has survived.
Works by Ioannis Permeniates can be found in the Italian museums of Ravenna and Vicenza. In the Museo Nazionale in Ravenna there is a panel entitled "The Virgin among Saints Jerome, Baptist, Andrew and Augustine" with a precious golden background.

Literature:
Marisa Bianco Fiorin, “Icone della Pinacoteca vaticana”, Citta` del Vaticano 1995, S. 126, Abb. 233.

Marisa Bianco Fiorin, Giovanni Permeniate pittore greco a Venezia e una tavola del Museo Nazionale di Ravenna, in „Bollettino d’Arte Roma”, N. 11, Firenze 1981, pp. 85–88.

Marisa Bianco Fiorin, “Aggiunte per Giovanni Permeniate, pittore greco a Venezia nel secolo XVI”, in “Quaderni della Sopintendenza”, N. 3, Ravenna 1997, s. 29–32.

Luciana Martini, "Cinquanta capolavori nel Museo nazionale di Ravenna", Ravenna 1999, Kat. 39.

Emanuele Fiori und Rosa D`Amico, “La forma del dialogo. Bruno Ceccobelli e le icone della collezione classense”, Roma 2016.

Wooden panel shortened to the right side and in the area of the ogival arch. Left edge of the panel with old nails. Loss of material to the lower left corner. Panel with old wormholes of a former anobia infestation, isolated open wormholes (small holes) to the paint as well as with a drying crack in the middle of the right edge of the picture. Paint with abrasion, slightly soiled as well as with numerous small scratches and defects and splashes of white paint on the surface. Upper corners bumped, with small losses of paint.

47 x 21,5 cm. 6.000 €
sold at 4.000 €
KatNr. 10 Karl Buchholz, Dawning night in the Webicht near Weimar. 1879.
KatNr. 10 Karl Buchholz, Dawning night in the Webicht near Weimar. 1879.

010   Karl Buchholz, Dawning night in the Webicht near Weimar. 1879.

Karl Buchholz 1849 Schlossvippach/Kreis Sömmerda – 1889 Oberweimar

Oil on canvas. Signed "K. Buchholz" and dated lower right. Framed in a profiled, goldbronze coloured wooden frame.

See the motif-like painting "Spring in the Webicht near Weimar", published in: Karl Buchholz 1849–1889. Ein Künstler der Weimarer Malerschule. Leipzig 2000. S. 85, Kat.Nr. 35.

The paint with distinct crackle, crackle slightly bowl-shaped. To the canvas lower left a hole with textile inlay and retouching (ca. 5 x 4 cm), in this area with less surface gloss. Slight rubbing of the paint to the outermost margins, small losses of paint at the corners as well as areas with removed varnish at the right margin, partly to the outermost area. Isolated, minor retouching. Varnish yellowed.

63 x 98 cm, Ra. 81 x 116 cm. 8.500 €
sold at 7.700 €
KatNr. 12 Bürkner, Seestück bei Edinburgh. 19th cent.
KatNr. 12 Bürkner, Seestück bei Edinburgh. 19th cent.

012   Bürkner, Seestück bei Edinburgh. 19th cent.

Oil on canvas. Signiert "Mrs. Bürkner" und ortsbezeichnet "Edinburgh" u.re. Verso auf der Leinwand nochmals signiert "Mrs. Bürkner". In einer goldfarbenen, masseverzierten Holzleiste mit Ornamentfriesen und Eckkartuschen gerahmt.

Alterskrakelee. Retusche im Bereich der Wolken o. Mi. sowie auf der re. Bildhälfte, jeweils verso mit zwei kleinen Flicken hinterlegt. Leinwand verso mit Durchdringungen von Bindemittel und Feuchtigkeitsspuren.

44 x 67 cm, Ra. 62 x 85 cm. 320 €
sold at 280 €
KatNr. 14 O. Faust (?), Porträt einer jungen Dame in schwarzem Kleid. 1883.
KatNr. 14 O. Faust (?), Porträt einer jungen Dame in schwarzem Kleid. 1883.

014   O. Faust (?), Porträt einer jungen Dame in schwarzem Kleid. 1883.

Oil on wood panel (wohl Mahagoni). Signiert "O. Faust" (?) und datiert u.re. Verso auf dem Bildträger u.re. in Blei nummeriert "400". In einer schwarzen, ornamental verzierten Stuckleiste mit gekröpften Ecken und goldfarbener Sichtleiste gerahmt.

Oberflächlich unscheinbare, sehr feine Kratzspuren im Firnis. Partiell leichte Rahmenfalzabdrücke an den Rändern. Malschicht an den Ecken etwas berieben. Rahmen mit vereinzelten Fehlstellen im Stuck und kleinen Bestoßungen, insbes. an Ecke u.re.

45,9 x 37,3 cm,. Ra. 63,3 x 55,1 cm. 750 €
sold at 600 €
KatNr. 15 Constantin Kryschitskij, Reed-covered lake. End of 19th cent.
KatNr. 15 Constantin Kryschitskij, Reed-covered lake. End of 19th cent.

015   Constantin Kryschitskij, Reed-covered lake. End of 19th cent.

Constantin Kryschitskij 1858 Kiew – 1911 St. Petersburg

Oil on wood panel. Signed in cyrillic "K. Kryschitskij" bottom right. Framed in a wide historicizing stucco frame with corner decor and black inner moulding.

Panel slightly rounded. Two retouches to the bottom margin in the area of the water. A scratch with dark trace to the right area of the sky. Varnish slightly yellowed.

19 x 25 cm, Ra. 36 x 43 cm. 3.200 €
sold at 3.400 €
KatNr. 16 Karl Kaufmann (B. Lambert)
KatNr. 16 Karl Kaufmann (B. Lambert)

016   Karl Kaufmann (B. Lambert) "Sommer“. Late 19th cent.

Karl Kaufmann 1843 Neuplachowitz, Schlesien – 1905 Wien

Oil on wood panel. Mit dem Künstlersynonym "B. Lambert" signiert u.li. Verso in Blei betitelt und nummeriert "N 306". Verso Holztafel mit zwei waagerechten Gratleisten.

Druckstellen und Malschicht-Abrieb im Falzbereich. Gelblicher Fleck im Himmel o.re.

47,6 x 26,2 cm. 240 €
sold at 200 €
KatNr. 17 August Gustav Lasinsky, Die Türken vor Wien. Um 1850.
KatNr. 17 August Gustav Lasinsky, Die Türken vor Wien. Um 1850.

017   August Gustav Lasinsky, Die Türken vor Wien. Um 1850.

August Gustav Lasinsky 1811 Koblenz – 1870 Mainz

Oil on wood panel. Ligiert monogrammiert "A.G.L." u.Mi. Verso mit einem Wachsstempel mit dem Siegel der Künstler "A.G.L." versehen. Im breiten Stuckrahmen mit Eckdekor gerahmt, dort verso merfach von fremder Hand bezeichnet.

Malschicht mit vereinzeltem Frühschwundkrakelee im Bereich des Pferds und des Heuwagens, leichtes Alterskrakelee. Abrieb im Falzbereich. Drei punktuellen kleine Retuschen an der re. Bildkante (im Bereich der Kirche). Firnis unscheinbar gegilbt.

27 x 34 cm, Ra. 38 x 45,5 cm. 950 €
sold at 850 €
KatNr. 23 Deutscher Maler, Ruhendes Rind. 19th cent.
KatNr. 23 Deutscher Maler, Ruhendes Rind. 19th cent.

023   Deutscher Maler, Ruhendes Rind. 19th cent.

Oil on canvas, vollflächig auf fester Pappe kaschiert. Unsigniert. In einer Berliner Leiste gerahmt.

Provenienz: Nachlass Dr. Joachim Menzhausen, Dresden.

Kleine Fehlstellen der Malschicht entlang der Ränder sowie leichter Abrieb. Kleine Retuschen am re. Bildrand.

17,5 x 27,3 cm, Ra. 24 x 33 cm. 250 €
sold at 240 €
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Prices shown are estimate prices. The majority of the lots is taxed according to "Differenzbesteuerung", so there is no V.A.T. on the item itself.

* Item of artist registered with the VG Bildkunst, upon which a droit-de-suite fee will be raised, are marked as "Droit-de-suite of 2,5 % applies"". (conditions of sale paragr. 7.4.)

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